Kelson Reviews Stuff - Page 46

Vespucci (App)

★★★★★

If you want to seriously edit OpenStreetMap while you’re out and about, Vespucci is the way to go. You can add, remove, and modify just about any paths or structures on the map, trace paths using your phone’s GPS and either add them through the app or upload them to use another tool. It uses a lock/unlock system so you don’t make changes accidentally, and you can place geolocated photos on the map to help you position features. It’s easiest to use on a tablet, but still packs its full capabilities into a phone-sized screen.

That said, there is a steep learning curve when you start out.

Vespucci is available for Android phones and tablets on the Google Play Store, the Amazon App Store, and F-Droid.

Compared to StreetComplete

StreetComplete and Vespucci are complementary. StreetComplete is good for casual mapping (ex: filling in street info), while Vespucci is good for more significant changes (ex: adding a new street). I use both regularly.

Les Misérables (Adaptations)

After finishing my epic re-read of Les MisĂ©rables, I’ve been watching the various movie adaptations and finding other versions of the story, including a classic radio play, some comics, and even a children’s book.

Movies

Spoofs and Parodies

Stage, Audio and Books

All of these reviews are at Re-Reading Les Mis, along with commentary on two full reads through the book.

iNaturalist (App)

★★★★★

TODO: Quick note about what iNaturalist is.

The app streamlines the basic use case of posting an observation from your phone, and the AI is usually good at identifying (or at least narrowing down) the plant or animal you’re looking at, even before other people have a chance to review it.

Space Opera

Catherynne Valente

★★★★★

Book Cover: Disco ball with neon rings around it looking like Saturn, giant neon letters saying SPACE OPERA

Book Cover: Disco ball with neon rings around it looking like Saturn, giant neon letters saying SPACE OPERAThe intergalactic community is ready to welcome Earth into its fold
but only if we prove to be sufficiently civilized
by placing in an interstellar version of Eurovision. If we lose
well, “elimination” is the right word in more ways than one.

Absurdity, social satire, lots of music references, and a fast read that still feels like a wall of words at times. In the same vein as Hitchhiker’s Guide to the Galaxy and Year Zero (though in this case humans are the worst musicians in the galaxy). Fun, though it’s got some dark moments. The world isn’t totally awesome or totally awful, it’s both: Everything is messy, and you can find the sublime in chaos.

Under the Influence

Trey Ratcliff

★★★★☆

The book’s subtitle is “How to Fake Your Way into Getting Rich on Instagram,” and it’s a fascinating exposĂ© of a side of the network (Follow me on Instagram! Actually, don’t. I’m mostly on Pixelfed these days.) that I’ve mostly ignored.

I’ve known the high-rolling “influencer” side of Instagram is out there, but for the most part, I’ve tuned it out by following only friends and people whose photos I find interesting (including the author, which was how I found out about this book), rather than following personalities.

The book covers three main topics:

  • How and why people game the system on attention-based social networks, using Instagram as a case study.
  • How attention-based social media games your brain.
  • Ways to keep yourself in control of your social media experience.

I’ve read a lot about the second and third topics, so that part was mostly familiar to me, though I expect it will be more interesting (and helpful) to other readers.

The first topic - which is basically the hook to get people looking at the rest of it - proved to be very eye-opening as it describes the sheer amount of product placement and sponsorship going on, the lengths people will go to in order to make it look like they have a bigger audience than they do so they can get the deals, and the various techniques used to get around fraud detection.

Available through the author’s site at Stuck in Customs.