Tag: linkblogging

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Judy Kuhn sings both Florence on the Broadway cast album of Chess and Cosette on the Broadway cast album of Les Misérables. My recent Chess-listening binge got me thinking about the two roles, how much stronger a character Florence is (at least when looking at the stage version), and how Eponine’s greater degree of agency might explain what makes her so popular.

Of course in the book it’s a bit different: There are hints that Cosette would really like to be able to do more on her own, but as a respectable young woman, she doesn’t have many choices available. Éponine can do more because she doesn’t have to worry about losing her respectability.

Check out the full article, Agency: Cosette vs. Éponine vs. Florence on my Reading Les Misérables blog.

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Two of my fan interests sort of intersected* with a pair of articles I wrote last night, as I found myself looking at the Flash and Les Misérables in the late 1930s/early 1940s.

I review Orson Welles’ Les Misérables radio play over at Re-Reading Les Mis. Last weekend I stumbled on a cassette recording of the 1937 series, but since I don’t have anything portable to play cassettes on anymore, I went looking online, found it at the Internet Archive’s Old Time Radio collection, and listened to it on the way to and from work for several days. (I wish I hadn’t already used the Cassette…now I remember pun.)

A 1943 Flash comic book features Jay Garrick playing every role at once in a stage play, quick-change style, when the entire cast is quarantined for a measles outbreak. I’d recently updated the scans on an old post on the one-man team trope. The Disneyland outbreak made me think of the story, and I’ve posted a few scans at Speed Force.

*They’ve been intersecting all week, actually, since the actor playing Pied Piper on the Flash TV show is playing Marius on Broadway right now, and has been posting Les Mis-related stuff.

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A few interesting links that I’ve been meaning to post for a while now.

Geography and History

Using and Building the Internet

  • Warren Ellis has given up on Facebook and Google+ because it’s just so hard to reliably reach or listen to people. Think of how many posts in your news feed you miss each day just by not being online at the right time, never mind the pre-filtering Facebook does to the firehose.
  • Page Weight Matters – an engineer at Google led an effort to cut Youtube’s bandwidth requirements by a factor of ten. Strangely enough, when they started a live test, average page load time went up. It turned out that people on low-speed connections had found out about it and started using it even though it took two minutes to load where they were…because even that was still better than the 20 minutes they’d been stuck with before. (Via Raymond Camden)
  • If you run an email newsletter, keep in mind that many of your readers will try to read it on a phone. Keep that in mind when designing your format. Giant images with no text aren’t going to be too helpful.
  • How to keep electronics going when you lose power for days: Generators, batteries, car chargers, solar or kinetic chargers, etc.

Comics

  • Some of the earliest UNIX daemon art was drawn by none other than Phil Foglio of Girl Genius fame.
  • Saturday Morning in Front of La Salle De Justice is a painting by Rey Taira in DC Comics’ gallery show, inspired by Seurat’s famous painting Sunday Afternoon on the Island of La Grande Jatte (the painting at the center of Sondheim’s Sunday in the Park with George), but recast with the Justice League and other DC Comics heroes. It’s making the rounds again now, but I first saw it on Firestorm Fan a few months back.

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Last week, the webcomic XKCD ran a strip, Umwelt. Or perhaps it would be better to describe it as several comic strips.

As explained in the mouseover text, the title refers to the idea that because animals have different senses, each animal effectively inhabits a different reality. This can philosophically be extended to human perceptions.

Keeping that in mind, make sure you read it in a few different web browsers (both desktop and mobile!) for the full effect (JavaScript required). And try resizing the window.

As an art project, it’s the best use of browser-sniffing I’ve ever seen.

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You may have noticed elements of the 1990s creeping back into comics, music, movies and TV. There’s a reason for that: pop culture seems to be obsessed with its past on a 20-year cycle, and the current love affair with the 1980s has passed its peak.

I go into more detail — including thoughts on some of the implications for the 10-year and 30-year troughs in the cycle — at Speed Force in Return of the 1990s.