SDCC is moving to lottery-based pre-registration for 2014 to even out the crush of everyone hitting the site in the first 10 seconds after launch. Instead of first-come first-serve, you sign in anytime within a window and it randomly assigns your place in line.

Looking back, the turning point for crowds and being able to get into SDCC and specific events was in 2007. That’s the first year that large numbers of people were shut out of major panels, and camping became a big issue, and line management became a total nightmare.

Or maybe 2006, the first year that hotels sold out in a single day.

Originally published in a Reddit discussion on the new pricing and limits.

I think we’re at the point where there just is no good way to handle the demand. A lottery — or rather, a pair of lotteries, one open to past attendees and one open to everyone — may very well be the least-bad option for now.

Originally published as a comment on SDCC Blog’s discussion of the change.

But over the past two years I’ve dropped half the series I was collecting, and the others (the ones I liked) have been canceled. I’m down to one DCU series. (Again)

The New 52 DC universe no longer feels like the same DC universe I used to follow. The tone is off (though to be fair, it had been shifting ever since Identity Crisis), and it’s now just different enough to feel unfamiliar and off-putting, but not different enough to feel like another fictional world that I can enjoy on its own terms.

A few years back I came to the realization that a shared universe I knew well, like DC at the time, was a hook that would encourage me to try more comics set in that world, while one that I didn’t know so well, like Marvel, actually discouraged me from reading it. The Marvel books I read tend to be those that are either not the Marvel universe, or set off in a corner of it. Since the New 52, the same has been true of DC.

Previously posted as a comment on Reddit

I think my biggest disappointment with the New 52 is that they didn’t go far enough.

They had a chance to completely reinvent the DC Universe to an extent that we haven’t seen since the dawn of the Silver Age. Instead, we have the same basic characters: Superman is still Clark Kent, Batman is still Bruce Wayne, Wonder Woman is still Diana, Flash is still Barry Allen, Green Lantern is still Hal Jordan (and John Stewart, and Kyle Rayner, and Guy Gardner), etc.

They could have tried to recapture the sheer creativity that made the Silver Age such a success. (What if instead of a guy with a magic ring, we make him a space cop? What if instead of a small guy who’s really strong, he actually shrinks to microscopic size?) Instead, they tried to recapture the success of the post-Crisis DCU. That’s still ambitious, but it has nowhere near the same level of potential, and I think that’s thrown a wet blanket over the past two years.

But the New 52 seems to be this weird combination of top-down heavy-handed editorial mandate and throw-things-at-the-wall-and-see-what-sticks. The post-Crisis on Infinite Earths universe felt a lot more open and creative, like almost anything was possible.

Then again, I’m thinking of the first five years or so after COIE (before it accumulated enough complexity that they started doing things like Zero Hour and all the gimmicks we now think of as exemplifying the 1990s), and we’re only two years into the New 52, and I do remember there being a bit of a shakedown period — and I’ve had 20 years to forget the stuff that didn’t work in the late 1980s in favor of what did. So I could be seeing it through nostalgia-colored glasses.

Edited together from a pair of comments I originally posted on Reddit

I’m completely uninterested in the mainstream part of the DC Comics relaunch, but then DC’s been slowly killing off my interest, dismantling everything I liked about the DCU for the last several years, so it’s more of a final nail than anything else. I checked out Justice League #1, which basically confirmed my opinion. I’m going to give Flash another shot because (a) I hate letting go and (b) that art is just amazing.

On the plus side, some of the offbeat books look really interesting, and I plan on checking out Demon Knights, Frankenstein, Resurrection Man, and Justice League Dark.

Originally posted as a comment on Reddit

I’ve always considered myself a DC fan. I think it’s mainly that it’s where I got started, so I got invested in the DC Universe. That’s what’s familiar, while Marvel always seemed like I’d need to do a ton of research just to get started. (Not necessarily true, of course, that’s just how it seemed.) Most of the Marvel books I’ve read were either stand-alone or set off in their own corner of the universe (Alias, True Believers, Astonishing X-Men when Joss Whedon was writing it, etc.)

In short: the complexity of the universe I knew kept me in, and the complexity of the universe I didn’t know kept me out.

These days I still consider myself a DC fan, and I follow all the DC-related news and commentary, but I don’t actually read many of their books anymore. It’s down to one: The Flash. The rest of the line just doesn’t appeal to me anymore. But neither does Marvel’s. Actually, about half of my pull list is from BOOM! right now, with the rest of it scattered around DC/Vertigo, Dark Horse, Aspen, Image, etc.

Previously posted on Reddit