In The Matrix: Revolutions, when Smith asked Neo why he kept fighting, I thought he answered, “Because I’m too stupid.” It wasn’t until I went to the IMDb discussion forums that I figured out he said, “Because I choose to.” I can’t decide if this is better than thinking that, in The Two Towers, Sam said to Gollum, “You’re a wuss.” (Actual line: “You’re hopeless.”) Anybody got others?

I don’t know why it didn’t occur to me before, but recently I started to wonder if, given the prophecy stuff and plotlines of Order of the Phoenix, Neville could end up Sam to Harry’s Frodo. “Who are you? His bodyguard?” “His gardener.”

I’ve been to the San Diego Comic Con every year since 1990 (before they changed the name to Comic Con International), but this is the first year I’ve gone in costume.

Last weekend, Katie and I searched a bunch of vintage clothing and regular clothing stores looking for pieces she would need for a Sluggy Freelance Gwynn costume from “The Bug, the Witch and the Robot”. I already everything for a Riff costume except long hair, so we looked for hair extensions as well. We plan on putting up a “how-to” at some point, but I’ll just post the finished product here.

A ton of photos follow: Continue reading

OK, first I’d like to stress that I did like most of The Two Towers the first time through. It was mainly the non-ending that bugged the heck out of me, and that was the impression I was left with leaving the theater.

I can say now that not only does the movie hold up to a second viewing, it was actually more enjoyable this time around. Perhaps because I knew where it was stopping, it didn’t bother me so much that it stopped there.

One review I read lamented not seeing the developing friendship between Gimli and Legolas. That puzzled me, since I saw it even during my first viewing of the film. From Legolas ready to defend Gimli to Eomer, to their camaraderie during the battle: Legolas offering to get Gimli a box to stand on (and Gimli smiling at the joke instead of growling), their competition over who can kill more orcs, etc. Actually, that competition was one of my favorite character bits from the battle, and I was glad to see it make it to the screen.

Most of the story changes didn’t bother me much. Continue reading

A few months ago I read an article about filmmaking which talked about why the ending of a film is so important: it’s not just that the audiences want to see it come out a certain way, but the ending is the last impression the audience is left with. A film can be fantastic all the way through and then fall on its face at the end, and that’s the impression people will be left with.

Now I loved The Fellowship of the Ring, both the theatrical release and the special edition. I enjoyed most of The Two Towers. But the ending fell flat on its face. Helm’s deep simply stopped, and the Frodo/Sam story did nothing more than present a vague threat from Gollum.

Imagine if The Empire Strikes Back had ended not with Luke getting his replacement hand and Lando and Chewbacca heading off to rescue Han, but had instead ended with the escape from Cloud City. That’s what this felt like.

Visually, the film is amazing. The effects, the scenery, the sets, costumes and battle sequences are stunning. The acting, like last time, is excellent. And yet between the jumbled editing and the lack of an ending, the film is far less satisfying than the previous one.

I’m left with two conclusions: either New Line Cinema stepped in to “protect the franchise” instead of trusting the people who got the first one right, or they had a harder time cutting it down to three hours and made poorer choices.

At this point I’m going to bring up some specifics. Continue reading