[New Spring #1 Cover]The first issue of the New Spring comic book was surprisingly good. I wasn’t sure how well Robert Jordan’s writing would translate to the medium, and of course a lot of details are lost, but Chuck Dixon has done a good job adapting the story, and Mike Miller’s art is incredible.

The book opens with a brief description of the world, then a series of splash pages showing the scope of the Aiel War, starting with thousands of Aiel pouring over the Dragonwall. From there it moves to Lan’s story, then to Moiraine’s. Two pages stand out for me: The panorama of Tar Valon, and Gitara’s Foretelling, the latter of which is most effective because it contrasts with the very realistic style of the rest of the book.

Believe it or not, I’d recommend this. Who would’ve thought I’d be excited about The Wheel of Time again?

A collection of comments, thoughts and images, some highly spoilerish and not all of them canon.

1. I framed through the end of the Vader vs. Obi-Wan battle in A New Hope after being a bit confused by it last night. Watch closely, and you’ll notice two things. First, Vader’s lightsaber appears to go through Obi-Wan’s, about an inch above the hilt. This I can pin on imperfect special effects and then get on with my life. However, the second thing is that Obi-Wan’s robes start collapsing before the lightsaber even touches him. Kelson, watching it, said, “Does Vader even connect with a body?” I don’t think he does. Which looks like a very plausible solution to the disappearing-Jedi conundrum: if Obi-Wan wasn’t actually killed in action, then all evidence points to non-violent death being the only way to disappear.

2. This time through A New Hope, I had the strange experience of mentally hearing a parallel voice track for Vader, with Hayden Christensen speaking many of his lines. I don’t know how much of this is my own overactive brain (fueled by coffee and Honey Smacks, no less) and how much is a reflection on the acting/directing/writing, but it’s very cool.

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Fallen Angel is ending with #20, and Babylon 5: The Memory of Shadows has fallen through.

However, JMS has always said, “If they can do a Brady Bunch movie, you can be sure that sooner or later, somebody’s going to do a B5 movie.” Even better, it turns out that while Warner Bros. owns the B5 TV show lock, stock and barrel, JMS owns the movie rights…so he’s in a position to make sure that whoever does do a B5 movie will get it right. “To that end,” he says… “I can wait.”

As for Fallen Angel, I suspect the timing of the decision means DC either wasn’t waiting for sales after all, or was going on pre-orders from stores. Peter David cryptically remarks, “We are not, however, quite dead yet.” It’s not clear what he means, but the characters are creator-owned, and the series isn’t tied to the DC Universe, so it’s entirely possible for them to pop up again at another publisher. Only time will tell.

OK, this is bizarre. Apparently a Hong Kong software company is preparing to release a Virtual Girlfriend for high-res mobile phones. It—or I suppose I should say “she”—is structured as an online game, on the virtual pet model. (Remember the tamagotchi fad?) You hold conversations with “Vivienne,” give her virtual gifts, even work up to a virtual wedding—which adds a virtual mother-in-law to the game.

The graphics are nice, and apparently they’ve put together a very elaborate conversation engine, but I have to wonder who this will really appeal to. The way she’s described she’s pretty high-maintenance—why go to all that effort when you don’t get the benefit of a real person?

Of course, there are other possibilities for the technology:

Vivienne, for instance, will double as a translator for travelers. Type in the desired words in English while traveling and, with additional programming in the next few months, her synthesized voice will coo it back in Chinese, Japanese, Korean, German, Spanish or Italian.

Just as games have driven desktop computing to keep pushing the envelope, this could lead the way toward the conversational interfaces that are so prevalent in science-fiction.