Kelson Reviews Stuff - Page 68

Calling it a resort is pushing it—it’s really just a very nice motel—but we had absolutely no complaints. The service was friendly, the bed was comfortable, everything was clean and worked (including the free wifi). It’s right on the coast, with a wide lawn atop a bluff where you can sit and watch the waves come in. At night they light up firepits, and you can sit, keep warm, and listen to the ocean. Even the standard room had a well-stocked mini-bar. We’ve been talking about going back to Hearst Castle to catch the tours we missed, and we’ll probably stay here again. (Update 2009: We did!)

A rather disjointed tale of revenge with two main segments: one with Dracula, the other with the Wolfman. The Frankenstein Monster was in there too, mostly being thawed out during the second half, and finally broke free of his straps at the very end, when he strangled one person and wandered outside and fell in some quicksand. Yes, that was all he did.

5 stars for concept, but only 2 for execution. The Wizard of Oz meets The Dark Crystal by way of 1930s scifi was fascinating as a concept, but they managed to make it dull and tedious. The only reason I watched through to the end was it was Friday night, and I was tired enough that knew I wasn’t going to be doing anything useful with the time anyway, and I knew I could sleep in the next morning.

Just out of curiosity: how does one manage to have a solar eclipse during a full moon, anyway?

The IMAX 3D showing was packed.

The computer animation managed to avoid the uncanny valley most of the time. The previews at Comic-Con looked very strange, but either the presentation helped immensely, or they’ve been refining it since they put those clips together. Movements are dead-on (it’s all motion-capture) and even facial expressions have gotten really impressive. (There’s a sequence at the end which is entirely two characters looking at each other, and it’s all expressions). And when it did slip into characters not quite looking human, the story was usually engaging enough to keep it from being too distracting.

They clearly had a 3D presentation in mind when blocking out shots, because they took great delight in tossing spears, arrows, and the occasional hapless Dane at the audience.

I found myself comparing it to Lord of the Rings in a few places, which isn’t surprising, since Tolkien was quite familiar with Beowulf. I’m pretty sure the Denmark of this period is the source culture for the Rohirrim, as well (both in the books and in the Peter Jackson films), so it’s appropriate that Heorot gives off a vibe of Edoras gone horribly wrong.

The monsters are impressive. Grendel is about as disgusting as can be, his mother literally radiant, and the dragon is a majestic gold, looking more like raw metal than scales. The designs of Grendel and the dragon are used well to reflect the contrast between Hrothgar and Beowulf: one decadent and slimy, one still heroic even in his old age. The initial attack by Grendel gets confusing pretty quickly, and the later confrontation devolves a bit into virtual wire-fu, but the battle with the dragon is suitably sweeping (though I had a few problems with the dragon’s heart).

I liked that they used Old English in a few places (Grendel’s dialog, and later, the play in which actors recount the tale of Beowulf’s encounter with Grendel), though I’m not familiar enough with the original to know whether they kept lines verbatim.

Someone at the theater had made a whole bunch of these cardboard shields and set them along the hallway to the IMAX theater.

I did finally see 300 last month. I liked Beowulf better. I think the main thing is that 300 was positioned as a historical epic, so when it went over the top (“This is SPARTAAAAA!!!”) it seemed really over the top, while Beowulf is set in the epic fantasy mode: monsters, giant sea serpents, demons, dragons, etc., and the movie is in part about the nature of heroic tales and how they get embellished over time. So when the hero splits a sea serpent’s neck all the way down with his sword while falling, or boasts that “I am BEOWULF!!!” it fits.

At long last, I’ve located a copy of Tales from the Bully Pulpit!

It’s a sci-fi comedy graphic novel featuring a time-traveling Teddy Roosevelt and the ghost of Thomas Edison, battling a descendant of Adolf Hitler. On Mars. Wearing mecha armor. (No, really, I am not making this up!)

Seriously, how can you co wrong with that?

I have no idea how I managed to miss the comic when it came out 3 years ago, since I had thought from previews that it looked like fun, but by the time I got around to looking for it, it was too late.

It’s out of print and (for the most part) out of stock. No luck at local stores, it’s not even mentioned at Mile High Comics, I didn’t see it at Comic-Con, and even the used copies available through Amazon start at $80!

So I’ve been watching eBay for months, waiting for a copy to show up and hoping I won’t get bid out of my price range. The last one I saw went up to $52. Last week, I somehow managed to get one for only $27. It arrived this weekend (though the post office ignored the multiple “DO NOT BEND” stamps and crammed it into the mailbox. grrr…)

The book’s hilarious. Sci-fi, comedy, history, and meta-references are just thrown together with the only priority being fun. Especially when it comes down to the final confrontation between Roosevelt and wannabe-Hitler, and all the stops come out.

Now I’ll have to check out the annotations thread.

Collected Editions reviewed it just last week. Critiques on Infinite Earths is worth a quick look as well.

Update January 2013: You can now buy the book digitally through ComiXology Amazon.

(Cover scan from the Grand Comics Database)