I liked Rogue One: A Star Wars Story quite a bit. Despite having a very different tone from either the original trilogy or the prequels, it’s still recognizable as a Star Wars film, and successfully weaves in and out of the events leading up to A New Hope.

There’s a somewhat odd setup for where they actually find the Death Star plans, though. SPOILERS after the cut:

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Feedback, by Mira Grant

While reading Feedback, it occurred to me that Mira Grant’s Newsflesh series features the worst-case scenario of zombie design, and yet humanity survives with civilization mostly intact. That’s impressively optimistic.

I mean, look at the parameters of how zombies work in this setting:

Everyone who dies becomes a zombie, regardless of whether they’ve ever been near a zombie. This is fairly common, but there are settings where you can keep zombies out with a quarantine. Not this one.

Direct contact with a zombie is extremely contagious. Bites and scratches, sure, but imagine a zombie with late-stage Ebola. (A modified Marburg is one of the component viruses). Zombie drool landing on an open wound can convert you. The blood spatter from the zombie you’re shooting can get in your eye and convert you. The body of the zombie you just killed, lying on the ground motionless, is still a high-level biohazard that can convert you.

Anyone who goes out in the field must go through decontamination when they return. Showers include a standard bleach cycle and won’t let you out until it’s done. Outbreak sites have to be hosed down with bleach, burned, or simply condemned.

Any blood that’s been outside the body long enough will trigger conversion on exposure, even if the person isn’t a zombie. Even your own blood.

Sometimes people spontaneously convert. It’s not common, but it’s been known to happen.

The newly-infected can be as fast as a normal person before their body starts decaying. (Yep, fast zombies and slow zombies in the same ‘verse.)

Any large mammal can become a zombie. Dogs. Raccoons. Horses. Bears. Cows. Red meat is now a biohazard.

Mobs of zombies can plan ambushes. Enough zombies together exhibit just enough rudimentary intelligence to set a trap. Even across species.

There’s a really scary twist in the virus’ transmissibility late in the second novel that I won’t spoil.

The only factor that isn’t maxed-out is their indestructibility. A zombie in the middle of the desert or at the bottom of the ocean will eventually starve.

Eventually.

And yet humanity survives the Rising and is able to rebuild civilization in many — not all, but many — parts of the world.

That’s…well, that’s kind of inspiring.

With Jessica Jones and Star Wars: The Force Awakens both out, it’s hard not to compare Kilgrave’s power to Jedis’ ability to influence minds. But while we admire “You don’t need to see our identification” and laugh at “Republic credits will be fine,” Kilgrave is terrifying.

It’s not just that Jedi are compassionate and Kilgrave is a total sociopath with no regard for human life who would casually make someone kill or maim themselves just because he was having a bad day. Darth Vader is just as ruthless, but doesn’t bother with the technique (in the films, at least).

It’s that the “Jedi mind trick” is explicitly shown to be limited. It’s used rarely, and only for specific commands. The first time we see it used in A New Hope, Obi-Wan Kenobi describes it as “influence” rather than control and specifically says it only works on “the weak-minded.” Willpower is sufficient to guard against it. In Return of the Jedi, Jabba the Hutt even laughs it off when Luke tries to use it on him. The only time we see any sort of long-term suggestion it’s to “go home and rethink your life.” Presumably the dealer in Attack of the Clones will be in full command of his own faculties by then, having simply been prompted to start the soul-searching.

Kilgrave, however? His commands are absolute. No matter how hard you prepare mentally, no matter how strong your will, no matter whether your actions would go against your principles, or hurt you, or hurt someone else — even someone you care about — you do it. Immediately. None of the usual trying to stop your hand from moving that you see in a lot of movies where a mind-controlling character shows up. No apparent strain on his part to keep controlling you. Implanted commands can last for hours, and he can renew his control over and over as long as he wants to.

That’s scary enough right there. Putting that level of power in the hands (well, voice) of someone who sees other people as merely tools and playthings, and whose only behavioral boundaries consist in covering his own tracks? That’s nightmare-level stuff.

Think about it this way: Emperor Palpatine spent decades manipulating key people across a galaxy into putting him in a position of absolute control over thousands of worlds. Put him in a room with Kilgrave and he wouldn’t stand a chance.

Somehow I’ve managed to end up watching mostly shows based on comic books this year. And amazingly, there are enough of them out there that I have to pick and choose. It seems I’m able to keep up with about 3 shows on a weekly basis, and still fit in family, work and other hobbies.

The Flash: I’m still amazed that 1. there’s a Flash TV show, 2. it’s good, and 3. it’s successful enough that it’s actually been renewed. This is the one show I make an effort to watch the night it airs, and I’m enjoying it a lot more than I’ve enjoyed the comic book in the last few years.

iZombie: The other show I’ve managed to stay current with. I’ve found that as fun as the case of the week is, it’s the continuing subplots that keep me coming back: the search for a cure, the back and forth with Blaine and the zombie population of Seattle, Major’s living hell, etc.

Supergirl: This has turned out to be a lot of fun, though I’m not *ahem* super-invested in it yet.

Agents of S.H.I.E.L.D.: Uneven. I’m finding the Inhumans storyline tedious, but then I’ve never liked that sort of story much. Simmons’ adventures on the other side of the obelisk, though….I’m really intrigued by that. (Note: I’m behind a couple of weeks, so I haven’t had a chance to watch “4,722 Hours” yet.) Update: “4,722 Hours” was absolutely fascinating. The Hydra/Inhumans stuff is really turning into a slog.

I am really looking forward to Jessica Jones. I was a fan of the original Alias comics, and this group did an amazing job with Daredevil. Update: It’s fantastic. Even better than Daredevil. But it’s intense enough that I only want to watch one episode at a time, when I can follow it with something lighter.

The Librarians: Fun popcorn adventure with a literary bent to it. Not sure I’m totally sold on Prospero and Moriarity as the villains, but if they follow last year’s pattern, they’ll mix things up.

Heroes Reborn: It was a lot better than I expected, but not enough to keep me.

Meanwhile, I’ve given up on “Once Upon a Time” completely. It just slowly turned into a parody of itself. “Castle” was still fun last I caught it, but too far down the priority list to keep up with it.