Kelson Reviews Stuff - Page 68

So, volume 3 of Heroes, “Villains,” is done. I liked the start of the season, but by the end it had gotten to the point where I was alternately ready to jump for joy and throw things at the screen in the space of the same episode.

I love the parts with Hiro, Ando, Daphne and Matt (except when Matt’s overdoing the “I saw you in the future and we’re in love!” bit). If they could make that into a show, I’d have no complaints. But the rest has slowly gotten bogged down in a mix of technobabble, melodrama, and an endless face-heel revolving door. “I’m evil!” “No, you’re good, I’m the one who’s evil!” “Wait, I thought it was my turn!”

Some specific comments, with spoilers, after the cut:

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SPOILERS!

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The woobification of Sylar. I realize they felt they had to do something to keep him around for the fan base, and they couldn’t keep him as the big bad after volume 1 finished, so he spent volume 2 powerless and volume 3 trying to figure out whether he was good or evil. And had an epiphany while he was powerless. You know, the way he was all last season? But that’s okay, it’s still not really his fault. He has The Hunger, you see, and really it’s all Bennet’s fault. Everything’s HRG’s fault! And Elle’s. Not poor little Gabriel’s fault, no! 🙄

Someone please tell me that either Claire or Noah — or heck, even Angela — stuffed garlic in his mouth and cut off his head before they left. Which reminds me, I have a hard time getting worked up over a pyrokinetic being trapped in a burning building. Especially one who has a history of escaping from a fire that “no one could possibly survive.” I expect she’ll show up somewhere in volume 4 to be used as leverage against Claire, and everyone will be so shocked to see her alive…except the audience.

While we’re at it, have we ever seen any indication that Meredith’s flame powers were involuntary, as in they would manifest while she was, say, unconscious? Noah could have asked her to aim her hands at the wall, then knocked her out with the butt of his gun, and they could have had plenty of oxygen while her system metabolized the adrenaline. And later, they could have gotten her out of the building without burning it down. With Peter, Mohinder, Nathan, or Matt, you kind of expect them to be carrying the idiot ball at times like this, but Bennet’s always been shown to be one of the few characters on the show with some consistent brains.

By the time Hiro was trying to steal the formula in the past, I was actually hoping that they were going to prevent the whole season from having happened, and normally I hate when stories do that.

Unfortunately it looks like volume 4, “Fugitives,” is going to be the kind of super-hero story that always annoys me, whether it’s well-told or not: the one in which the general populace turns against the heroes and either rounds them up or runs them out of town. (I guess there’s a reason I was never much of an X-Men fan.)

*sigh*

Holding out for Volume 5. Or the adventures of Hiro, Daphne, Ando and Matt in the Cretaceous.

I’d never stayed there before, but it’s highly sought-after among attendees at Comic-Con because it’s right across the street from the convention center.

The rooms and view are very nice. The staff is very helpful. The person arranging everything had set us up with late checkout, and I couldn’t remember what time it had been set for, but when I called, they just asked me what time I needed. Amenities are quite nice: there’s a DVD player, a well-stocked minibar fridge, a safe in the room, even a spare ethernet cable in case you forgot yours.

But there are some things that just don’t make sense. For instance: The bathrooms have no towel racks, so you have to set your hand towel in a clump on one of the shelves, where it won’t get dry. And the bathrooms have wooden blinds which can be opened to let in light — but they don’t close tightly enough to muffle sound.

Austin Grossman’s novel Soon I Will Be Invincible is a fun romp through every super-hero cliché ever invented over the history of the genre. Time-travel, cyborgs, telepaths, aliens, evil geniuses, legacy heroes, secret identities, heroes going bad, villains turning good — everything. It’s an affectionate, tongue-in-cheek parody of the tights-and-flights set.

The book is narrated in alternate chapters by Dr. Impossible, a mad scientist who has held the world in his grasp a dozen times, only to be defeated by his arch-nemesis CoreFire — whom he inadvertently created — and by Fatale (as in “Femme”), a small-time cyborg hero who has just been invited to join the world’s premiere super-team, the Champions.

The book opens with Dr. Impossible still in prison, a situation that’s taken care of within the first few chapters. The world’s greatest hero CoreFire is missing, and the Champions, disbanded for nearly a decade after the death of one of their own, have re-gathered to find him. Their number one suspect: Dr. Impossible. Once he escapes, it becomes a race between him and the heroes: will he build his next doomsday device before they capture him? And where is CoreFire?

Dr. Impossible’s megalomaniacal nature (he suffers from “Malign Hypercognition Disorder,” the clinical diagnosis given most evil geniuses) suffuses every sentence as he dwells on his tortured past and schemes to take over the world. By the end of the book, he’s monologued his entire origin, down to the day his eighth grade guidance counselor told him he was a genius, and taken us on a tour of the underworld from its greatest peak to its most pathetic.

Fatale, despite being a high-tech super-soldier who can never live a normal life, comes off as the closest the book has to an ordinary person. She’s still an outsider in the upper echelons, and her loneliness is a constant presence in her chapters. She knows her new colleagues mainly from television, from news footage of their battles and from their celebrity endorsements. (One fundraises for Amnesty International. Another has her own line of beauty products.) While much of Dr. Impossible’s narration consists of flashbacks in which he tells the reader what he already knows, Fatale is entrenched firmly in the present, learning as she goes and relaying her experiences straight to the reader.

The Champions form a sort of dysfunctional Justice League (or is that redundant these days?), with CoreFire, Damsel and Blackwolf as the Superman, Wonder Woman and Batman equivalents. Except in this version, Wonder Woman and Batman are a divorced ex-couple, trying to work together. And Superman’s a bit of a jerk. (But then again…) The team is rounded out by man-tiger Feral, ageless Faerie warrior Elphin (who still has a mission to perform for Titania), magician Mr. Mystic (mainly in the Mandrake/Zatara mold, but with elements of Dr. Strange), teen pop idol Rainbow Triumph, and two newcomers: Fatale herself and Lily, a powerhouse from a distant, blighted future who once fought on the other side of the law. (The book’s website has a database of heroes and villains that doesn’t seem particularly spoilery at first glance.)

The book has its requisite battles, but for the most part it’s about what heroes and villains do in between the fighting: the endless investigations that go nowhere. Bickering at team meetings. Rivalries and affairs. Clandestine meetings in dive bars and abandoned buildings. Hunting for the components of a doomsday weapon. The same concerns as anyone else.

One disadvantage the book has is that it points out just why super-heroes tend to work best in a visual medium: the costumes. I only had strong images of a few of the characters, and most of them were taken from other comics. I never did figure out just what Damsel was supposed to look like, so I pictured her as Payback from True Believers. Fatale was somewhat like Liri Lee, a member of the Linear Men. CoreFire, I saw as a cross between Red Star (in his red-and-yellow outfit) and Firestorm. Without pictures, the costumes are more or less pointless, and the only reason they’re included is tradition. Small wonder that colorful tights only really came in when heroic fiction made the jump from the pulps to the comics pages.

Although Dr. Impossible does make a case for why, despite Edna Mode’s warning in The Incredibles, a villain might want a cape. It makes for a much more dramatic entrance.

A campy take on the super-hero genre, from the point of view of a D-list villain trying to make it to the big leagues.

Doctor Horrible, mad scientist (Neil Patrick Harris); Captain Hammer, the super-hero who keeps beating him up (Nathan Fillion); and the girl from the laundromat whom he’s too shy to speak with (Felicia Day).

It’s funny. It’s quirky. It’s short. It’s structured as a video blog intercut with narrative scenes. And yes, there are songs. They remind me of a cross between “Once More With Feeling” and Moulin Rouge. (Though I still get “Someone Keeps Moving My Chair” running through my head with slightly altered lyrics. “Dr. Horrible. Dr. Horrible. Telephone call for Dr. Horrible…”)

I think I liked the middle act best. The last episode doesn’t quite deliver on the promise of the first two, though there were some great bits in it, and the resolutions for Dr. Horrible and Captain Hammer were fitting. There was a twist that Katie had predicted that I thought would have been really cool, but it turned out to be wrong.

One of the highlights of WonderCon this weekend was the premiere of Justice League: The New Frontier. I really liked Darwyn Cooke’s original mini-series, DC: The New Frontier, and I’d been looking forward to the animated adaptation. Overall, I’d say the film succeeds.

The story links the dawn of the Silver Age of comics, and the formation of the Justice League of America, with the dawn of the Space Age, set against the political background of the Red Scare. It focuses most heavily on Green Lantern-to-be Hal Jordan and on the Martian Manhunter, but touches on Superman, Wonder Woman, Batman and the Flash as well.

What Works

Cooke’s drawing style and the 1950s retro look to the artwork both translate well to the screen. The voice talent does a great job as well: At no point did I find myself thinking, “Hey, that’s Lucy Lawless,” or “Funny how Hal sounds just like Angel.” In many cases, I actually had to look up the names of actors whose voices I probably would have recognized if I’d been less involved in following the story.

The first 10-15 minutes are somewhat disjointed, but it soon settles into a solid narrative, and the battle which takes up the final third of the film is quite impressive. On the surface it’s about the new generation of super-heroes banding together to face the apocalyptic threat of “The Centre,” but it’s all really about two things: hope and trust.

Some of my favorite bits from the book are still there: Barry Allen racing across the country to stop Captain Cold in Las Vegas, pausing for a nanosecond to kiss Iris on the cheek before continuing. J’onn J’onnz absorbing American culture by watching TV, transforming into the characters he sees—including Groucho Marx and Bugs Bunny. Wonder Woman explaining how she freed the captive women in an Indochina village, and let them deal with their captors as they saw fit.

What Doesn’t

There are two main places where the movie breaks down:

First, the spaceflight sequence in the middle. There was just way too much wrong with it in a “Physics don’t work that way!” sense. I can buy the secret pre-Apollo launch; that’s a staple of the genre. But it would help if the rocket moved like, well, a rocket. Though I have to admit it didn’t bother me watching it with a huge audience of comic fans. It was only when I watched it again at home (M80 was kind enough to send me a review copy) that it really pulled me out of the action.

Second, the political themes came off a lot clumsier than I remembered. It has been a few years since I’ve read it, so it could simply be rose-colored glasses, but it’s probably just the result of trying to condense a 450-odd-page story down to 75 minutes.

Overall

It’s definitely worth seeing. And it’s convinced me I need to dig through my long boxes and re-read the original. There are a number of subplots which fill out the backstory and the main themes which had to get cut for time. (An audience member on Saturday asked about the Challengers of the Unknown. They’re there—but only Ace Morgan gets much screen time.)

If you haven’t read the comics (or, as they’re careful to describe it, the graphic novel), I highly recommend it!

See Also: Convention Photos & Write-Ups