As you’ve probably heard, Twitter is planning major changes, and is testing them in a prototype app.

Threaded conversations are good, though I think the UI here still needs polish.

Hiding the interaction buttons until you click on the post: Yeah, it might make people think a little more. Putting some friction into sharing can improve the signal-to-noise ratio. (Also, I could swear I’ve seen something discussing this UX choice somewhere before, not necessarily for Twitter, but I can’t place it.)

Hiding the like/retweet counts: I know it was a deliberate decision to do that on Mastodon to discourage timelines from being too much of a popularity-contest. But it’s not clear how effective it’s been. In fact Mastodon recently added reply counts to its timeline (though boost and favorite counts are still behind a click). There is some value in social proof. Even if in a lot of cases it just amplifies how popular (or unpopular) something is to start with.

It’s not clear whether Twitter intends to hide the like/retweet counts completely, or keep them with the buttons like Mastodon does. Either way, I can’t imagine they won’t keep those numbers visible at least to the original poster. At some level they’re all about the metrics. And as Slashdot pointed out way back when they introduced karma: if you provide an actual number, people will try to optimize for it. Update: Buzzfeed indicates that the metrics are visible when zoomed into a specific tweet. In that case, you can still gauge its popularity or awfulness ratio, you just have to be motivated by the tweet to look for them. Essentially, it’s on the title page instead of the cover.

Camera features: There’s not really much I can say about these, since I tend not to post directly to social media in the first place. I like to take a picture (or several), then wait until I have time to crop, adjust, think of a caption, etc.

So on balance, these things might help a little.

But if Twitter is still going to be driven by showing you a timeline in most-likely-to-engage order — especially if those hidden replies are chosen in a way to encourage engagement — it’s still going to be a train wreck. Just, maybe with fewer things on fire.

Like many people, I’ve moved away from Facebook over the last couple of years. I haven’t deleted my account, but I only visit once or twice a month, and it’s been a long time since I’ve posted there. And like many people in that survey, I’ve come to prefer Instagram to Facebook. Friends and family seem a bit more relaxed there, and I follow interesting photographers rather than “brands” that are trying to sell me something.

But lately, it feels less like a photo sharing space and more like an ad delivery mechanism. Less like its own thing and more like Facebook Lite. Every time I visit, I remember Facebook will cheerfully squeeze every drop of monetization potential out of it and keep going. Every time I post, I remember that I’m handing personal data to a company that has been caught misusing it over and over again.

It just doesn’t spark joy anymore.

Where next?

Instagram has been where I post in-the-moment* snapshots, alongside Flickr for albums and my better photos, and my blog for topical images. I don’t want to flood either of those with random snaps. Twitter and Tumblr aren’t terribly appealing at this point, either.

Mastodon takes up some of the slack. I’ve found a great community of photographers at Photog.Social, but it’s more of a place for curated shots. I have a general account at Wandering.shop, and I’ve started posting amusing pictures there, but it doesn’t feel like the right place to post snapshots.

I was an early adopter of Pixelfed, jumping on as soon as it went into public beta. It’s designed to fit the same niche as Instagram, only with a decentralized volunteer model instead of attention-based ads. Even better: I can post photos on Pixelfed and boost them directly into Mastodon instead of cross-posting duplicates. But the community is still small. It’s at the stage where it feels like you’re shouting into the void because there aren’t a lot of people listening, rather than because there are a lot of other people for them to listen to.

At this point, I’m cross-posting photos across way too many accounts. I need to simplify. What I think I’ll do is reduce the number of places I post, and then pare down who I follow on each remaining site to the point where I can check in once in a while and it feels like I’m checking in on the people, not the service.

You can find me as KelsonV on Flickr, on Instagram, on Pixelfed, on Wandering.shop, and on Photog.Social.

*More or less. Sometimes the moment was three days ago.

We don’t have personal jet packs or flying cars, but we do have spam advertising remote-controlled robot birds that we can buy from shady online retailers to entertain our cats.

“My cat is obssessed with this pigeon-shaped drone” and so on…

This post I rescued from my Google+ archive in August 2011 really speaks to how quickly expectations for mobile computing were derailed by the social media feedback loop.

Years ago, I wanted a smartphone so I could write down all the blog posts I compose in my head when I’m away from a computer. Now that I have one, I end up reading Facebook, Twitter, or Google Plus instead, and I compose blog posts in my head when I’m away from both my computer AND my phone. Maybe I just need a pencil and notepad.

That’s just me, and just one niche that I wanted to fill with a mobile computer. I also wanted SSH access, control panels, the ability to look up information easily, and photo uploads. But those things weren’t pushed out of the way like actual creative output was when I installed a bunch of dopamine generators on the device.

OK, blogging was fading anyway, and typing on a phone was tiresome. But neither of those made as much of a difference as the fact that it’s so, so easy to check Twitter for “just a minute” and find yourself still scrolling twenty minutes later.

It didn’t slow down photography. That was something that the social media cycle could latch onto. (Follow me on Flickr, Instagram, Photog.Social and Pixelfed!) And when I used a better camera, well, most cameras don’t have Facebook on them.

I think my use of social media is healthier now than it used to be. I still find myself staring at the train wreck of Twitter longer than intended, but I confine most of my activity to one session a day (or less) except for Mastodon, and that’s just different enough that it’s less likely to trigger a vortex to begin with. I do miss out on a lot with friends and family on Facebook by only checking once every couple of weeks, but I’m also happier the less time I spend there.

Still, I haven’t returned to the volume of long-form writing I used to do. And I know there’s so much more I could be doing with an always-connected computer in my pocket.

Yahoo was never sure what to do with Flickr after they bought it. And when they realized they’d missed the smartphone revolution, they tried to make it into something it wasn’t suited for (an Instagram equivalent) and couldn’t sustain (cloud storage for ALL your photos!)

I remember when they panicked over Instagram and the best they could come up with was adding filters, as if that was the key feature that made it take off. (Filters were just a way of covering up the fact that phone cameras of the day were still pretty terrible.) And I remember when Facebook started asking you to auto-upload every single photo to their app in case you wanted to post it later, and suddenly everyone wanted you to auto-upload your photos. Facebook, Google+, and of course Flickr.

But Flickr has a different social structure than Instagram, and being cloud storage for every last picture takes a lot of resources. Maybe chasing Facebook and Instagram kept them alive for a while, but it put them in a bind down the road.

I don’t think Yahoo has ever understood what made Flickr resonate with the people who liked it back in the day, or those of us who stuck with it. They considered closing Flickr several times. And Verizon clearly didn’t want it, since they were happy to sell it to SmugMug.

It sucks that they’re deleting photos to push free accounts into the new limits, but SmugMug taking the site back to basics might make it viable long-term. Maybe now they can work on being a first-rate Flickr instead of a third-rate Instagram or fourth-rate Facebook Photos.

Full moon, mostly red except for a whiter edge at the upper left.

The evening was hectic, and I almost forgot. I had literally just put my son to bed when I remembered, “The eclipse!” We went out to see if the sky was clear.

Clouds were rushing across the sky, but for the most part, it was clear, and we had a perfect view of the moon looking like a dark brown chunk of rock in the sky.

Update: It wasn’t quite this red to the eye, it was more of a deep brown, maybe slightly brick red. Probably a matter of retina sensitivity vs. camera sensors.

(Then I spent 10 minutes fighting with camera settings while he went back to bed.)

Update: I went back out about an hour later to check out the view as the moon left the earth’s shadow, and caught these two photos, taken about the same time with different exposures so that you can see either the lit portion of the moon, or the part that’s still in the earth’s shadow.

Because seismic waves are slower than internet signals, it’s possible to send an alert after an earthquake starts, but before the shaking reaches you. A few seconds’ warning is enough to pull over to the side of the road, climb down from a ladder, step away from a high shelf or window, put down a scalpel, etc.

Mexico and Japan both have systems like this, and Los Angeles has launched a pilot program with apps for both Android and iOS.