Tag: social networking

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“Babylon 5 was the last of the Babylon stations. There would never be another. It changed the future … and it changed us. It taught us that we have to create the future … or others will do it for us. It showed us that we have to care for one another, because if we don’t, who will? And that true strength sometimes comes from the most unlikely places. Mostly, though, I think it gave us hope … that there can always be new beginnings … even for people like us.”

— General Ivanova in Babylon 5: “Sleeping in Light”

It seemed fitting.

While Google+ was never a shining beacon in cyberspace, it spanned the period from when social media was still new(ish) and exciting and hopeful, to when we started realizing that the big tech silos — Google, Facebook and Twitter especially — have been creating the future for us, one recommendation algorithm at a time…and it’s a train wreck.

We need to create our own online future.

We need to care about the people at the other end of the connection.

We can find our strengths, and build up others’.

And there can still be new beginnings.

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In the last few months:

And Google+ has less than two weeks left before Google pulls the plug on it.

Back up your social media accounts! Most sites have some sort of archive utility, and even if what you get isn’t suitable for moving to another site, at least you’ll have a copy in case they change their business model, screw up a data migration, get washed away in a flood or just shut down.

And if you can, consider donating to the Internet Archive to help protect other sites you rely on or would just like to see again. Websites go offline every day. Sometimes even the big ones.

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As you’ve probably heard, Twitter is planning major changes, and is testing them in a prototype app.

Threaded conversations are good, though I think the UI here still needs polish.

Hiding the interaction buttons until you click on the post: Yeah, it might make people think a little more. Putting some friction into sharing can improve the signal-to-noise ratio. (Also, I could swear I’ve seen something discussing this UX choice somewhere before, not necessarily for Twitter, but I can’t place it.)

Hiding the like/retweet counts: I know it was a deliberate decision to do that on Mastodon to discourage timelines from being too much of a popularity-contest. But it’s not clear how effective it’s been. In fact Mastodon recently added reply counts to its timeline (though boost and favorite counts are still behind a click). There is some value in social proof. Even if in a lot of cases it just amplifies how popular (or unpopular) something is to start with.

It’s not clear whether Twitter intends to hide the like/retweet counts completely, or keep them with the buttons like Mastodon does. Either way, I can’t imagine they won’t keep those numbers visible at least to the original poster. At some level they’re all about the metrics. And as Slashdot pointed out way back when they introduced karma: if you provide an actual number, people will try to optimize for it. Update: Buzzfeed indicates that the metrics are visible when zoomed into a specific tweet. In that case, you can still gauge its popularity or awfulness ratio, you just have to be motivated by the tweet to look for them. Essentially, it’s on the title page instead of the cover.

Camera features: There’s not really much I can say about these, since I tend not to post directly to social media in the first place. I like to take a picture (or several), then wait until I have time to crop, adjust, think of a caption, etc.

So on balance, these things might help a little.

But if Twitter is still going to be driven by showing you a timeline in most-likely-to-engage order — especially if those hidden replies are chosen in a way to encourage engagement — it’s still going to be a train wreck. Just, maybe with fewer things on fire.

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Like many people, I’ve moved away from Facebook over the last couple of years. I haven’t deleted my account, but I only visit once or twice a month, and it’s been a long time since I’ve posted there. And like many people in that survey, I’ve come to prefer Instagram to Facebook. Friends and family seem a bit more relaxed there, and I follow interesting photographers rather than “brands” that are trying to sell me something.

But lately, it feels less like a photo sharing space and more like an ad delivery mechanism. Less like its own thing and more like Facebook Lite. Every time I visit, I remember Facebook will cheerfully squeeze every drop of monetization potential out of it and keep going. Every time I post, I remember that I’m handing personal data to a company that has been caught misusing it over and over again.

It just doesn’t spark joy anymore.

Where next?

Instagram has been where I post in-the-moment* snapshots, alongside Flickr for albums and my better photos, and my blog for topical images. I don’t want to flood either of those with random snaps. Twitter and Tumblr aren’t terribly appealing at this point, either.

Mastodon takes up some of the slack. I’ve found a great community of photographers at Photog.Social, but it’s more of a place for curated shots. I have a general account at Wandering.shop, and I’ve started posting amusing pictures there, but it doesn’t feel like the right place to post snapshots.

I was an early adopter of Pixelfed, jumping on as soon as it went into public beta. It’s designed to fit the same niche as Instagram, only with a decentralized volunteer model instead of attention-based ads. Even better: I can post photos on Pixelfed and boost them directly into Mastodon instead of cross-posting duplicates. But the community is still small. It’s at the stage where it feels like you’re shouting into the void because there aren’t a lot of people listening, rather than because there are a lot of other people for them to listen to.

At this point, I’m cross-posting photos across way too many accounts. I need to simplify. What I think I’ll do is reduce the number of places I post, and then pare down who I follow on each remaining site to the point where I can check in once in a while and it feels like I’m checking in on the people, not the service.

You can find me as KelsonV on Flickr, on Instagram, on Pixelfed, on Wandering.shop, and on Photog.Social.

*More or less. Sometimes the moment was three days ago.

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This post I rescued from my Google+ archive in August 2011 really speaks to how quickly expectations for mobile computing were derailed by the social media feedback loop.

Years ago, I wanted a smartphone so I could write down all the blog posts I compose in my head when I’m away from a computer. Now that I have one, I end up reading Facebook, Twitter, or Google Plus instead, and I compose blog posts in my head when I’m away from both my computer AND my phone. Maybe I just need a pencil and notepad.

That’s just me, and just one niche that I wanted to fill with a mobile computer. I also wanted SSH access, control panels, the ability to look up information easily, and photo uploads. But those things weren’t pushed out of the way like actual creative output was when I installed a bunch of dopamine generators on the device.

OK, blogging was fading anyway, and typing on a phone was tiresome. But neither of those made as much of a difference as the fact that it’s so, so easy to check Twitter for “just a minute” and find yourself still scrolling twenty minutes later.

It didn’t slow down photography. That was something that the social media cycle could latch onto. (Follow me on Flickr, Instagram, Photog.Social and Pixelfed!) And when I used a better camera, well, most cameras don’t have Facebook on them.

I think my use of social media is healthier now than it used to be. I still find myself staring at the train wreck of Twitter longer than intended, but I confine most of my activity to one session a day (or less) except for Mastodon, and that’s just different enough that it’s less likely to trigger a vortex to begin with. I do miss out on a lot with friends and family on Facebook by only checking once every couple of weeks, but I’m also happier the less time I spend there.

Still, I haven’t returned to the volume of long-form writing I used to do. And I know there’s so much more I could be doing with an always-connected computer in my pocket.