I’ll be the first to admit that I go near-ballistic where cigarettes are concerned, from sprinting by smokers on a sidewalk to springing up to turn our window fan to exhaust mode. But, rude though I may be, I’m not as bad as the AMA. An R rating for smoking? Even when the smoker is an evil character, or when a would-be teen smoker lights up and doubles over coughing? What about random guy in the background on a busy street scene? How the hell are filmmakers going to deal with that?

Unfortunately, I have a guess, and it doesn’t involve parental permission cards. If this rating-system change does happen, the industry will know that any film involving smoking has no chance of hitting the PG-13 sweet spot for audience draw. Rather than making something like Forrest Gump inauthentic by leaving out the ubiquitious Vietnam cigarettes, they will instead add footage and sound that they may have held back on before, simply because they have that freedom under the measure. We will see films that are more violent and more full of sex and cursing where there is no cause for it, because there is nothing to lose. Imagine biographical movies about well-known smokers–Churchill, FDR, Einstein–done by John Woo, and you’ll have an idea what we’d be in for.

Now think of all the foreign films we import. Continue reading

Things that went through my head while watching Troy:

  • That’s a bloody awful lot of ships.
  • OK, so where’s Cassandra in all this?
  • Gee, the way they’re portraying Agamemnon, I’m glad his wife is going to kill him when he gets home.
  • That’s odd, the computer-generated orc army looked more realistic than the computer-generated Greeks.
  • Ah, political context. They’re right, it doesn’t make sense to send that many soldiers just to avenge one man’s honor. There’s usually something else going on.
  • Where the hell is Cassandra?
  • Wait, wasn’t this supposed to take 10 years?
  • Aeneas, eh? Nice throw-away line!
  • Wow, this Agamemnon really is a bastard. I wish I could remember what happens to Brise– uh, waitaminute.
  • Uh, what happened to Cassandra?

After reading a scathing review of the Hugh Jackman/Kate Beckinsale movie Van Helsing, which differed from my own experience more in reaction than in fact (mine was much closer to the experience excellently summarized by sekl—which makes sense, considering I was two seats away), I started thinking about just why I enjoyed the movie.

Because, to be honest, it was terrible.

But terrible in a strangely entertaining way.

While watching it, I thought—many times—that this is what happens when you put every cliché you can think of into one movie. (“Oh, of course the road goes along the edge of a cliff!”) Depending on your mood, it could be the most tedious or most hilarious thing you’ve ever seen. I also spent most of the movie trying to figure out whether or not it was intended to be a comedy.

And thinking back on that, it hit me. Van Helsing is the monster movie equivalent of The Eye of Argon.

For those of you who aren’t familiar with it, The Eye of Argon is reputed to be the worst fantasy story ever written. It’s the tale of the barbarian Grignr and his quest to steal the titular jewel, filled with cruel swordsmen, an evil wizard, disgusting creatures and a beautiful, captive princess, written with prose so purple it’s a wonder it doesn’t creep into the ultraviolet. And yet, reading it, you can never be sure whether it’s intentional parody or an earnest effort by someone who just didn’t realize how bad it was.

Traditionally, Eye of Argon is read as a group, each person trying to keep a straight face as long as possible and passing it on to the next once he or she bursts out laughing. Sometimes getting through a whole sentence about “livid wilderness lands” or “keen auditory organs” is a real challenge!

Read The Eye of Argon… if you dare!

Edited June 19: The the site I originally linked to has vanished, so I’ve re-linked to a copy that’s still up.