The title comes from a series of articles on The Quarter Bin. The subject is a pair of very literal casualties from the recent mini-series, Titans/Young Justice: Graduation Day. I am speaking of Lilith and Donna Troy.

I was rereading the story yesterday, and I realized the two characters killed were those whose origins had been rewritten so many times that people didn’t know how to write them anymore. In fact, Donna has her own article at the Quarter Bin.

And both of them can be traced back to the post-Crisis decision to move Wonder Woman’s origin forward in time.

The immediate result of this was that Wonder Girl had appeared on the scene several years before Wonder Woman. So (1) she was no longer a teenaged sidekick, just a teenaged hero, and (2) she needed a new explanation for her powers. This was left an open question for a couple of years, then handled in Marv Wolfman and George Perez’ excellent “Who Is Wonder Girl.”

The only problem with that story is that it contradicted Lilith’s origin. Lilith had been an orphan, who could see glimpses of the future, but knew nothing of her own past. Her search for her parents (or at least her mother) served as a series of backup stories in the original Teen Titans series, and was finally concluded when she learned (just months before the Crisis) that she was the daughter of Thia, the sun goddess of the Titans of Greek myth. Unfortunately, Donna’s new origin also involved the Titans of Myth, but Thia had never left — leaving Lilith an orphan again.

The real messing up I lay squarely at the feet of Dan Jurgens and John Byrne (although a healthy amount can be blamed on the editorial policy of killing off any concept whose series has been cancelled — like the Darkstars, whose ranks Donna joined after she lost her own powers). Continue reading

I’ve been to the San Diego Comic Con every year since 1990 (before they changed the name to Comic Con International), but this is the first year I’ve gone in costume.

Last weekend, Katie and I searched a bunch of vintage clothing and regular clothing stores looking for pieces she would need for a Sluggy Freelance Gwynn costume from “The Bug, the Witch and the Robot”. I already everything for a Riff costume except long hair, so we looked for hair extensions as well. We plan on putting up a “how-to” at some point, but I’ll just post the finished product here.

A ton of photos follow: Continue reading

Cover: Flash #165Over the past few weeks I’ve been going through the Silver Age Flash series, cataloging character appearances. I’m almost done – only 25 issues left – but it reminded me of something:

Why is it that super-hero weddings are almost always interrupted by super-villains – even when the hero’s identity is secret?

Is it just that readers expect a story with some sort of fight in it, and if it’s just a wedding they’ll be disappointed?

Consider these examples:

  • Flash II (Barry Allen) and Iris West: the wedding is interrupted when Professor Zoom disguises himself as the groom, and the Flash has to get rid of him and then make it to the wedding himself.
  • Flash II (Barry Allen) and Fiona Webb (after Iris’ death): Zoom returns, Flash spends the whole day chasing him around the globe, and eventually Fiona gives up and runs out of the chapel, just in time for Zoom to try to kill her. (Flash stops him with a last-second choke-hold which breaks his neck, leading to a manslaughter trial, the disappearance of Barry Allen, and finally the cancellation of the series.)
  • Flash III (Wally West) and Linda Park: at the moment the rings are exchanged, Abra Kadabra kidnaps Linda, sends everyone home, and casts a massive forget spell, erasing all memory and records of her back to the point she met Wally. Eventually she escapes, Kadabra is tricked into reversing the spell, and they hold a new wedding – 18 issues later.

And it’s not just the main characters who get this treatment: Continue reading

On our trip to Carmel last month we passed by Casa de Fruta, once a simple roadside fruit stand, now a huge complex of stores and restaurants, all with names like Casa de Coffee, Casa de Wine, even Casa de Motel. They even have a mini-railroad for kids, called, naturally, Casa de Choo-Choo.

Of course, we immediately thought of Choo-Choo Bear, the amorphous kitty from Something Positive

Casa de Choo-Choo (slightly modified)

When I heard they were turning Birds of Prey into a TV series, I wasn’t sure what to think, having never picked up the comic book (although I do follow various comics news sites). Having seen 3 episodes, I’m still not sure. The premiere episode was pretty good, for a pilot. In fact, most of the things I disliked about it were, as another review termed it, “pilot-itis” – excessive exposition, cast not quite settled in, etc.
Continue reading