Finally watched A Scanner Darkly this weekend. Better than I expected. One sequence pulled me out of the film, though, and only because I live in Orange County.

In the middle of the film, several characters start a road trip to San Diego. They start on the 5 freeway in Anaheim and drive south until the car breaks down in Irvine. Then they ride in a tow truck back up to Anaheim.

The problem: They used real backgrounds of that stretch of the freeway, but showed them out of sequence. Shots alternate between characters as they hold a conversation.

First you see the squarish beige office buildings lining the freeway near Jeffrey in Irvine. Then you jump 3-4 miles north to the edge of Santa Ana, where you can see a blue glass-lined building in the background near Fourth St. Then you jump back down to the beige buildings. Then up to Santa Ana again. Then down to the office buildings. Back up to Santa Ana. Down to the office buildings again, which finally give way to The Market Place (you can see the giant purple sign as it goes past).

Now I understand how all those Chicago residents felt watching The Dark Knight.

Although thinking about it, it probably wouldn’t have bothered me if it had been set somewhere generic, and just happened to use local backgrounds.

Ah, Hollywood Geography!

Looking at the “all ages” shelf in Borders, which seems to be almost entirely made up of novels about vampires and dragons, I noticed that the cover to the Vampire Academy novel Frostbite looked awfully familiar. I walked over to the DVD section of the store and picked up a copy of Buffy the Vampire Slayer, Season 2.

This may be the most recognized image from Buffy the Vampire Slayer, and I just could not believe that the cover designer would copy the layout so closely.

Somehow, we’ve found ourselves watching a lot of shows on Fox this fall. And two out of three are returning, so we can be confident that they’ll actually finish out the season. The third is Fringe, and I’m still trying to decide whether I want to keep up with it.

So far it basically seems to be The X-Files as done by J.J. Abrams, with a corporate conspiracy replacing the government conspiracy. Which is fine, except I wasn’t particularly interested in The X-Files. I think I saw about 5 episodes plus the first movie.

One thing I’m not thrilled about is the implication that everything they investigate is going to be part of “The Pattern.” It seems awfully convenient that all the weirdness stems from one lab’s experiments back in the 1970s, with (presumably) one partner causing and the other investigating the weirdness. I’d actually prefer it if they sometimes ran into things that were weird and bizarre, but came from other people’s work.

They also seem to be big on body horror, which is not my favorite topic to watch on a weekly basis. Though that could just be the first two episodes.

The most interesting character so far is the mad scientist Dr. Bishop, played by John Noble. Oddly enough, I didn’t recognize the actor until the second episode.

The pilot episode actually got to a point about 2/3 of the way through where I wanted it to end. I found myself thinking, “Okay, the story’s done, you can wrap up the episode now.” Kind of like The Talented Mr. Ripley, it just kept going. Still, it was a pilot, and it was trying to do setup, so they get a pass.

Something I’ve noticed is that it’s easier for me to suspend my disbelief on things that are completely and totally “out there” than things that are just a little bit past normal. For instance, to bring up some spoilers from episode 2: Continue reading

A post on 20 things I learned at Dragon*Con [edit: no longer available] reminded me of something Katie and I noticed at Comic-Con. During the screening of the musical Buffy the Vampire Slayer episode, “Once More With Feeling,” it seemed like half the audience would boo Dawn, and would shout out things like, “Shut up, Dawn” when she spoke, or “No!” when she sings, “Does anybody even care?”

Okay, I get that you don’t like the Scrappy… but shouting “Shut up!” when she’s spilling the beans about Willow & Tara’s fight? That sorta implies that you don’t want Tara to find out that Willow has been altering her memories. That’s psychological abuse by any standard. Is it better for Tara to stay in an abusive relationship than for Dawn to be the one to open her eyes?

Or how about when she mentions to Sweet that her sister is the Slayer? That sets the rest of the story in motion — in fact, it sets the rest of the season in motion. Not only does it make it possible for them to “beat the bad guy,” but it sets up that Buffy/Spike relationship, and I’d bet 90% of the people booing Dawn just lurve “Spuffy” to death. (Excuse me while I gag.)

It’s hate for the sake of hating the character, even when she does things you like — or things that are necessary.

Personally? I couldn’t stand her through most of 5th season. I’m not sure what turned me around, but it was during the last episode, “The Gift,” that I decided, y’know, she’s okay. Katie, who has a younger sister, found Dawn to be the best characterization of a younger sister on television…and couldn’t hate her for that reason.

Perhaps it was the realism of that sister relationship, seen through Buffy’s eyes, that made so many viewers dislike her. Well, that and the Scrappy effect.

Wow.  The Babylon 5 Scripts team keeps finding more ways to get my money.  The latest: The Chronologies of Babylon 5.  And it includes every single piece of B5 canon, down to the six short stories JMS wrote after the series ended and even the unproduced Crusade scripts.

The script books have mostly been interesting for the commentary and supplemental material. Though I was disappointed that they couldn’t get Neil Gaiman to write an intro for his Day of the Dead script in the latest volume. It just reprinted the contents of the solo script book you can get from the CBLDF, which has a brief intro by JMS and a handful of footnotes by Neil Gaiman.

So, here’s what we’ve got so far (including what’s been announced):

  • 15 volumes of Babylon 5 scripts by J. Michael Straczynski.
  • 3 volumes of “Other Voices,” the B5 scripts by other writers.
  • 1 volume of the B5 TV movie scripts (announced).
  • 1 volume of chronology (with a Q&A and presumably commentary).

In theory, that covers everything except Crusade, which is what I’m really looking forward to. Probably two or three volumes, and I’d hope they’d include the unproduced scripts. IIRC there are two by JMS and one by Fiona Avery, and the Chronology list mentions one that was assigned but not written. The two JMS scripts used to be available online through some PITA Java-based reader that theoretically prevented people from copying the text (though that can’t stop screenshots or manual transcription), but also made it really difficult to do things like scroll. The site folded years ago, probably in the dot-com crunch, and they haven’t seen the light of day since. I remember one of them contained the first indication of a link between Techno-Mages and the Shadows.

Back to the chronology: on one hand, it feels like they’re starting to milk the audience for all it’s worth now that they’ve seen the success of the script book series.  On the other hand, it’s only one additional volume.  And it looks really cool…