Interference
Sue Burke
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In the centuries since the human colonists left for Pax, Earthâs civilization collapsed and a fascist patriarchy took control and has rebuilt things to the point that they can check in on some of those outer-space colonies from before the fall.
Like the first book, each chapter is told from a different characterâs point of view (including Stevland, of course!), though this time around itâs all focused on the arrival of the new expedition and the events leading up to it. The psychology of the bambooâs and the Glassmakersâ perspectives is notably different from the humansâ, and of course each species has its factions, and each faction has its priorities, and each person has what they do and donât know and assume. (The chapter in which the Earth expedition arrives at the colony has the narrator repeatedly making and revising assumptions.)
And there are more factions in a war fought on plant timescale.
Despite it being more tightly compressed in time, it feels less focused than the first book. Thereâs a side expedition late in the story thatâs both necessary thematically and narratively awkward. Iâm not sure how I feel about the epilogue as an epilogue, but as I put the finishing touches on this review Iâve just discovered that Burke wrote some related short stories set during SemiosisâŠand a third book that picks up on those threads and was published just last year.
Connections
Interference has been on my to-read list ever since I finished Semiosis, but it was reading another book about sentient plants from outer space that finally bumped it to the top. Weirdly, both also involve minicry, invasions and shifting alliances. And I caught echoes of this book in The Downloaded, which also involves reconnecting with lost space expeditions.
Earthâs âNVAâ setup of constantly tormenting one person for the supposed benefit of society brings to mind Omelas, but several things make it worse:
- Itâs clearly a deliberate choice, not a ânecessaryâ evil.
- Theyâve trained the populace to enjoy NVAâs torment, unlike Omelas where itâs a secret shame. Itâs more like the daily two minutes of hate.
- They keep swapping in new clones of the same person, using the threat of âShe might be you!â as part of keeping women down.
- The society isnât even that great anyway. At least with Omelas you can understand why people would want to rationalize their complicity in the system. Thatâs the point of the story, after all. Here? itâs explicitly fascist, though the characters from Earth noticeably donât say so until theyâre light-years away from it.
