Category: Sci-Fi/Fantasy

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I’ve been trying to decide whether to go to Wizard World Los Angeles this year. On one hand, it’s close. On the other hand, I just went to WonderCon last month. The astonishing thing is that a one-day ticket for WWLA costs almost as much as a 3-day membership to WonderCon. This got me thinking about comparing convention prices.

So I looked up the comic conventions in the area, plus the other two Wizard World cons that have prices up.

Convention Thu Fri Sat Sun Full
LA Comic/SciFi (a.k.a. The Shrine) $8 N/A
WonderCon (advance) $12 $12 $10 $30 = $10/day
WonderCon (onsite) $15 $15 $10 $40 ≈ $13/day
Wizard World LA, Philadelphia $25 $25 $25 $45 = $15/day
Wizard World Chicago $25 $25 $25 $50 ≈ $17/day
Comic-Con Intl. (way ahead)* $60 = $15/day
Comic-Con Intl. (advance) $25 $30 $35 $20 $75 ≈ $19/day
Comic-Con Intl. (onsite) none

And to compare to some non-comic-focused conventions, some nearby, some just big:

Convention Thu Fri Sat Sun Full
ConDor (advance) $25 ≈  $8/day
ConDor (onsite) $20 $25 $15 $50 ≈ $17/day
Loscon (advance) $35 ≈ $12/day
Westercon 61 (advance) $60 = $15/day
Gen Con Indy (advance) $35 $35 $35 $35 $60 = $15/day
Gen Con Indy (onsite) $45 $45 $45 $45 $75 ≈ $19/day
Dragon*Con (advance) $65 ≈ $16/day
Dragon*Con (onsite) $90 ≈ $22/day
Worldcon/Denvention 3 (advance) $200 = $40/day

It’s interesting to note that WonderCon (San Francisco) and ConDor (San Diego) are extremely cheap if you sign up far enough in advance. Also, when you expand to more general cons, San Diego Comic-Con is right in the middle of the range, with several conventions being more expensive. I’d guess that the more volunteer-based cons like Westercon and Worldcon probably don’t bring in as much money from exhibitors, so they’d be more dependent on memberships to keep afloat.

In compiling this, I discovered that this year, Comic-Con International isn’t going to be selling any memberships on-site. It’s going to be pre-registration only.

I guess they’re expecting it to sell out again like last year, and don’t want people to count on something they won’t be able to deliver. Plus I’m sure it’ll simplify matters for the con, since they won’t need to deal with taking money for registration.

Update: Added Loscon for nostalgia’s sake. Also fixed some links; GenCon rearranged their website sometime in the last 4 days, and I somehow typed in the wrong domain name for ConDor.

Note: These are the 2008 prices, except for the ConDor advance price, which is for 2009. All prices were obtained from the events’ websites except for the way-advance price for San Diego Comic-Con, which is simply the price I paid last summer for this year’s con. For shows with multiple membership packages, such as Wizard World, I selected the most basic package that lets you walk in the door.

*CCI always has a booth selling pre-registration for the following year’s convention at an even lower price.

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The Beat has a couple of follow-up posts on the San Diego Comic-Con hotel issue: first, a wrap-up of the experience, then a post that puts San Diego into perspective, what makes it different from cities like New York or Los Angeles, and why just moving to Las Vegas won’t solve everything.

GTD In Space: Seven Habits of Highly Effective Spaceship Captains ranging from James T. Kirk to Malcolm Reynolds. (via ***Dave)

And, for the WTF-worthy, there’s Computer Love Day. As Mandriva puts it in their mailing:

Valentine’s Day is nearly here… February 14th, 2008. But think about it, who do you hang out with, who shares the good times and the bad ones, who drives you crazy but keeps your life together?………..Your computer, and it’s time to say it out loud: I love my computer!

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Babylon 5: The Scripts of J. Michael Straczynski
Hard to believe, but J. Michael Straczynski’s Babylon 5 Script Books are almost done. Volume 13 of 14 just shipped (my copy arrived today by UPS), and it’s time to talk about the bonus volume 15, only available to people who’ve bought a complete set.

This is the book that has alternate versions of several episodes, the series writer’s bible…and a complete outline of the original arc with Sinclair all the way through. The site has a description of the contents [archive.org], but how to get it is a bit out of date. Vol.13 shipped with a notice that they’ve changed the procedure.

Instead of waiting until you receive all 14 volumes, then filling out a proof of purchase form, you need to fill out a form before ordering #14, and they’ll ship #14 and #15 together. The form collects your name, address, and the order numbers for the other 14 books. If you ordered them all through the same CafePress account, it’s easy: Log onto CafePress, look at your order history, and then copy and paste the numbers into the form.

Admittedly, “easy” depends entirely on how much other stuff you’ve made through CafePress. Unfortunately they only list order numbers on the history page, so you have to click through each number to see what was actually ordered. This makes it a perfect job for middle-clicking the links on Firefox (open in background tab): I just went down the list, clicking away, and then I had each order in a tab. Click, copy, click, paste. Repeat.

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Saw The Golden Compass. Enjoyed it a lot, though it felt very rushed, and I think it would have benefitted from having the actual ending instead of cutting it off early. Here’s hoping they do well enough in the long run to greenlight the next film. Now I can re-read the books.

Also watched Tin Man. 5 stars for concept, but only 2 for execution. The Wizard of Oz meets The Dark Crystal by way of 1930s scifi was fascinating as a concept, but they managed to make it dull and tedious. The only reason I watched through to the end was it was Friday night, and I was tired enough that knew I wasn’t going to be doing anything useful with the time anyway, and I knew I could sleep in the next morning.

Speaking of Tin Man, just out of curiosity: how does one manage to have a solar eclipse during a full moon, anyway?

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Organization for Transformative Works – dedicated to protecting the expression of fan fiction, fan art, etc. (via Naomi Novik)

Open Standards, One Web, and Opera – Just why are standards important, anyway? (via Opera Watch)

Speaking of Opera, their EU antitrust complaint against Microsoft has been making waves. Responses at CSS3.info, Web Standards Project, Slashdot (edit: more Slashdot), Asa Dotzler, Opera Watch, plus a Q&A w/ Haarvard. My take: Good luck on unbundling, but if they can force Microsoft to catch up with the rest of the market in terms of standards support, I’m all for it.

Nissan vs. Nissan. On my way to work I saw a bumper sticker on an XTerra that said “In support of our freedom, it’s my last Nissan.” Huh? There was clearly a web address below it, but it was too small to read at that distance. So I looked up the phrase, and apparently there’s been a long-running dispute over the domain name nissan.com, between a small computer business named after its founder, Uzi Nissan, and the Nissan car company. The dispute was eventually resolved (correctly, IMO, since he has a legit reason to use the name) in favor of the little guy. On the other hand, I don’t see why the site makes such a big deal about Nissan’s “French Connection” to Renault.

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Phantom of the Paradise (album art)Watched Phantom of the Paradise this weekend. It’s a bizarre 1974 mash-up between The Phantom of the Opera and Faust set in a satire of the 1970s music industry.

The movie casts Paul Williams (who wrote all the music for the film) as a reclusive recording mogul, Swan, who steals a struggling songwriter’s pop cantata based on Faust to open his new music palace, the Paradise. The songwriter tries to correct the “misunderstanding,” ends up beaten, jailed, and ultimately scarred when he gets caught in a record press trying to destroy it. He sneaks into the newly-opened club, dons a mask, and alternately pursues revenge on the man who stole his music, and his obsession with launching the career of a young singer he befriended earlier in the film (bringing in the Phantom/Christine dynamic).

Believe me, it’s stranger than it sounds.

Anyway, afterward, I went looking on IMDB (as I often do) to see what else the various actors had been in. Somehow I ended up on a horror movie review site, 1000 Misspent Hours, which gave the movie 3½ stars and basically considered the music to be the main failing (though, since it’s a satire, that’s largely intentional. There’s a reason I only have about 3 of the film’s songs on my iPod).

Phantom of the Opera (1943 movie poster)Something interesting I learned was that the Phantom’s origin is actually derived from the 1943 Phantom of the Opera movie with Claude Raines, which, judging by its review, has about as much to do with the original novel as, well, Phantom of the Paradise does. I’m mainly familiar with the original silent version and the Andrew Lloyd Webber musical, both of which track the Gaston Leroux novel fairly well. (Edit: Now that I think about it, the 1943 origin also explains the “Acid: Do not throw in face!” gag from Gremlins 2.)

Rocky Horror Picture ShowI do have to take issue with some of his criticisms of Rocky Horror. Not that they aren’t valid, but that several things he finds inexplicable—the thin plot, nonsensical showstoppers, and how the cult following could possibly have started—are easily explained by the fact that it’s based on a stage play, The Rocky Horror Show (also explaining why the movie is The Rocky Horror Picture Show), which sets up a completely different dynamic and expectations. Interesting that the main venue for the film seems to be the midnight showings, which seek to recapture the experience of live theater.

I found the site’s rating system interesting: not only does he have a 1–5 star scale, but he also assigns negative stars for movies that are “so bad, they’re good.” So of course I had to see which films he gave -5 stars, meaning “So bad, it’s genius.” I ended up reading around 10 or so reviews on Sunday night, some of them for movies I will probably never, ever see.