Friday night at Comic-Con. After walking around all day in costumes, we returned to our hotel, got cleaned up, had dinner at the hotel restaurant and got in line for the shuttle back to the convention center to catch “The Worst Cartoons Ever” at 9:00.

Except only one of us made it onto the bus.

Missing the Bus

We’d thought about going back to the restaurant for dessert later (they had Bailey’s cheesecake), so I did something stupid and went back to check the hours. (If they were going to be closed, we’d go somewhere in the Gaslamp area like Ghirardelli.) This took longer than expected, and the shuttle arrived in the meantime.

The shuttles only run every 20-30 minutes at night, and we had barely 30 minutes to the screening. Chances were if I didn’t catch this one, I wasn’t going to make it.

I fought my way upstream through the crowd that had just gotten off the bus, saw that Katie wasn’t at the stop, and ran halfway down the block as the shuttle pulled away…and immediately stopped at a red light.

I ran to the front of the bus and knocked on the door. The driver gestured toward the back of the bus. I looked back to see if there was another door. Nothing. I knocked again. He glared at me and pointed toward the back of the bus again. It became clear he was not opening that door for anything.

Words Exchanged

So I pulled out my cell phone and called Katie, who was in the process of calling me to ask where the hell I was. Whichever call connected, I started out with something like “The &@^#*& driver wouldn’t let me on the bus!” We each fumed a bit, the light turned green, and the bus pulled away.

I wasted a precious minute trying to decide whether it was worth trying to catch a trolley or something. I figured their schedule was about as bad. Driving didn’t even cross my mind — it probably would have taken me long enough to park that it wouldn’t have helped anyway. If I’d really been thinking I would have walked around to the front of the hotel and hailed a taxi.

Maybe it was that I’d spent the day dressed as the Flash. I decided to run.

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It seems as though every year, around the time of hotel registration for Comic-Con International, people start clamoring for the con to move from San Diego to Las Vegas. More hotel rooms! A bigger convention center! Gambling! Strippers!

It makes me want to headdesk.

Now, I don’t hate Vegas. I’m not ZOMG in love with it, but I’ve been there more than once and I don’t think it should be removed from the face of the earth. What I believe about Vegas is that it is a law and a destination unto itself, and that everyone should be able to choose whether they go based on the merits of the place, not on the merits of what else might be going on there that isn’t a usual part of the location. Please keep this in mind as I present my list of Reasons Not to Move CCI to Las Vegas:

1. Weather. San Diego may be incredibly hot some years, but it’s coastal. There are breezes a lot of the time, and it’s often quite bearable. Vegas is inland desert and is 99% guaranteed to be nasty hot in July/August. Part of the crazy fun of CCI is seeing costumes on the street, which would become darn near impossible for a lot of people given the temperature.

2. Distance. I’m not talking about the distance for people to get there (though I will in a bit), but the distance between things. It can take over half an hour to get from the front door of one hotel to the front door of the next one over. In San Diego, it’s pretty easy to leave the convention center, go find food that’s not jacked up in price for an inferior product, and come back. In Vegas, unless you take the monorail, that’s a pipe dream, especially given that the convention center is off the Strip and not really near a lot of hotels. Keep reading for more. Continue reading

Driving through the lava fields of North Kona, you’ll see signs like these:

Donkey Xing Donkey crossings at dawn and dusk

After coffee companies stopped using donkeys for transportation, they turned them loose, and a herd of wild donkeys roamed the fields. They apparently picked up the nickname “Kona nightingales” from their, uh, “singing.” They’ve since been moved up to greener—and less traveled— pastures on the lower slopes of Mauna Kea, but the signs remain.

One can only assume the Kona nightingales were the inspiration for Surfin’ Ass Coffee Company and their signature island confection:

Surfin' Ass Coffee Company: Donkey Balls Factory Outlet

For the record: 1-inch macadamia nuts dipped in chocolate.