Category: Conventions

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Portable cellular phone tower on wheels.As near as I can tell, there were two main wifi networks at the San Diego convention center this year: “Comic-Con 2010” was open and free…and bogged down. It was enough to post snippets of text one line at a time, but it took forever to start the console for Cover it Live, though, and it wasn’t worth it for uploading photos.

AT&T also had a wireless network, but it required you to either be a customer already or buy access. One of the perks of U-Verse service: free access to AT&T wifi hotspots! Since only paid customers were using it, it was a lot faster. Faster even than our home internet access, in fact.

This was in the lobby, hallways and meeting rooms at the convention center itself. I never really tried to access wifi on the exhibit floor (who has room to sit down, other than people staffing a booth?), and didn’t spend much time on my phone either, except for sending and receiving text messages.

Over at the Hilton, however, access was virtually nonexistent: No wifi as near as I could tell, and even phone access was spotty. I saw people texting in the Indigo Ballroom, but the ones nearby were all on iPhones (AT&T) or Verizon. I had absolutely no T-Mobile signal in that hotel, even though it was perfectly fine everywhere else. Katie had the same problem at Indigo last year, and we were hoping it might have improved. No dice.**

One reason I didn’t worry too much about having constant net access: I spent way too much time last year online. Liveblogging aside, this year I wanted to focus more on actually being there. Last year I posted about 30 messages a day to Twitter. This year it was closer to 10 posts total.

So of course, now I’m spending lots of time after we get back writing things up…online.

*Yes, I know the photo is of a cell phone tower, not a wifi hotspot, but I didn’t take any pictures of wifi routers and this is the next best thing.

**Actually, there was a whole booth full of dice, but it was over on the main floor.

»Full index of Comic-Con posts and photos.

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One of the panels I hit on Thursday was called “Twisting Genres,” and brought in a bunch of authors who had all written books that mixed and matched traditional genres. (western and horror, historical fiction and dragons, etc.) It was essentially the same topic as the “Blurring the Lines of Genre” discussion I saw at Westercon, but with a completely different set of authors who stayed a bit more on-topic (possibly because they had a moderator).

Of course, just because they stayed on topic doesn’t mean they weren’t funny.

Quotes

“Where do you shelve that?” Maryelizabeth Hart on the impact of mixed-genre novels on bookstores.

“I’m part-Australian, and required by law to put Australian content in my book. It was either that or the Sydney Opera House.” — Scott Westerfeld, explaining the presence of a Tasmanian Tiger in the Leviathan Trilogy.

“You have these ideas in your head and they start having sex with each other, and these strange webbed babies come out…” — Daryl Gregory(?) on how genre mash-ups are born.

“Awesome plus awesome does not always equal two awesome. Sometimes it’s an abomination, like a Reese’s Peanut Butter Cup.” — China Miéville, a few minutes after Naomi Novik cited them as an example of how mixing things does work.

“It’s Dinosaur Love Story!” China Miéville on the classic Hollywood “X+Y” pitch.

Stories

Something that came up at both this panel and the Westercon discussion was that mainstream literature is a genre in itself, with its own sets of rules and expectations. I think it was China Miéville who described it as a genre with a successful thirty-year marketing campaign to convince people that it isn’t a genre.

Justin Cronin explained that he crossed over from mainstream literature when his nine-year-old daughter was terribly concerned that his other books might be boring, so he launched a project with just one rule: it must be interesting. He eventually submitted The Passage under a pseudonym so that his name wouldn’t set up the wrong expectations.

Robert Masello said he once had an editor try to “help” him by explaining that they could take the supernatural elements out of his story and it would work just fine… (Ouch.)

One author had a friend who had written a serious novel with the word “Spices” in the title, and got on a radio show to promote it. The host hadn’t read it, and introduced it as a cookbook. So he spent the next half hour giving out recipes. “Why didn’t you correct him?” “It’ll sell more as a cookbook.”

The question was asked whether there are any two genres that are inherently disastrous. Naomi Novik suggested that no two genres were automatically so. China Miévelle said that his brain immediately responded to that question by trying to think of ridiculous combinations…and then figure out how to write a brilliant book with them.

But yeah, a driver’s manual with an unreliable narrator is probably a bad idea.

»Full index of Comic-Con posts and photos.

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Quotes from “Once Upon a Time,” a panel at Comic-Con International in which fantasy authors discussed whether epic fantasy requires larger than life heroes.

Brandon Sanderson: “I would say, if Tolkien did it, it’s okay.”

Christopher Paolini: “I write…Mary Sues, and that’s okay.”

Maryelizabeth Hart: “We’re gonna start with Patrick [Rothfuss] so he can’t argue with anyone.”
(later)
Patrick Rothfuss: “I just wanted the opportunity to disagree with myself.”

Megan Whalen Turner on the typical vagueness of prophecies: “What if there was a prophecy that said, ‘The One will come. And he will have a 63% chance of defeating…”

Brent Weeks on the X saves Y structure: “I mean, is there…nobody saves nobody?”
Megan Whalen Turner: “They all die.”
Brent Weeks: “And that’s George Martin.”

Panel held Thursday, July 22, 2010.

»Full index of Comic-Con posts and photos.

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Sometimes, weaving through the crowds at Comic-Con is easy.

Sometimes it’s like being herded.

Sometimes it’s like swimming upstream.

And sometimes it’s like playing Frogger, looking for an opening and moving with traffic even though it’s not going in the direction you want.

This being San Diego, perhaps tacking a sail might be more appropriate.

»Full index of Comic-Con posts and photos.

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While Katie got up early Saturday morning to wait in line for the Warner Bros. panel in the cavernous Hall H (her goal was Harry Potter, but Green Lantern was an equal or greater draw), I slept in a bit before going down to the Hilton Bayfront for Leverage at the Indigo Ballroom. I really had no idea what to expect, and wasn’t even 100% sure who was going to be there since I couldn’t find a description in the program.

I certainly wasn’t expecting to have to walk straight through the hotel, out the back, and along the edge of the waterfront to get to the end of the line.

Fortunately, the Indigo Ballroom is big, and they hadn’t started letting people in yet. So even though the line looked long, I still managed to find a seat 1/3 to 1/2-way back from the front. It was a bit nerve-wracking to start with, though, especially since a large part of the line was made up of people who were more interested in the Venture Brothers panel immediately afterward (many of whom no doubt had bad memories from a year or two back when VB was put in a room much too small for its audience).

Sighted!

As I neared the front of the outdoor section of the line, a shout went up, and people started waving up at the balcony. It was hard to see in the gloom, but several of the actors were out on a balcony. Tim Hutton (Nate Ford), Aldis Hodge (Alec Hardison), and Christian Kane (Elliot Spencer) started waving back, and as we took pictures of them, they took pictures of the line. Meanwhile, the Venture Brothers fans were wondering just who the heck was up there.

Everyone received a T-shirt on the way in, with the show title on the back and one of the character’s roles on the front: Hacker (olive green), Hitter (red), Grifter (gray), Thief (blue, I think) or Mastermind (black). I started with an XL Grifter, but traded it immediately for an L Mastermind — which will actually fit. No luck swapping it for a Hacker, though, which is what I really wanted.

They also had Beth Riesgraf (Parker), producer/writer Chris Downey, and guest star Wil Wheaton…who will be returning as Chaos this year in an episode called “The Ho-Ho-Ho Job.” (He said that John Rogers called him up and asked him to come back as the Grinch who stole Christmas.) Gina Bellman was the only member of the main cast who didn’t make it.

It was mostly a Q&A panel, with a surprisingly good mix of questions. (Too often, audiences seem to focus on one or two of the guests to the exclusion of the rest.) There were a lot of funny moments, and in the middle, they ran an extended segment from “The Gone Fishin’ Job,” which was set to air the following day.

Apparently there’s a show coming up in which you find out that each of the members of the crew tried to steal the same thing years ago, and they all met without realizing it. You’ll see what each of them remembers…and then what really happened.

Quotes

The best quotes — or at least the best ones I managed to write down — came from Beth Riesgraf and Wil Wheaton.

One fan asked what Parker would think of Comic-Con. Beth Riesgraf said, “She’d have a field day picking everybody’s pockets… so many costumes! This is her crowd.”

Another fan asked about progression of character relationships, and they explained that Parker and Hardison were taking things slow. Wil Wheaton piped in, saying, “I think the Internet has you covered.” Some time later, Aldis Hodge said something to Beth Riesgraf about pretzels, which neatly separated the Leverage fans from the Venture Brothers fans in the audience.

Regarding Hardison wanting to run his own crew, Aldis Hodge said, “I’m not taking on my own crew anytime soon, but maybe 27 seasons in…” A beat or two later, Wil Wheaton added, “27 seasons in, it would be Leverage She Wrote.”

Jumping off of Christian Kane’s singing and cooking, both of which have found their way into Elliot’s background, one fan asked whether any of the other actors had brought hobbies in to their character. I hadn’t realized that Aldis Hodge actually plays the violin and paints. Then Beth Riesgraf joked, “Well, I was really good at stealing stuff when I was little…”

As for favorite memories from the show, TIm Hutton immediately answered, “Food fight.” Almost overlapping, Beth Riesgraf added, “I was going to say the cold cut fight.” Someone asked her to elaborate, and she explained: “It’s a food fight, except you only use cold cuts.” “Good times!”

Finally, one of the last questions was: When do we see Hardison steal Comic-Con? I can’t remember what anyone else said before Wil Wheaton summed it up: “If ever there was a time when Hardison and Chaos would team up…”

Now that would be a fun show to watch!

»Saturday at Comic-Con.
»Full index of Comic-Con posts and photos.