Kelson Reviews Stuff - Page 46

Bill Cain’s play is a political thriller in which William Shakespeare is commissioned to write a play about the Gunpowder Plot to assassinate King James I and blow up Parliament. (Remember the fifth of November?) The problem: the king wants him to write the official version of the plot, which has been somewhat…embellished. Shakespeare has to deal with political pressure from the Crown, conflicts among his actors, estrangement from his daughter Judith…and the question of truth: Can he find it? If so, can he afford to write it?

It’s a compelling story – terrorism and torture are topical, and political intrigue is always in fashion – and manages to give you enough information on the background that if you don’t know much about the Gunpowder Plot, or even about Shakespeare, you can still follow what’s going on.

Some familiarity with Shakespeare helps, though. The Globe is rehearsing King Lear at the beginning, and it quickly becomes clear that The True History of the Gunpowder Plot will eventually become Macbeth. References to Shakespeare’s legacy are scattered throughout the play. There’s also a great comedic moment at one point that is only funny if you know about the Porter scene in MacBeth, but it doesn’t interrupt the flow if you don’t know it.

(Some recognizable faces in this production: Harry Groener, the Mayor of Sunnydale from Buffy the Vampire Slayer, and Connor Trinneer, Trip from Star Trek: Enterprise. Coincidentally, Groener was also in the last play I saw, Putting it Together at South Coast Repertory)

Now that I’ve read it, I can definitely say that Brandon Sanderson was a good choice to finish the series from Robert Jordan’s notes, and that splitting the final book into three was the right approach. It may be a doorstopper, but it would be difficult to cut more than a tiny amount without diminishing the impact of what remained.

No spoilers unless you don’t want to know which characters appear in the book. In which case, stop reading now. It focuses primarily on Rand, Egwene, and their respective entourages, though most of the other major characters make appearances. If I were to guess, the next book (Towers of Midnight) will probably focus mainly on Rand and Mat, and maybe Elayne. Katie reminded me that the title is a Seanchan reference, plus there’s another mission — well, quest, really — being built up involving a tower. (Not to mention the White Tower and Black Tower, of course!)

As in Knife of Dreams (and unlike Crossroads of Twilight), things happen in this book! There’s a growing sense of urgency throughout the novel, and everyone who can is pushing hard to have everything in place for the coming apocalypse. For some characters it’s a personal journey. For others it’s political. And for some, it’s simply geographical.

As far as meshing with the rest of the series goes, the only thing that stood out for me was that points of view would switch in the middle of a chapter more often than I expected. It’s not that Robert Jordan never did it, but I remember it being rare outside of the prologues. Brandon Sanderson is more likely to take what would have been two shorter, thematically linked chapters and combine them into one. Katie also noticed one spot early on that one character from Tarabon didn’t speak with the Taraboner dialect — but only the one instance, and one in which the phrasing would have been awkward. It still reads like a Wheel of Time book.

I wish Robert Jordan had been able to finish his epic himself, but it looks like we’re getting the next best thing.

In some ways it wasn’t as awful as I’d heard, and in some ways it was worse. On the plus side, it had giant robots blowing stuff up, and they put more thought into the story than I expected them to. And there were certainly good moments spread throughout the film. On the minus side, the visuals were so complex that they were hard to follow. That’s a problem I had with the Transformers’ designs in the first film, too — they look insanely cool in still shots, but start them moving and you end up with two clouds of shrapnel fighting each other. Plus Michael Bay has a very different sense of humor than I do, which didn’t help. And amazingly enough, the movie was tedious. I don’t know how you can possibly take a movie about giant robots and explosions and make it dull enough that I checked my watch at least five times during the film.

In summary, I’m glad I waited for the second-run showing and only spent $1.75.

Note (2014): This hotel is now the Wyndham San Diego Bayside.

During Comic-Con we stayed at the Holiday Inn on the Bay (not to be confused with the Holiday Inn Bayside). It’s sort of in walking distance of the San Diego Convention Center (we did it one morning…and I did it again one evening after an incident with the shuttle that deserves its own write-up), but at more than a mile it’s not a distance you’d want to walk with a heavy backpack, or in a costume, or carrying bags, or on a hot afternoon, or after a long day of trudging around the convention center.

It’s located on the bay (of course), near the San Diego Maritime Museum where they have several classic ships permanently anchored and available for tours. If you happen to have an upper-floor room, the views are quite nice. (We were on the second floor, so our view was of the roof of the hotel’s conference center. It’s funny how quickly we got used to the sound of the air conditioner.)

It’s an easy walk to Little Italy (we went out to one of our favorite San Diego restaurants, Indigo Grill, on Wednesday) or the trolley, and on the convention shuttle route.

The rooms were nice, clean and spacious (absolutely huge, compared to the last few places we’ve stayed in San Diego). The bed was comfortable, and they had pillows with two different levels of firmness, so neither of us had any trouble getting to sleep. The hotel restaurant/pub, the Elephant and Castle, is quite good. There’s also a Ruth’s Chris Steakhouse in one tower, and a deli next door. And for those looking to save money on breakfast, the in-room coffee service is a single-cup disposable-basket setup, so that if you want plain hot water for tea or oatmeal, it won’t taste like coffee! Wireless internet access is complimentary, and easy to set up. Our room had locked doors to adjoining rooms on both sides, so a large group could presumably link together at least three rooms into a suite.

The only annoyances were:

Internet access during the convention was absolutely swamped. Sometimes pages just wouldn’t load, and the Flickr uploader actually gave up several times. This would have been less of a problem if I hadn’t been so determined to post photos and blog during the con, though at least with photos it turned out I could (usually) start them before going to bed and let them run overnight. The one night that it just gave up, I tried when we got up at 6 AM and they posted extremely quickly.

The bathroom had a sliding door that didn’t seal. Like the room at the Omni, it blocked light but not sound or airflow. On the plus side, it was actually big enough that we could brush our teeth at the same time.

Overall, though, we really liked it, and agreed that it would be near the top of our list when it came to hotels on the shuttle route. Though if possible I’d really prefer something close enough that we wouldn’t have to rely on the shuttle or other transportation.

See Also: Convention Photos & Write-Ups

I went with a friend to watch a screening of Ghostbusters. It really holds up! The jokes are still funny, the story still works, and even the effects hold up pretty well. (The main exception would be the stop-motion version of the terror dogs, which is probably a combination of compositing and lack of motion blur).

One thing I noticed was that the story itself is treated 100% seriously. The humor is in the characters, the dialogue, the attitude. The Stay-Puft Marshmallow man, for instance, is incredibly silly — but because there’s a logical in-story reason for it, and the characters treat it as a real threat, it works.

The friend I saw it with was remarking about how tightly the movie is put together. It starts with their breakthrough, goes their first case, and then right onto the main plot, with montages serving to fill in the gaps.

But holy crap, Venkman’s an insufferable jerk.