A diffuse bright V-shaped light in the sky, slightly redder on the lower edge, with a faint arc of light extending downward from the center.

When I first started paying attention to solar ice halos, I read about tangent arcs. But this is the first time I’m sure I’ve seen one. The tangent arcs appear above and below the sun, branching out from the 22° circular halo (which you can see here, very faintly), and change shape depending on how high the sun is in the sky.

It was late afternoon, and the sun was behind the next building over. I ended up snapping a shot with my phone, wishing I could have grabbed a better camera, but the Pixel 2 caught a surprising amount of detail once I adjusted the brightness to bring it out. (No, the sky wasn’t this dark!). It’s a far cry from the G1’s photo of a very blue (and blurry) set of halos 10 years ago, or even the Galaxy S4’s colorless rainbows at sunset four years ago.

I suggest that a deep orange moon right before Christmas be called a Pumpkin Pie Moon.

Orange moon in a night sky above a darkened horizon with city lights.

I suggest that a deep orange moon right before Christmas be called a Pumpkin Pie Moon.

I was coming home shortly after sunset, got to the top of a hill and saw this deep orange moon, flattened near the horizon. By the time I found a place to stop, it had risen high enough that it was mostly round.

Composite of a background shot (the moon was waay too bright!) and a zoom photo of the moon. I apparently moved a little bit, so the wire passing in front of it doesn’t line up exactly.

Four versions of the same photo.

  • One taken with my phone, which has a deep depth of field.
  • One automatically “enhanced” by Google from that phone photo.
  • One taken with my phone in portrait mode, which simulates a shallow depth of field.
  • One taken with my ancient film SLR camera, with a low F-stop to have an actual shallow depth of field.

We got the negatives and scans back from the two rolls of film we shot with the old manual film camera. Despite the damage to the case, it seems to still be light-proof, as the second roll of film came out about as well as the first.

It was an interesting experiment. We mostly took night/indoor photos with the tripod and handheld photos outdoors in daylight. He’s not used to focusing, so a lot of his photos are blurry. The light meter app on my phone seems a little off in sunlight, so our outdoor photos are all either over– or under-exposed. (The zinc-air batter has since shown up, so with luck we’ll be able to get more accurate light readings with the next roll.) But it gave some of the photos a retro feel.

Here are a few of the better shots, plus one of the light-polluted, smoke-filled skies of Los Angeles with enough stars to recognize Cassiopeia.

Google has a new camera mode on its Pixel phones called Night Sight, for handling low-light conditions. The short version is that instead of taking a long exposure, it takes a series of short exposures and stacks them to avoid motion blur from hand movements (plus a lot of additional processing). The long version is fascinating.

My Pixel 2 already takes better low-light photos than I would have expected, but I couldn’t wait to try out the new feature when I learned about it. When the updated Camera app finally hit the Play Store, I had to give it a try.

Two high-rise office buildings at night.

This is adjusted slightly to keep the colors from being too light. And it actually isn’t the best example, as it turns out the nighttime city scene already has enough light for the existing HDR+ mode. I’m going to have to try it on some darker scenes somewhere, but it’s still pretty cool. After the cut I’m posting a version with the phone’s regular mode, and the unaltered Night Sight photo. You can see they’re pretty close, but the Night Sight version picks up a bit more of the color, and it’s a little brighter.

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