iZombieiZombie has a premiere date! The comedy/horror/murder mystery show launches March 17 on the CW.

I’ve been describing iZombie as a mash-up of the Robeson/Allred comic’s premise (woman becomes a zombie, but can keep her mental faculties as long as she eats one brain a month…then starts picking up memories and personality quirks from the brains she eats) with Pushing Daisies (someone able to communicate with the dead in an odd, but limited manner teams up with a detective to solve murders) and Veronica Mars (produced by Rob Thomas and Diane Ruggiero), all of which sounded promising, since I liked the iZombie comic, Pushing Daisies, and Veronica Mars. Based on the previews I’ve seen online and at SDCC last summer, that description is (if you’ll pardon the expression) dead-on.

CW has the first look trailer for the show.

ComicBookMovie has the official synopsis of the show. Rose McIver stars as the main character, Liv, who takes a job in the coroner’s office to satisfy her need for brains, but gets found out by her boss…who is actually quite fascinated. As she picks up memories and skills from murder victims, she helps a detective solve cases while seeking the man responsible for her own zombification.

The Hollywood Reporter has an extensive article talking with the producers and stars about the show’s tone, characterization, how Liv differs from Veronica, the nature of zombies on the show (if they don’t eat brains regularly, they turn into classic Romero-style zombies) and so on.

It looks like it will be a lot of fun, and while it’s got half-season-wonder written all over it, you never know. I mean, the fact that we got a second season of Pushing Daisies qualifies as a television miracle!

Despite an overall 7.0 rating, there are a slew of one– and two-star reviews of Into the Woods on IMDB. Did these people see the same movie I did? As I looked through several pages seemingly sorted by rating, a few common threads emerged:

1. Too much singing! It’s a musical. Unfortunately, the trailers seemed to be trying to hide this fact.

2. It wasn’t a fluffy, happy family movie. Well, no. It’s supposed to be a darker, more complex take on the stories. Again, the ad campaign wasn’t entirely clear on this, and several people said they had expected it to be kid-friendly because of the Disney name. That says something about the power of the Disney brand (especially when associated with fairy tales), and makes me wonder if it would have been better to release it through, say, Touchstone.

Interestingly, the things people were most upset by are things that were toned down (or moved off-screen) from the stage version. I guess the studio shouldn’t have bothered with those notes. And one recurring complaint, Cinderella’s stepsisters’ more extreme efforts to get into the shoe, is actually in the Brothers Grimm version (where her name is translated as Ashputtel).

Those two threads are a failure of the ad campaign to prepare people for what they were going to see. (Though the viewers complaining that it’s “not PG” seem a little unclear on the concept of “Parental Guidance suggested: Some material may not be suitable for children.”) But then there’s this…

3. It should have stopped before the final act. That would be missing the point, which is to follow through with the consequences of what everyone did in act one, and the personality traits that brought them through it.

Consider: How does Cinderella fit in with the royal family? How does Red Riding Hood deal with the trauma of her experience with the wolf? How is Rapunzel affected by her life in isolation? The baker and his wife had a lot of trouble working together just to get their child; how are they going to handle raising him? The princes are still going to be charming, and they’re accustomed to the chase. And when you come down to it, Jack broke into someone’s house, stole a bunch of stuff, and then killed him.

Admittedly, the second act isn’t as strong in the movie as it is in the play, because they cut out a lot of it…but I’ve heard the same complaint leveled at the show. That would be like cutting the second act of The Fantasticks. You could perform just the first act, sure, but it would be much less meaningful.

Once you get to the three-star reviews, you find more people who still didn’t like it, but understood what it was supposed to be. They didn’t like the performances, or thought the story structure didn’t hang together, or just don’t like Sondheim, or knew it was going to be a darker take but still didn’t like it. Fair enough. Everyone has different tastes, and what works for one viewer doesn’t always work for someone else. But at least they disliked it for what it was, not for what it wasn’t.

Though it would help if the ads had been a bit more clear.

I’ve seen several articles lately that offer tips for those whose New Year’s resolutions include reading more books. A common thread: suggestions for what to read, or who to follow to get ideas what to read.

That’s not the problem I have.

I have stacks of books I want to read. The problem is time, not inclination. The problem, I’ve started to realize, is that I want to set aside large blocks of time to read properly, but I don’t have large blocks of time that don’t have something else that needs to be done. That, and overcoming inertia when I’m already distracted by the internet, where all the articles and streams are more suited for short blocks of time (but include a hook at the end to keep you going).

What I need to do is just grab a few pages here and there when I can. It may not be as satisfying as sitting down with a book for an hour or two, but at least I’ll get through it.

Venus and Mercury

I walked out of the office building this evening and just stopped. There, framed by the treetops along the street and the awning and wall of the next building over, was clearly Venus, which I hadn’t seen in months (since the last time it was visible in the evening), and below it a pinprick that, unless I’m mistaken, was Mercury (which I’ve only ever seen on a handful of occasions). It’s certainly in the right place, and I waited to see if either light would move (there’s an airport literally across the street) before deciding that they were both planets.

A few minutes earlier, Mercury would have been too faint. A few minutes later, it would have been below the trees. Not long after that, Venus would have been too low to see as well.

Update! The next two nights were too cloudy to see anything, but Friday evening I was able to spot them again! You can really see how much Mercury has moved relative to Venus in just three days.

Venus and Mercury 2

Update 2! And here’s the view the following Tuesday, one week after the first shot. I had to move to the left a few feet since they were behind the building now, which is why the light pole is visible this time. In retrospect, I wish I’d snapped it in all three shots, because that way I’d be able to make sure I was presenting them all at the same zoom level. I’ve been eyeballing it, and I think it’s close enough to get the idea across.

Venus and Mercury 3

Umbrella shadows and reflection

Late afternoon sun reflecting off a decorated window into the shadow of an umbrella.

We went out for frozen yogurt yesterday to celebrate finally putting all the Christmas decorations away, only to find that the shop still had their Halloween decorations up. I didn’t feel quite so bad after that!