Tag: Comic Con 2009

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This was a fun panel with representatives from Eureka!, Caprica/Battlestar Galactica, and Fringe, moderated by Phil Plait of Bad Astronomy.

Some interesting moments:

After they talked about the ethics of interrogating a corpse, one of the guys from Fringe (I think Rob Chiappette) remarked that he wanted to see a Law & Order: Fringe show. I think I’d watch that!

One of the reps from Eureka revealed that they’d planned an episode that would take the Attack of the Killer Tomatoes concept and play it seriously, but it didn’t make it. Jamie Paglia said “It’s so good we didn’t do that episode.” Either Glenn Whitmann or Rob Chiappetta remarked immediately, “You’ll see it on Fringe!”

Phil Plait asked why there wasn’t more astronomy on Fringe, and Glenn Whitmann explained it was because it was a horror show, and it’s easier to creep people out with biology & neurology than astrophysics.

A fan asked the panelists whether they had ever done something dangerous on their show that made them worry about people trying the experiments at home (“Don’t try this at home, kids!”) For the most part they figured the level of technology, gadgetry and genius that their characters had made things impractical to imitate, though Rob Chiappetta added, “If you see Walter [Bishop] do something on screen, don’t do it!”

Another audience member mentioned that he worked in robotics, and was concerned about the way robots were portrayed as good or evil. If too many robots were portrayed evil, he might lose funding… Jane Espenson explained that “Killer robots are a lot more fun to watch.”

And of course Phil Plait plugged his book, Death from the Skies! “I love having a microphone!”

Photos will be on my Flickr account later tonight, once they trickle through the incredibly-slow hotel wifi. Update: They’re up! The trick was apparently waiting until 6am when no one else was using the wifi.

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I have to confess: I’ve started seriously thinking about a netbook.

Not that I actually need a netbook. I’d only really end up using it for conventions that I’d want to post live (which would probably boil down to Comic-Con International), and I have the ability to do that using either my G1 or the laptop.

Long-time readers (all five of you 🙂 ) may remember that last year I agonized over upgrading my phone to something with real web capability until they announced wifi, and I just lugged the laptop around. Which worked fine, but it was heavy, especially the day I was also carrying around Comic Book Tattoo.

Of course, now I can use the G1 to post to my blog, or Twitter, or Facebook, or (almost) anywhere else even without wifi.

Except…

  • Typing on that tiny keyboard is slow. Not as slow as the onscreen keyboard, but still a lot slower than typing on a full-sized keyboard. Then again, netbook keyboards are also smaller than standard, so it might not be much of an improvement.
  • There’s no easy way to transfer photos from another camera. I can only think of two ways other than using a computer as an intermediary: use a Micro-SD card with adapter in the camera, or get a card reader that will clone data from an SD to a Micro-SD.

The camera issue shouldn’t bother me. Chances are I’d just end up doing what I did for WonderCon this year: post the occasional phone pic to Twitter and then upload the good photos to Flickr each evening. Just like I’d mostly be writing brief posts from the convention and detailed posts at the hotel.

Not my book, but the same page that she signed in mine.But then I remember the post I made on the Tori Amos signing last year. After the signing I was so hyped that I found a table, set up the laptop, banged out a blog post, hooked up the camera and added a couple of photos…and the post ended up getting linked on a major Tori fansite, producing a traffic spike so big that not only is the following day still this blog’s busiest day ever, but that post, even though traffic fell off over time, is the 8th most-viewed post on the site over the past year.

Still, the promise of another 15 minutes of blogfame isn’t enough to justify several hundred bucks. (Though the < $200 models that pop up on Woot from time to time have been tempting.) So I’m making an effort to practice typing with the G1, both the physical and on-screen keyboards. I’ve got Twidroid and I Tweet for posting to two Twitter accounts. I’ve got wpToGo to simplify blogging. I’ve got a plugin that will automatically liveblog using Twitter, which I still need to test.

It’s just a matter of making full use of the tools I have, rather than running after the latest cool toy.

Update: I posted this last night, but somehow it ended up backdated to the day I started it on May 20. I think wpToGo must have set a publishing date when I posted the draft. Yes, I started this post on my phone.

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It seems as though every year, around the time of hotel registration for Comic-Con International, people start clamoring for the con to move from San Diego to Las Vegas. More hotel rooms! A bigger convention center! Gambling! Strippers!

It makes me want to headdesk.

Now, I don’t hate Vegas. I’m not ZOMG in love with it, but I’ve been there more than once and I don’t think it should be removed from the face of the earth. What I believe about Vegas is that it is a law and a destination unto itself, and that everyone should be able to choose whether they go based on the merits of the place, not on the merits of what else might be going on there that isn’t a usual part of the location. Please keep this in mind as I present my list of Reasons Not to Move CCI to Las Vegas:

1. Weather. San Diego may be incredibly hot some years, but it’s coastal. There are breezes a lot of the time, and it’s often quite bearable. Vegas is inland desert and is 99% guaranteed to be nasty hot in July/August. Part of the crazy fun of CCI is seeing costumes on the street, which would become darn near impossible for a lot of people given the temperature.

2. Distance. I’m not talking about the distance for people to get there (though I will in a bit), but the distance between things. It can take over half an hour to get from the front door of one hotel to the front door of the next one over. In San Diego, it’s pretty easy to leave the convention center, go find food that’s not jacked up in price for an inferior product, and come back. In Vegas, unless you take the monorail, that’s a pipe dream, especially given that the convention center is off the Strip and not really near a lot of hotels. Keep reading for more. Continue reading →

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Well, I jumped into the fray of the Comic-Con International hotel reservation system and made it across to the other side, getting through by phone after 1 hour and 20 minutes. I never did make it past the “waiting room” page online.

The weird thing about the phone reservation system is that I don’t actually know which hotel we’ve gotten yet. They took my name, contact info and top 3+ choices (I gave them 5), then handed the info to their processing center. They’ll call back (later, I assume, after the rush is over) to let me know which hotel I got. I do have a backup that I reserved directly, but the convention discount is significant, especially when you add up four days.

It was interesting watching commentary streaming by on Twitter (search for “comiccon,” “comic-con” or “comicon”) as people started out commenting, then complaining, and eventually celebrating (after about an hour) when they finally got through. Or really letting loose when the system dropped them.

Update: A reporter interviewed me about the Comic-Con hotel reservation experience. Update (3/20): Here’s the article at the Union-Tribune. I’m not quoted.

Update: I got an email confirming our reservation. It’s farther out than the backup, but it’s ~$100 cheaper (over the course of 4 days – possibly more, depending on how much the other hotel charges for internet access) and there’s a shuttle. Now to weigh ~$100 vs. walking distance and figure out which room to keep and which to free up for someone else who needs one.

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Comic-Con International finally announced the opening of this year’s convention block in San Diego hotels: March 19.

This time last year, they’d already gone on sale and sold out.

As recently as three (or maybe four) years ago, they’d have sent a postcard by January. They used to include a full list of hotels in the winter newsletter with distance and prices. I could swear I remember them going on sale in January.

Of course, five years ago you could still book the Little Italy Super 8 only less than a month in advance. Now the discounted rooms are in such demand that they sell out in a matter of hours.

Like last year, they are only selling tickets in advance, so if you plan on attending, you should order them online.