Things I think about when choosing where to post something original, once I’ve decided to post it.

  1. Audience. Who’s going to be interested in this? Family? Friends? Fans or hobbyists or people in my industry or some other shared-interest group? People looking for troubleshooting help? Do I just want to say something for the record?
  2. Permissions. Who do I want to allow to see this? Am I OK with it being seen by the general public, or do I want to lock it down to specific people?
  3. Type of Media. Long article, short comment, photo, video, link to something interesting? Not much point in linkblogging here these days, while Twitter and Facebook are better suited. A long post is easier to compose and easier to read as an article than as a Twitter thread (though Tweetstorms do have their place). Photos are more likely to be seen on a dedicated photo site than here, but if there’s a story to it, a blog post might work better.
  4. Polish. I’ll sometimes post something off-the-cuff on Twitter or Facebook, then refine or expand it later. Or I’ll post a photo on Instagram in the moment, then when I have time, do a cleaner edit or album on Flickr, or write a story around it here.
  5. Connections. Is it related to something else I’ve already posted? This is why I keep posting funny signs, examples of holiday creep, and convention reports here.
  6. Permanence. Do I want to be able to find it again easily? If so, I’ll probably go with a blog or Flickr (yes, Flickr), because searching for stuff on Twitter or Instagram or even Facebook is such a pain.

So yeah, that’s why I still post some things here, why I only post other things on Twitter, why I post different things to Flickr and Instagram, why I sometimes cross-post, re-post, and re-edit. Am I overthinking it? Maybe, but it’s not like I go through a full checklist every time – this is less a recipe and more trying to write down what I’ve been doing anyway.

I figured out exactly what bugs me about Twitter and Facebook showing your friends’ “likes” in the timeline. It’s not just that they’re public — that’s true on Tumblr or Flickr or Instagram too, but you only see them when you choose to look for them.

It’s that broadcasting likes in the newsfeed blurs your intent.

  • A “like” is a message to the original post’s author (and a bookmark for yourself).
  • A retweet or share is a message to your friends or followers.

Putting them in your followers’ feeds turns a “like” into a message to them as well, even though it’s not what you intended. (If you wanted to share it, you would have shared it, right?) It’s a step above completely frictionless sharing, but it still messes with the signal/noise ratio of the timeline.

Sophos reports that Facebook is testing a feature to hide new posts from your timeline so they don’t feel so permanent. Of course they’re still searchable until you actually delete them, so they’re still permanent in that sense.

What’s odd: Facebook posts don’t feel permanent to begin with, even though they effectively stick around forever.

Thinking about it, two things make an internet post feel permanent to me:

  1. Can I count on it sticking around?
  2. Can I count on finding it again?

Facebook, despite a lot of improvements over the years, is a mess. The newsfeed algorithm means you can’t just keep scrolling back. The timeline view isn’t reliably complete. Search is kind of a crap shoot. Don’t get me started on trying to find a particular old post on Twitter!

And that’s dealing with sites I can expect to stay online over time. A post on a forum, or a comment on someone else’s blog, or any social network could easily vanish in someone’s server crash or business shutdown.

If I can’t count on being able to find what I post a few years down the line, it feels like it’s temporary, even if it isn’t.

This is one reason that my Flickr portfolio feels more permanent than my Instagram photos: I can find them without resorting to third-party apps. If I want to find a particular photo on Instagram, I have to page down through my profile until I find it. On Flickr, I can find a 10-year-old photo of a fountain in seconds by searching for “fountain” and expanding the “Your photos” section of the results.

Then again, running my own site is only reliable as long as I can afford it. If something happens to me, and I can’t pay for hosting anymore, what then? I figure I’d simplify things down to where I could get a basic, super-cheap hosting plan. Make the blogs read-only so they can be served statically from a shared server or S3 bucket, or move them to WordPress.com, or just be willing to let them crash under load. But what if I’m incapacitated and can’t convert it? Or just plain not there anymore? If I really want to keep my corner of the web up “permanently,” I’m going to have to make a plan ahead of time.

Otherwise my carefully preserved photos, articles, and extended musings will be toast…leaving behind as context only broken links and all my supposedly (but not really) ephemeral offhand remarks on Twitter and Facebook.

It shouldn’t make any difference that Twitter renamed Favoritesā˜… as Likes♥. It’s a coat of paint. But labels do matter. Just like “friend” and “follower”, “like” and “favorite” (and hearts and stars) conjure up different expectations.

Twitter says, “You might like a lot of things, but not everything can be your favorite.” Paradoxically, I find “likes” to be more specific. The star-and-favorite model comes out of Internet Explorer*, and modern browsers still use stars for bookmarks. This made “favorite” seem a little more versatile, anything from a stamp of approval to a simple check-back-for-later.

“Like,” on the other hand….

After years of requests for a “dislike” button, Facebook finally admitted that “like” isn’t sufficient to respond to everything, and will be expanding to multiple reaction buttons. I know Twitter keeps trying to be more like Facebook, but c’mon — even Facebook knows people don’t want to “like” sad news.

*Microsoft didn’t want to call their bookmarks “bookmarks.” Nobody wanted to use the same terminology as anyone else back then. They tried to call links “shortcuts” too.

I stopped frequenting Barnes & Noble a while back because they were so determined to sell you a Nook and get you out of the store, never to return. (That, and for a while we had a great indie bookstore nearby.)

Now they’re selling vinyl records.

And holding events.

They’re doing Throwback Thursdays and a Fangirl Friday.

I don’t know if it’s a desperate attempt at relevance or a brilliant return to form.

I certainly know it’s not corporate-wide, though — or at least not evenly distributed — because a week later I went to another Barnes and Noble, one near a full-blown mall, and walked straight into the giant NOOK pavilion.

No sign of any events aside from a mention of filming during the Harper Lee book launch. Vinyl was being plugged in the music section in the back, but not right up front.

On the other hand, no one was staffing the NOOK pavilion, and half the tables were empty. So maybe it’s still being phased out?