I’ve been really enjoying the comic-book adaptation of Robert Jordan’s New Spring, the prequel to The Wheel of Time. Unfortunately, the last few issues have been very sporadic, and there’s been no way to get any kind of schedule. New issues would just pop up on the shipping list the week they arrived in stores. It didn’t help that the publisher, Red Eagle Entertainment, is a complete unknown.

So every week, I’ve scoured Diamond’s shipping list, hoping to see “New Spring” on there. Today I figured I’d check the publisher’s site again, even though it’s been useless from the beginning. Still nothing, just a cover and March 2006 date for issue #6, which has yet to appear.

I thought of another source, though: WoT fan site Dragonmount is where I learned about Book 11. So I looked over there, and guess what? Just last week, Red Eagle issued a press release that they’re cancelling New Spring with only 5 out of 8 issues published.

On the plus side, a rep from Dabel Brothers (the studio that actually wrote and drew the comics) commented in the thread at Dragonmount, saying that “the New Spring series is being continued just not through Red Eagle. The remaining issues are all completed…”

Not surprisingly, the publisher and studio blame each other. The dispute is apparently in arbitration. But given the realities of the comics industry, the fact that the publisher appeared out of nowhere and has no other products, and the presence of artwork for issue #7 on the studio’s forums, I’m inclined to believe Dabel Brothers’ claims that Red Eagle stopped actually paying them for the work they were doing.

The first issue of the New Spring comic book was surprisingly good. I wasn’t sure how well Robert Jordan’s writing would translate to the medium, and of course a lot of details are lost, but Chuck Dixon has done a good job adapting the story, and Mike Miller’s art is incredible.

The book opens with a brief description of the world, then a series of splash pages showing the scope of the Aiel War, starting with thousands of Aiel pouring over the Dragonwall. From there it moves to Lan’s story, then to Moiraine’s. Two pages stand out for me: The panorama of Tar Valon, and Gitara’s Foretelling, the latter of which is most effective because it contrasts with the very realistic style of the rest of the book.

Believe it or not, I’d recommend this. Who would’ve thought I’d be excited about The Wheel of Time again?