Kelson Reviews Stuff - Page 64

Last night we watched Babylon 5: The Lost Tales volume 1, Voices in the Dark. The direct-to-DVD movie is the first new Babylon 5 since the Legend of the Rangers TV movie/pilot 5 years ago, and the first to focus on characters from the original series since A Call to Arms set up Crusade back in 1999.

The movie has two distinct segments, the first focusing on Lochley, now a Colonel and still in charge of the space station, and the second focusing on Sheridan and the techno-mage Galen. Both segments take place during 2271, placing it 9 years after the main story, during what would have been the 5th season of Crusade if the series had lasted.

Review

The result is mixed. The first segment is the weaker of the two, owing in part to the fact that it’s essentially a bottle episode, taking place entirely on the station. Visually it’s very static, with characters mostly standing in one place and talking. This is probably influenced by the virtual sets, and the fact that J. Michael Straczynski directed the movie himself.*

The second segment is much stronger, and feels like a real return to Babylon 5. It helps that Sheridan and Galen play very well off each other. Their scenes together are the highlight of the film, and even though this segment still has its share of two actors in a room talking, it somehow feels more dynamic.

The special effects, of course, were incredible. Babylon 5 pioneered the use of computer-generated effects for television, and being pioneers, the show looks primitive by today’s standards. The technology has advanced immensely in the past decade, and the movie looks like a modern 21st-century skyscraper compared to the original show’s log cabin. More importantly, they’ve managed to make it look better without making it look like another show.

Virtualization

The virtual sets took a little getting used to. They’re better than they were 10 years ago, but still not quite up to the real thing. Plus they have their own challenges for acting, as the actors explained last Friday during the B5: Lost Tales panel at Comic-Con (quotes via CBR):

Tracy Scoggins: In my tiny corner it was like a little doll house with slippery chairs. I walk out and there is this cavernous green screen and I turned to Joe and asked “where is the door?”

Peter Woodward: With green screen, when you are 360 degree green screen, the cameras stay where they are, and we move. Now that may not seem like a problem, but I get used to that visual image … my background keeps changing. Until you get used to it, it can be very difficult.

Production

The Lost Tales was originally announced as a series of direct-to-DVD releases. JMS explained that the reason he directed this one himself was that he wanted to establish the tone and look for future installments. True to form, Warner Bros. decided to start with just one to test the waters**. By the time they went into production, JMS had cut a third segment focusing on Garibaldi, in order to put more time (and more of their limited budget) into the other two segments.

If they do make more, they’ll bring in real directors. And with any luck, WB will be willing to give them the budget for a few more physical sets, and a few more actors. (I counted 3 leads, 4 supporting characters, a couple of extras and some voice-overs. We did shows in high school with more actors on stage.)

This film didn’t wow me as much as I’d hoped it would, but it shows enough promise that I’d happily pick up a second one. (Update: there was no second one.)

The Lurker’s Guide to Babylon 5.

During Comic-Con 2007 we stayed at the Radisson Harbor View again, on the cusp between Downtown San Diego and Little Italy. The hotel was in the process of being converted into the Doubletree Hotel San Diego Downtown. This meant that our room had been recently remodeled, with new carpeting and furniture. Unfortunately, it was really new—we had to air out the wardrobe and dresser to get rid of the smell of varnish. And they’d taken out the old towel hooks, and hadn’t put in the new ones yet. So that was a bit of a mixed bag.

They were still working on the lobby when we checked in, so they had moved the reception desks onto little plywood stands over on one side. One of the clerks accidentally knocked the power cord out while we were checking in. By Saturday morning they were done. The painters and plastic tarps were gone, the desks and furniture were in their places, the fountain was running.

Meanwhile, we kept coming back to our room to find that yet another item had had its Radisson logo removed or replaced with a Doubletree logo. And then there was this bulletin:

Hotel Plusses:

• Near trolley stop (Little Italy/County Center)
• Shuttle stop
• Near coffee (It’s a Grind)
• Near restaurants
• Nice rooms
• Free wireless internet (though the wired port didn’t work)
• Just remodeled, so everything’s new

Hotel Minuses:

• Shuttle has to go through traffic
• Trolley requires transfer unless you get the red line (special event service)
• Won’t be an issue next year, but we were there during the transition

Factor in waiting for a shuttle or trolley, and you can figure on 40 minutes to get to or from the convention center.

I’d stay there again, though I think next year I’ll try to get something a bit closer. Of course, I tried that this year, and by the time I got through, everything closer was either full or way too expensive.

While I liked the attitude and metatextual humor — the main character gets into arguments with the narrator, and points out odd coincidences that only make sense in video game logic… and there are a number of references to The Princess Bride in a game in which Cary Elwes voices the main character — it was also annoyingly linear. The whole game felt like one long railroad.

Admittedly the original games didn’t have much in the way of side quests, but they felt more expansive, particularly the first two in which every dungeon level was built on a 22×22 grid. You could really explore the levels, while most of the dungeons in this game are essentially start at point A and work your way to point B, hacking up two types of monsters along the way.

Update: The newer Bard’s Tale IV is much more an update of the original gameplay!

A lot of fun. My main objection was that it got hard to keep track of all the double-, triple-, and quadruple-crosses. Despite what the reviewer for the L.A. Times thinks, it doesn’t require intimate knowledge of the previous films. All you have to know are who the major players are, and how they stand in relation to each other. You can do that by seeing the other films once while sober.

Finally saw The Bride of Frankenstein (which I suspect I saw when I was maybe 10, because I recognized the framing sequence, but I don’t remember much more). It’s interesting to see just how much of the Frankenstein mythos not only isn’t in the book, but isn’t in the first movie. Much of the tearing around the countryside is in Bride, for instance, and Igor doesn’t even show up until the third movie, Son of Frankenstein (and he’s a far cry from the mad doctor’s faithful assistant!)