Category: Comics

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The Mighty ThorI spent more time walking around outside today, so I did get to fry a bit. (Not too much, fortunately.) Oddly enough, one of the first hall costumes I saw on Friday was Thor.

Caught the Stardust preview. It looks very promising. Neil Gaiman and Charles Vess were there, of course, plus screenwriter Jane Goldman and one of the producers. The director wasn’t there, because he was on set, filming, but they showed a few clips of “very raw” footage which was actually quite good. (And yes, they do want Tori Amos as the tree, if they manage to film the scene.)

The secret to visiting Ghirardelli’s seems to be to go at off-peak hours. We dropped in mid-afternoon, after the Stardust panel, and there were only about three people in line in front of us. Usually we go after dinner, when the main floor and panels are closed, and about half the con attendees are filling up the Gaslamp District, and they all seem to want chocolate ice cream. Of course, it being Friday may have something to do with it as well, though it was definitely more crowded than yesterday.

I was walking past the Keenspot booth, and noticed a drawing of Kestrel from Queen of Wands. Sure enough, Aeire was there. I told her I was a fan of the comic, and asked her whether she had any new projects in the works. She said she had two, one of which is a QoW sequel with Angela, that she’s working on between real life and work. (She wouldn’t say anything about the other one.)

Power of the Dark Crystal is way too early to get any sense of how it’s shaping up, but the people involved seem to be really into it. And they’ve got Brian Froud, who did the designs for the original. (The director and the lead effects guy both said one of the first things they asked when approached for the film was, “Is Brian Froud doing it?”)

We met up with our friend Wayne after the Dark Crystal panel, and went out to dinner at Masala, a new Indian restaurant on 5th Street. It appears to have replaced Octopus Garden, since it’s next to Rockin’ Baja Lobster, but looking at that photo, I’m not 100% certain it’s the same building. Anyway, great food once again.

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Sergio Aragonés with a Groo statueI mentioned that I spoke briefly with Sergio Aragonés at his booth on Thursday afternoon. The first half of the conversation went something like this:

“Sorry, I can’t make it to your panel this year. There’s another one scheduled at the same time.”
“And that one’s more important, right?”
*laughs*
“Well, I saw last year’s, and it was great.”
“It’ll be the same thing this year, you won’t miss anything!”

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Not that I saw anyone dressed as Thor, but it seemed an appropriate description for a Thursday at Comic-Con.

[Picture of Carmine Infantino]No earth-shattering news so far, but then it was only a Thursday. Katie went to the voice acting panel and the Animaniacs panel (mostly in connection with next week’s DVD release. I went to the Carmine Infantino retrospective. Other than that, we both roamed the floor.

Be sure to check out the back of the Snakes on a Plane booth. There’s a wonderful flight safety card on “what to do in the event of snakes on a plane.”

When I was in high school, I remember there being tons of comic book retailers. They aren’t gone, but there are a lot fewer, and listening to people at the booths, they have the same feeling: not only is the percentage of the con focused on comics shrinking, the number of comic sellers is shrinking too. I managed to pick up a couple of leads on my back-issue hunt. I also sold a couple of random Golden Age and Silver Age books I had picked up, freeing up some space in my backpack (though there’s plenty of stuff left that I didn’t bring).

I spoke with Phil Foglio briefly, and got him to autograph the remaining three Girl Genius volumes (amazingly, volume 5 showed up the the mail the day before we left) and got a photo of Sergio Aragonés holding up a little Groo statuette.

[Picture of Kelson with magician Misty Lee]At one point I started to take a picture of a woman in what I thought was a good Zatanna-style costume (though it evoked the look rather than copying the look). As I was setting up the shot, I realized that it was magician Misty Lee. I told her I’d seen her show in Burbank a few months ago, and she insisted on posing for a second photo with me in the shot. The guy who took the photo? Paul Dini. We talked for a few minutes (“You weren’t there on Saturday, were you?” “Uh, I don’t think so…”)

We ended up leaving around 6:00, went back to our hotel, showered, changed, and went out to dinner at the Indigo Grill (which we had walked past on our way to and from the con two years ago). It turned out to be very good. Highly recommended.

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We made it to San Diego around 1:00. After spending an afternoon in Old Town, and a self-guided tour of the Whaley House (which we missed last year), we dropped by the convention center to pick up our badges for Comic Con.

It was around 8:00, and it was Preview Night (only open to guests and pre-registered attendees), so there was basically no line. Only one problem: no one seemed to be willing to give us our badges!

We walked up to the first open window at the line of pre-reg booths. “Hi, we’re here to check in. Last name…” “Try those two guys over there.” “Oh, OK.”

So we walked across the way to the two guys she seemed to be pointing at. “Hi, we’re pre-reg, we’re here to pick up our…” “Try over there,” they said, pointing to a booth further along in the original line of booths.

So we walked across to that window. “Hi, is this where we actually pick up badges, because we were over there, and they directed us over there, and they directed us over here…”

It was, so I handed him the bits of paper from when we signed up, a whole year ago at last year’s con. I gave him my name, he didn’t seem to be able to find it, I gave him Katie’s name, he couldn’t find that, and eventually I had to dig out the receipt (which I had just ripped off of the sign-up sheets, since we usually have to go to separate windows), show him that yes, we paid, and somehow he was able to dig up our registration info, because the badges had the right city any everything.

So we got in, checked out the floor, and I got a few leads on Golden Age Flash books (though again, people seem to be bringing mostly the good-quality expensive copies), and we left when the hall closed at 9:00. Along with everyone else on the planet, as far as we could tell. It wasn’t nearly as crowded as any day last year, but it was more than either of us expected.

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Some interesting comments by Warren Ellis in today’s Bad Signal on film budgets, and Superman Returns in particular.

$250 million puts you in spacelaunch-budget territory. For $250 million WB could’ve given Bryan Singer his own communications satellite and spent the change on a George Clooney movie.

This is the absurdity of modern Hollywood; that taking more than the GNP of Luxembourg in a single weekend is not actually enough to put a movie in the black.

It’s the “spacelaunch” comment that I find most interesting, as I made the same comparison a few years ago, from the other side of the fence: Assuming that the Spirit and Opportunity missions to Mars are typical, price-wise, it doesn’t make sense to complain that we’re “wasting” money on space exploration when a mission costs as much as two summer blockbusters. Manned missions are, of course, more expensive, but robotic missions? If we, as a society, toss away $250 million several times a year on mindless action flicks, what’s so terrible about spending a similar amount to learn something about our universe?

Yes, I know the difference is public vs. private funding. Movies are financed by studios and private investors, and space exploration is usually financed by governments, and therefore by taxes. But comparing the dollar amounts puts things in a different perspective—whether you’re astonished by the literally astronomical movie budgets, or realizing that exploring outer space is more down to Earth than it seems at first glance.