A few months ago I read an article about filmmaking which talked about why the ending of a film is so important: it’s not just that the audiences want to see it come out a certain way, but the ending is the last impression the audience is left with. A film can be fantastic all the way through and then fall on its face at the end, and that’s the impression people will be left with.

Now I loved The Fellowship of the Ring, both the theatrical release and the special edition. I enjoyed most of The Two Towers. But the ending fell flat on its face. Helm’s deep simply stopped, and the Frodo/Sam story did nothing more than present a vague threat from Gollum.

Imagine if The Empire Strikes Back had ended not with Luke getting his replacement hand and Lando and Chewbacca heading off to rescue Han, but had instead ended with the escape from Cloud City. That’s what this felt like.

Visually, the film is amazing. The effects, the scenery, the sets, costumes and battle sequences are stunning. The acting, like last time, is excellent. And yet between the jumbled editing and the lack of an ending, the film is far less satisfying than the previous one.

I’m left with two conclusions: either New Line Cinema stepped in to “protect the franchise” instead of trusting the people who got the first one right, or they had a harder time cutting it down to three hours and made poorer choices.

At this point I’m going to bring up some specifics. Continue reading

When I heard they were turning Birds of Prey into a TV series, I wasn’t sure what to think, having never picked up the comic book (although I do follow various comics news sites). Having seen 3 episodes, I’m still not sure. The premiere episode was pretty good, for a pilot. In fact, most of the things I disliked about it were, as another review termed it, “pilot-itis” – excessive exposition, cast not quite settled in, etc.
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J. Gregory Keyes has fast become one of those authors whose work I will pick up knowing nothing more than who wrote it. I enjoyed his work in the Babylon 5 and Star Wars universes, but after reading the four novels of The Age of Unreason and these two, I can say I’ll definitely be picking up The Briar King when it comes out in January.

Now, The Age of Unreason is probably Keyes’ most well-known work to date. (If the title doesn’t sound familiar, chances are you’ve heard of the first novel, Newton’s Cannon). It takes place in an alternate Eighteenth Century in which Isaac Newton discovered the key to alchemy, transforming the world with new technology… and setting off an arms race of sorts. What begins as an alternate history becomes an epic battle for the future of the world, and ultimately of humanity itself.

While I’d recommend someone curious about Keyes’ writing start with Newton’s Cannon, I’d like to call attention to his earliest published novels, The Waterborn and The Blackgod, collectively known as The Chosen of the Changeling.
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