Kelson Reviews Stuff - Page 72

While I liked the attitude and metatextual humor — the main character gets into arguments with the narrator, and points out odd coincidences that only make sense in video game logic… and there are a number of references to The Princess Bride in a game in which Cary Elwes voices the main character — it was also annoyingly linear. The whole game felt like one long railroad.

Admittedly the original games didn’t have much in the way of side quests, but they felt more expansive, particularly the first two in which every dungeon level was built on a 22×22 grid. You could really explore the levels, while most of the dungeons in this game are essentially start at point A and work your way to point B, hacking up two types of monsters along the way.

Update: The newer Bard’s Tale IV is much more an update of the original gameplay!

A lot of fun. My main objection was that it got hard to keep track of all the double-, triple-, and quadruple-crosses. Despite what the reviewer for the L.A. Times thinks, it doesn’t require intimate knowledge of the previous films. All you have to know are who the major players are, and how they stand in relation to each other. You can do that by seeing the other films once while sober.

Finally saw The Bride of Frankenstein (which I suspect I saw when I was maybe 10, because I recognized the framing sequence, but I don’t remember much more). It’s interesting to see just how much of the Frankenstein mythos not only isn’t in the book, but isn’t in the first movie. Much of the tearing around the countryside is in Bride, for instance, and Igor doesn’t even show up until the third movie, Son of Frankenstein (and he’s a far cry from the mad doctor’s faithful assistant!)

I enjoyed it, but I have no interest in seeing it again. It already felt like deja vu since there were so many references to the first two movies with Christopher Reeve. There were some great moments, but overall it was just kind of okay.

It’s always a risk to go back and watch something you enjoyed when you were younger. Your tastes change as you grow up (or you actually develop a sense of taste). There are some cartoons and movies I refuse to watch because I want to remember liking them. Sometimes they work out(ex: Real Genius). Sometimes they don’t (ex: Something Wicked This Way Comes).

Edward Scissorhands still holds up: The contrast between the inventor’s mansion and the pseudo-50s achingly “normal” suburbia, Danny Elfman’s fairy-tale music, the neighborhood’s curiosity, then acceptance, then ultimate rejection of this strange visitor, Peg’s determination to make things work out, Kim’s slow realization that her boyfriend isn’t a very nice guy, and that this scary blade-handed stranger is, the cop’s efforts to smooth things over—all with Tim Burton’s distinctive quirky style.

(Re-watched in the theater as part of a “flashback features” series.)