A Wizard of Earthsea
Earthsea, Book 1
Ursula K. Le Guin
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I first read the original Earthsea triology during my personal âgolden age of science-fictionâ (i.e. around 12), and I find myself re-reading it about once a decade or so, along with the later novels.
The first book is a coming-of-age story: How a goatherd boy discovered his aptitude for magic, how his pride and arrogance led him astray, how he learned to master his abilities and seek out a way to make up for the terrible evil he unleashed through his recklessness. (Modern readers will probably compare the âboy at a wizard schoolâ aspect to Harry Potter, but that only takes up a couple of chapters.)
The World
Itâs also to some extent a travelogue of a world with no known continents, only islands, where magic consists of naming someoneâs or somethingâs true essence, and (more or less) renaming it so as to change it. Thereâs a reason spells are made of words. And itâs woven through every part of life, scaling from the simple charms a poor village sorcerer or witch might cast to protect a house from fire, or binding charms to reinforce the joins and seals of a small boat, all the way up to the grand deeds of wizards.
Earthsea feels lived-in, not just a few castles and a bunch of ISO standard medieval villages scattered through the wilderness.
Le Guin never shies away from showing the lives of ordinary people in this world. Thereâs a meme going around about how in Lord of the Rings, Sam is the only member of the Fellowship who isnât at least landed gentry if not aristocracy or royalty (not to mention a literal angel). As mentioned above, Ged starts out as a poor boy (from a poor family), son of a smith who spends his days working the bellows and herding goats. As he travels, he meets sailors, tradesmen and -women, pays for passage on a ship by rowing, and settles for a time in an ordinary fishing village. To be fair, the fishing village does have a dragon problem.
Characters
The story and characters hold up well.
Iâd forgotten just how much of a jerk Sparrowhawk starts out as, before his harsh lesson in humility sets him on the path to becoming the thoughtful wizard seen in the rest of the series. His school rival Jasper isnât that much worse than he is, and I can read between the lines now as to how they actually get along as friends, especially with Vetch as peacemaker between the two. That he unleashes his shadow while trying to outdo his mirror seems especially appropriate to the story that unfolds.
Part of the purpose of the Roke school is to drum ethics into the heads of people who can literally change reality with a word, along with giving them the knowledge of how to do it effectively. It doesnât always work, and only of a fraction of those with magic ability make it into the school, and some students, like Sparrowhawk, have to learn the lesson the hard way.
Iâd also forgotten how briefly Ogion actually appears in the novel. He makes a powerful impression, both on his own terms and as a key figure in Gedâs life, despite only appearing for one early chapter and in one scene later on. (We see more of him later on in Tehanu and in the short story âThe Bones of the Earth.â)
Regarding Names
When I finally started reading the rest of Le Guinâs work, I looked on her website for a recommended Hainish Cycle reading order (turns out itâs very flexible). I also found her pronunciation guide and discovered that while Iâd gotten most of the Earthsea names right, Iâd been pronouncing Ged and Ogion wrong for decades:
You have to take your chances with G, but usually itâs G as in get, not G as in gem. So Ged is Ged not Jed, Ogion rhymes with âbogey on.â
Oops! Could be worse, it could be the name of a giraffics file format.
Anyway, while she says âDonât worry about it,â Iâve made a conscious effort to mentally pronounce both names with a hard âGâ this time through!
âŠAs Womenâs Magic
The main flaw in the original trilogy is the misogyny running through Earthseaâs culture. Le Guin comes back in Tehanu and the later books and examines how it got there and what effect it has on Earthseaâs women (and men). Knowing that it eventually gets challenged mitigates it somewhat, but also makes it stand out more starkly in the books where itâs presented at face value.
In the 1960s, the fantasy genre still made certain demographic assumptions, and Le Guin, early in her career, was already pushing things by making the main characters, and most of the population, not be white.
I do appreciate Yarrow, Vetchâs sister, who treats the great mage Sparrowhawk so casually because of how well she and her wizard brother get along. Something I noticed on this summerâs re-read of The Farthest Shore is that sheâs one of the handful of people to whom Ged eventually entrusts his true name.
Another Kind of Epic
Gedâs quest at first is to flee his curse, then to make up for it, and finally to pursue it. What he needs to do isnât what you might expect from high fantasy of the 1960s, though it might be exactly what you expect from reading more Le Guin as she continued to explore themes of duality, balance and responsibility throughout her body of work.
The Earthsea books are epic like The Odyssey, not epic like Lord of the Rings. There are dragons, and monsters, and swordsmen and pirate raids, and the occasional wizardâs duel. But the big problems arenât solved with great battles. To paraphrase Lorien in Babylon 5, theyâre the kind of thing you have to understand your way out of.
