Kelson Reviews Stuff - Page 4

Paradises Lost

Ursula K. Le Guin

★★★★★

An intricate novella about the middle generations of a multi-generational spaceship, those with no memory of Earth and no chance of setting foot on the target planet. A few generations back, a religion started with the belief that nothing outside the ship matters, but you have to keep the ship functional and traveling. By now it’s become the belief that nothing outside the ship exists at all, that the home they left was a myth, and that their destination is a myth too, and only the journey is real.

What happens when that ideology takes hold of the ship’s leadership? And navigation? And education? After all, why teach children about animals, or forests, or how to farm on a planet? They’ll never see one.

And what happens when that ideology faces proof that the destination is real?

On one hand, it’s a classic case of dogma vs. science, or humanity’s insistence on ignoring slow, long-term crises like climate change. On the other hand, it’s not as if there’s a way for most people on the ship to prove the existence of planets anymore. They just have to take the word of their ancestors that their world existed. The destination world is as unknowable as an afterlife.

So it becomes a matter of trust: do you believe the religious teachings that match your experience, or do you believe the historical and scientific teachings that don’t? And if you do have the knowledge and resources to check scientifically, do you accept or reject what you find out?

“Paradises Lost” was originally published in The Birthday of the World (And Other Stories), and is also collected in The Found and the Lost.

Echoes

There are a zillion stories about generation ships. But I see echoes of the story in Czerneda’s The Gate to Futures Past, with the people trapped on a space ship and facing the question of what’s real about their existence
in Burke’s Semiosis, where the later generations of colonists have a completely different outlook from the first generation who came from Earth
and in Heaven’s Vault, a game in which an archaeologist seeks out the history of the nebula she lives in, even though the learned believe time is a loop, and the idea of coming from somewhere is unfathomable to them.

And of course we see that question of competing worldviews in the real world, as science and technology become too complex for casual understanding and pundits peddle “alternative facts” while discouraging people from checking up on them.

Time Breakers

Rachel Pollack and Chris Weston

★★★★☆

A woman in futuristic tactical gear and wielding a dial-shaped device in one hand is running (or possibly jumping) toward the viewer, pulling a man in a sweater and jeans (with a long necklace of beads) with a shocked expression on his face. Behind them, gears scatter from a shattered clock face which holds images of other people: A frightened man clutching a book. A woman wearing a space suit or hazmat suit, holding her helmet in one arm. An angry monk. A man wearing dark round glasses sipping tea with one hand and holding the saucer in the other. And a man dressed for a safari, reeling with his arms out as if he's been struck or shot from behind.

I don’t know how I missed a time-travel comic book published by DC (through its short-lived Helix imprint) when it was new, but apparently I did. And I didn’t stumble on it over the next ~30 years until I read about the crowd-funded hardcover re-release last year.

A woman in futuristic tactical gear and wielding a dial-shaped device in one hand is running (or possibly jumping) toward the viewer, pulling a man in a sweater and jeans (with a long necklace of beads) with a shocked expression on his face. Behind them, gears scatter from a shattered clock face which holds images of other people: A frightened man clutching a book. A woman wearing a space suit or hazmat suit, holding her helmet in one arm. An angry monk. A man wearing dark round glasses sipping tea with one hand and holding the saucer in the other. And a man dressed for a safari, reeling with his arms out as if he's been struck or shot from behind.Time Breakers flips the familiar time-cop trope on its head: Instead of protecting time from paradoxes, the protagonists are trying to create more paradoxes, convinced that the very existence of life depends on it.

The main characters are intriguing, as are the ever-more-convoluted tangles of timeline dependency loops, but the villains don’t have much in the way of depth, and I can barely remember them even after a second read.

Weston’s art is detailed, bringing to life the settings and costumes of different eras ranging from prehistory to the near future.

The story feels a bit choppy and unbalanced, spending more time on setup than I’d expect from something this length, and diving into the resolution faster than expected. It makes me wonder if it was originally intended to be a longer story, or an ongoing series that would allow more room for characters, and then shortened to 5 issues.

The 2024 hardcover collection includes a new cover and commentary by Weston, along with two earlier commentaries by Pollack (who died the year before, and to whose memory this edition is dedicated) from 1997 and 2017.

Regarding Helix Comics

Helix was a science fiction imprint that DC used for a couple of years in the mid-to-late 1990s. Its best-known title, Transmetropolitan (a futuristic take on Hunter S. Thompson by Warren Ellis and Darick Robertson), moved over to Vertigo after the label was retired.

I only remember picking up a couple of them at the time: Sheva’s War because of its painted artwork, and The Dome: Ground Zero for its early computer-generated art. A few years later when I finished reading the main Elric books I picked up the collection of Michael Moorcock’s Multiverse, and I eventually got around to reading most of Transmet. One of these days I’ll read the rest of it. There were more, of course, but Cyberella is the only other title that rang a bell when I read that list.

Looking back, I’m not sure why I skipped most of the Helix line. I was reading a lot of comics (mostly super-heroes, but some media tie-ins), and I was reading a lot of science-fiction books, and I was obviously aware of Helix
so why didn’t I check out more of the science-fiction comics? I can only assume that most of them just didn’t grab my attention enough to look more closely. Even the one about time paradoxes.

Wanderlust Creamery

★★★★★

A boxy-looking storefont, possibly a former car repair shop cleaned up, with a large multi-paned glass window suspiciously shaped like a garage door. People are milling around inside, while a table stands empty in front of the building. A flat awning extends past a door, and a neon sign above the window proclaims Wanderlust Creamery with a simple ice cream cone.

Incredibly good ice cream with flavors and combinations not usually found here in the US. The Ube malted crunch and Vietnamese coffee rocky road (which doesn’t have nuts, so I can actually eat it!) are my favorites of their standard flavors, and I always make sure to try some of the seasonal flavors when I’m in. The Japanese neapolitan (matcha/cherry blossom/Hokkaido milk) is a reliable standby as well.

It can take a while to get through the line, though. Every time I’ve been there, everyone in front of my wanted to try several flavors before ordering, too!

A boxy-looking storefont, possibly a former car repair shop cleaned up, with a large multi-paned glass window suspiciously shaped like a garage door. People are milling around inside, while a table stands empty in front of the building. A flat awning extends past a door, and a neon sign above the window proclaims Wanderlust Creamery with a simple ice cream cone.I’ve only been to the Venice (California) location, but they apparently have several other locations around the Los Angeles area, including a new one in Torrance.

Galactic Derelict

Time Traders, Book 2

Andre Norton

★★★☆☆

The second book in the series is a decent adventure story from the anything-goes era of science fiction. Like book three, it handles Native Americans better than I would expect from its contemporaries. (Though I did cringe at the two white guys and modern Apache being spray-tanned to pass as prehistoric Native Americans.)

About a third of it is a quasi-military time travel mission to retrieve an alien spaceship that crashed in the distant past, before it decays to ruins. Mammoths, sabre-toothed tigers, volcanoes, etc. That part goes by too quickly, because Norton is using it to pivot from time travel to space travel. The rest is an outer space adventure as the team is dragged around the galaxy by the ship’s autopilot
in the present day
after the civilization that built it has been dead for millennia.

There’s a lot of improvising and jerry-rigging, with a crew stuck in a spaceship without sufficient provisions, not sure how long they’ll be up there. At times I was reminded of Apollo 13, which of course hadn’t happened yet when Norton was writing this in the late 1950s!

It drags after a while, though. With the ship being on autopilot, it feels like the characters are just along for the ride. They can’t even explore too far when the ship stops along its route, because they can’t be 100% certain when it will lift off again.

Reading Order

I ended up reading the Time Traders series out of order for the simple reason that books 1, 3 and 4 have passed into the public domain, but this one hasn’t. Despite the drastically different circumstances, each gives you enough information that you don’t need to read them in order, though it does help to start with book one, since the rest of the series hinges on the plot twist near the end.

Web Browser Recommendations

I use Windows, macOS, Linux and Android on a regular basis, and these are the web browsers I like better than Chrome, Edge and Safari. (I don’t have any iOS devices, so I can’t really speak to how well these run on there.)

Recommended

Vivaldi

I’ve been quite happy with Vivaldi for the past few years. It’s the spiritual successor to the original Opera browser, built on Chromium, and they’ve committed to not cluttering up your experience with “AI” (though you can clutter it up with power-user features if you want). Vivaldi runs on Windows, macOS and Linux (on both x86_64 and ARM) as well as Android and iOS. The Android version is noticeably faster than Firefox. (⇒Vivaldi)

Orion

Orion Browser has been quite nice as well. It’s more advanced than Safari, and can run extensions made for Safari, Chrome or Firefox, but tries to keep a simpler, less cluttered design. Currently it’s only on macOS (and maybe iOS, I forget), but they’re working on a Linux version. (⇒Orion)

I should add that I don’t have a problem with Safari, I just usually want a bit more than it can provide, like the ability to sync with my non-Apple devices.

Firefox Variants: Waterfox and Zen

Mozilla
seems to be flailing about these days, chasing ad revenue and investor-friendly buzzwords. While I still like Firefox overall, I haven’t been happy with the direction it’s been going.

Waterfox has been solid: it’s basically Firefox minus Mozilla, and runs on Windows, macOS and Linux, as well as Android. The macOS version is universal, the Windows version is x86_64-native but runs well under emulation on ARM systems, and the Linux version is x86_64-only. The Android version is slower than Vivaldi, but it can run extensions. (⇒Waterfox)

I also like Zen Browser, which is trying to build “a calmer internet” experience. Zen is sort of like rebuilding Arc using Firefox instead of Chromium, and runs on all major desktop platforms. (⇒Zen)

Waterfox, Zen and Librewolf have all committed to removing the “generative AI” features Firefox has been adding lately.

Special Use Cases

Privacy

LibreWolf (desktop) and IronFox (Android) both use Firefox as a base and make a bunch of trade-offs to make it harder for sites to track you. Tor Browser is the gold standard, and bounces your traffic around the world to hide where you’re connecting from
but that also slows things down a lot. Tor also bluntly rejected gen AI as “inherently un-auditable from a security and privacy perspective.” (⇒LibreWolf, ⇒IronFox, ⇒Tor)

Slow hardware

Falkon has a decent balance between capability and leanness. It mainly on Linux, but if you’re running on old or low spec hardware, Linux is going to run a lot better on it than Windows anyway. And then there’s the extremely minimalist Dillo, which doesn’t support JavaScript but is blazing fast at loading and displaying web pages. (⇒Falkon, ⇒Dillo)

Avoid

Edge tries very, very hard to lock you into Microsoft’s services as thoroughly as possible.

Chrome tries very, very hard to lock you into Google’s services as thoroughly as possible.

Brave has experimented with some interesting tech, but it’s wrapped up in the crypto/venture capital/exploitation side of Silicon Valley.

Opera seems to just be chasing buzzwords these days. I much prefer Vivaldi, which picked up where the old Opera left off.

Dia feels like a chatbot with a web browser bolted on, rather than the reverse. I haven’t tried OpenAI’s Atlas, but from what I’ve read, they dispensed with the web part as much as they could.

More

I’ve tried and reviewed a lot of web browsers over the past year, if you’re curious about what didn’t make my best / worst list here.