Over the weekend, Something Positive’s Monette met her girlfriend’s half-brother, who wants to write showtunes when he grows up. Friday’s Real Life featured Tony taking Greg to task over singing a song from Monty Python’s Spamalot. Where did the showtunes=gay (or at least effeminate) stereotype come from? While we’re at it, where did the art=gay stereotype come from?

I mean, most of the people who actually write musicals are probably straight. Not all of them, of course, and some of the exceptions (Cole Porter, for instance) are rather prominent. And I would guess that a majority of the actors and audience are probably straight, also.

I have no doubt that the percentage of gays in the arts is higher than in the general population. I studied drama in college—all I had to do was look around to see that. But that’s a far cry from “most.” I mean, to pull some numbers out of thin air, let’s say it’s 20%, or even 30%, instead of the commonly-cited 10%—that would be like saying an industry with 30% women is primarily female. Continue reading

A quick question for people who discount the idea that global warming could be caused, in part, by human activities on the basis that we can’t possibly impact the climate as much as natural events and cycles affect it.

Do you also discount the well-documented depletion of the ozone layer by interaction with CFCs and similar chemicals? That seems to be a major environmental impact, and one that clearly has an anthropogenic component.

Nearly two decades after we cut back on CFC use, it looks like the ozone layer is finally starting to recover—or at least it’s stopped shrinking. Of course, it’ll take time. The whole reason we started using CFCs is that they didn’t seem to react with anything, so they’ll stay in the atmosphere for decades. UCI’s Sherwood Roland (who won a Nobel Prize for research on this topic) is quoted as saying, “This problem was a long time in the making, and because of the persistence of these chlorine compounds, there is no short-term fix.”

Neil Gaiman weighs in on the flap over adult-oriented comics in a Denver Library:

It’s been twenty years, and newspaper headlines still oscillate between “Wham! Bam ! Pow! Comics Have Grown Up!” and “OH MY GAAAD THIS COMIC NOT INTENDED FOR CHILDREN HAS CONTENT NOT INTENDED FOR CHILDREN IN IT!” articles. Bizarre.

(Ironically, the people complaining don’t seem to care much about the content—they just wanted to get the Spanish-language books off the shelves.)

Well, now that people have successfully gotten Grand Theft Auto: San Andreas reclassified as Adult (18+) instead of Mature (17+)—since we all know that sex scenes that you can only get at by hacking the game are far more damaging to 17-year-olds than interactive sequences in which they shoot people, commit carjacking, and run over prostitutes—they’re going after The Sims 2.

Yep. The Sims.

Apparently you can modify the game so that the sims appear nude. OMGSEX!

Jeff Brown, vice president of corporate communications at EA, in response to the accusations, told GameSpot, “This is nonsense. We’ve reviewed 100 percent of the content. There is no content inappropriate for a teen audience. Players never see a nude sim. If someone with an extreme amount of expertise and time were to remove the pixels, they would see that the sims have no genitals. They appear like Ken and Barbie.”

Thompson doesn’t buy it. “The sex and the nudity are in the game. That’s the point. The blur is an admission that even the ‘Ken and Barbie’ features should not be displayed. The blur can be disarmed. This is no different than what is in San Andreas, although worse.”

Yes, he actually said that The Sims is worse than Grand Theft Auto: San Andreas.

What is wrong with these people?

First they came for the violent games…

On seeing an ad for the upcoming Dukes of Hazzard movie, I started thinking of other 70s and early 80s TV shows that Hollywood might remake. Then I started thinking of late 80s and 90s shows. I’m certain that, 10-20 years from now, there will be a Beverly Hills 90210 movie.

But what about the big hits of this decade—the reality shows? Will Hollywood want to release Survivor or Fear Factor movies for 2025? Or would it be like producing a Jeopardy movie?

One of the big draws for shows like Survivor or American Idol is watching the contestants’ stories unfold over time. You can’t do that in a two-hour movie as effectively as you can over a 10–20–week season. On the other hand, not every reality show is about the long haul. Assuming the public’s taste doesn’t change, I’m sure Fear Factor could be made into a movie. (Though one could argue that it already has been.)

Later in my drive I heard a story on the radio about Iraqi reality TV. Apparently the genre has become quite popular there, particularly the helpful sub-genre (like Extreme Makeover: Home Edition). There’s a show that helps people navigate government bureaucracy, a show that rebuilds homes destroyed in the war, one that gives couples dream weddings, one that takes people to foreign hospitals for medical procedures, etc.

Who knew what else we’d be exporting?