Weird Al Yankovic: Straight Outta Lynwood album coverLast night we went out to the Orange County Fair to see “Weird Al” Yankovic in concert (the Straight Outta Lynwood Tour). I don’t remember how we managed it, but we got tickets for the fifth row, putting us about 10 feet from the stage. We were off to the side, maybe 20–30 feet from Al’s microphone, but still, it was the closest we’d ever been at a stadium concert.

(Being off to the side put us right by the speakers, which was an odd experience, as the drum beats resonated at the frequency of the human ribcage. On percussion-heavy songs, it was sort of like having an audio pacemaker.)

As always, he put on a fun show. If you haven’t seen him in concert before, all the major songs are done in full costume, with comedic video clips (mostly from his mid-1990s TV show) running between sets to allow time for costume changes. In the middle of the show, he always does a medley of other songs, just to get as much in as possible into a 2-hour concert.

As for being near the front, thankfully he didn’t come to our section for the audience-walk during “Wanna B Ur Lovr,” (a truly annoying song). We did get covered with red and white streamers at the end of “Canadian Idiot,” and (speaking of Monopoly money) fake $100 during “I’ll Sue Ya.”

$100 bill, Weird Al style.

One surprise: A couple of minutes into “White and Nerdy,” he suddenly stopped, said, “There’s no reason to do this song. Radio, Radio”—and the band proceeded to do a straight cover of Elvis Costello’s “Radio, Radio.” During the encore, he explained they’d had some technical difficulties, and did the song from the beginning (though without the costumes and the Segway).

Another surprise: He performed “Albuquerque.” All 10 minutes of it. *shudder*

After the concert we explored the fair a bit, then left to go to Borders to pick up Harry Potter, leading to the second part of this story…

For now, I’ll leave you with this final thought: We all have cell phones, so come on, let’s get real.

Studio Foglio has been posting the last few pages of Issue #13 (which ended on a rather intriguing clifhanger) over the past few weeks, and on Monday, they posted the first brand-new page at GirlGeniusOnline.com, just three weeks after they announced that the comic would move to the web.

Girl Genius follows the steampunk adventures of “spark” Agatha Clay through a 19th-century Europe littered with the remains of a mad scientist war, dominated by Baron Wulfenbach, who rules his domain from an airship. It’s an adventure/comedy, and if you like Phil Foglio’s style, you’ve probably already read the story so far.

Speaking of the story so far, there are two ways you can catch up. (Well, three if you count hunting through back-issue bins and eBay.) Studio Foglio is selling the first three collected editions (both hardcover and TPB) on their website, and they’ve also begun Girl Genius 101—reposting the original comics online, one page at a time. And of course there’s cast info, a FAQ, summaries—everything you need to get up to speed.

Let me just say again, I can’t recommend this enough. It’s good, it’s funny, and now you can try it out for free! (And if you really like it, they plan to continue releasing the TPBs, so in a year or so you can get it on genuine flattened plant matter!)

Girl Genius Online

Here’s some surprising news: Phil and Kaja Foglio’s excellent comic book Girl Genius is moving from print to the web: Girl Genius Online. They plan to have new pages up three times a week, and release graphic novels once a year.

I’m of mixed feelings here. On one hand, I like being able to hold the comics in my hand, and this was a series I’ve been collecting as individual issues. Hardcovers and TPBs are often harder to find. On the other hand, the series was only nominally quarterly, often managing only three issues a year (or fewer). If they actually manage 3 a week, that’s the equivalent of six 30-page issues over the course of the next year. And it will be easier to introduce new people to the series. I can just point them to the website instead of lending an issue or telling them to hunt through their local comic stores.

(via the Studio Foglio newsletter)