Let’s see… what have I picked up recently?

Otherworld (Vertigo). I picked this up on the strength of Phil Jimenez and part of the concept. A group of people from present-day Earth get dragged into an extra-dimensional war—which, of course, has been done before. After issue #2, I’m still not entirely sure what’s going on, beyond the basics. We’re still figuring out who gets transformed how, and as for what’s actually going on in the other world, I think we’re going to have to find out along with the leads. (Heck, I’m still trying to figure out which character is narrating the whole thing.) I’m hoping things will become clearer with #3.

The Atheist (Image/Desperado). A skeptic paranormal investigator (nicknamed the Atheist by his colleagues) comes up against the one case he can’t debunk: the dead are returning and taking possession of the living. In some ways this reminds me a bit of Simon Spectre and Frank Ironwine, the two Apparat books inspired by Doc Savage and the detective pulps. Definitely continuing with this one.

Beyond Avalon (Image/Desperado). King Arthur’s daughter takes up a sword and leaves the island of Avalon to see what’s out there. #1 was just interesting enough to get me to buy #2. But I haven’t actually read #2 yet.

Mnemovore (Vertigo). The concept of this one intrigued me enough I had a dream about it a few nights ago. (Appropriately, I can’t remember much of it.) The main character, injured in a snowboarding accident, has amnesia…but something is causing everyone around her to lose memories as well. Something alive, that Kaley encounters at the end of the first issue. Another one I’m definitely following.

Countdown to Infinite Crisis (DC). I have to admit I had very low expectations for the latest big event book. But the 80-page giant was actually quite good. Three of the four spinoff minis are out now, and they’ve been hit or miss. On one hand, I like the idea that each series focuses on a different corner of the DC universe—Day of Vengeance for the magical characters, Rann/Thanagar War for the sci-fi, The OMAC Project for the superhero/thriller types and Villains United for…well, you can probably guess. On the other hand, at 6 issues apiece plus the 4-issue Return of Donna Troy, that’s already 29 books, plus however many issues Infinite Crisis itself will be. This is all for the 20th anniversary of Crisis on Infinite Earths, which was only 12 issues! And, frankly, the “Which one will lead to Infinite Crisis? Buy them all and find out!” gimmick offends me.

Anyway, I liked the first issue of The OMAC Project, Day of Vengeance #1 left me just curious enough to pick up #2, and Villains United didn’t intrigue me much at all.

Rising Stars: Voices of the Dead. Now that JMS and Top Cow have resolved their dispute and finished Rising Stars, the publisher can start releasing Fiona Avery’s spinoff minis again. First out of the gate is this one, focusing on Lionel Zerb, who talks to the dead. Unfortunately I can’t help but wonder what happened to Rising Stars: Untouchable, the mini about telekinetic assassin Laurel Darkhaven announced two years ago. My impression was that it was done, or at least completely written, with publishing held up by the dispute. I’ll have to reread VotD without that question in my head. (Strangely, I can’t find anything about either series at Top Cow’s website)

This week’s issue of The Flash featured brief introductions to all of the reformed Rogues. The inclusion of Magenta on that team got me to thinking: she’s the only woman on either of the two Rogue teams. She’s also one of only three who have ever been part of the Rogues Gallery. Of the other two, Golden Glider had an in—two, really: her brother and her lover were both members of the group—and Blacksmith actually had to form her own team.

Still, they’re not doing so bad in proportion. It turns out there just aren’t very many female villains in Keystone and Central City. I’ve got 72 villain profiles on my site right now, not counting teams, and just 7 solo women. (8 if you count the second version of Colonel Computron, but who can tell under all that?) By my reckoning 19 villains have been members of the Rogues proper. (That’s counting legacy villains, like the original and replacement Trickster, both times, and counting all of Blacksmith’s team.) 3/19 is roughly 16%, and even 8/72 is roughly 11%, so women are actually represented a bit more in the Rogues than in the general Flash villain population.

[Free Comic Book Day]I just realized I’d completely forgotten about Free Comic Book Day, which is coming up in just 10 days: Saturday, May 7.

This year’s books include the usual big names. DC’s got Batman Strikes!, Marvel’s got a team-up book, Archie’s got Betty and Veronica, Dark Horse has a Star Wars: Revenge of the Sith tie-in, etc. Plus there’s another dozen and a half small-press books. It looks like a pretty good round-up of genres, too.

The purpose of FCBD is to introduce people to comics. A lot of people still think comics are just for kids, or just super-heroes, or unsuitable for kids, etc. A lot of people don’t know where to find comics. (Check out the store locator if you fall into this group.) And a lot of people just don’t want to spend $3.00 for a 24-page comic book when they could spend it on renting a movie, or saving up for a video game, or—let’s face it—lunch. The promo books put out for Free Comic Book day are a sampler, ranging from kid-friendly super-heroes, teen dramas, and Disney cartoons to the more story– or art-driven books aimed at adults. In other words: something for everyone.

Studio Foglio has been posting the last few pages of Issue #13 (which ended on a rather intriguing clifhanger) over the past few weeks, and on Monday, they posted the first brand-new page at GirlGeniusOnline.com, just three weeks after they announced that the comic would move to the web.

Girl Genius follows the steampunk adventures of “spark” Agatha Clay through a 19th-century Europe littered with the remains of a mad scientist war, dominated by Baron Wulfenbach, who rules his domain from an airship. It’s an adventure/comedy, and if you like Phil Foglio’s style, you’ve probably already read the story so far.

Speaking of the story so far, there are two ways you can catch up. (Well, three if you count hunting through back-issue bins and eBay.) Studio Foglio is selling the first three collected editions (both hardcover and TPB) on their website, and they’ve also begun Girl Genius 101—reposting the original comics online, one page at a time. And of course there’s cast info, a FAQ, summaries—everything you need to get up to speed.

Let me just say again, I can’t recommend this enough. It’s good, it’s funny, and now you can try it out for free! (And if you really like it, they plan to continue releasing the TPBs, so in a year or so you can get it on genuine flattened plant matter!)

Girl Genius Online

Here’s some surprising news: Phil and Kaja Foglio’s excellent comic book Girl Genius is moving from print to the web: Girl Genius Online. They plan to have new pages up three times a week, and release graphic novels once a year.

I’m of mixed feelings here. On one hand, I like being able to hold the comics in my hand, and this was a series I’ve been collecting as individual issues. Hardcovers and TPBs are often harder to find. On the other hand, the series was only nominally quarterly, often managing only three issues a year (or fewer). If they actually manage 3 a week, that’s the equivalent of six 30-page issues over the course of the next year. And it will be easier to introduce new people to the series. I can just point them to the website instead of lending an issue or telling them to hunt through their local comic stores.

(via the Studio Foglio newsletter)

[Cover]Also in comics news, the nine-part adaptation of Neil Gaiman’s Neverwhere begins in June.

The basic premise is this: In urban areas, we tend to tune out the homeless to the point where we don’t even see them. What if we really don’t see them? What if there’s another world, just slightly out of sync with this one, where the rules are all different. (JMS used a similar springboard for Midnight Nation, but took it in a completely different direction.) There’s poverty, and scavenging… but there’s also magic, and honor, and a society with its own strange codes. The story follows everyman Richard Mayhew as, through a simple act of kindness, he slips through the cracks from London Above to London Below. In order to get back, he has to help a mysterious girl named Door on her quest to find her family’s killers and honor their legacy…and escape the assassins tracking them both!

It’s hard to guess how well this will work. Neil Gaiman’s comics and prose are both fantastic (in every sense of the word). Comic book adaptations of his prose, though, haven’t been nearly as good. The writers have a tendency to preserve too much of the text, and it gets bogged down in narration. It happened with “Murder Mysteries,” with “Only the End of the World Again”, and with “The Price.”

Neverwhere has two advantages, though. It started life as a TV script (he only wrote the novel because he realized that budget limitations and producer interference would prevent them from doing the story “right”), and TV, like comics, is a visual medium. And with nine issues, there should be plenty of room to show, not tell, the story.