I’m impressed with the callback to the miner’s candlestick from back in Digne as Hugo dives into the mining metaphor. (Valjean considers using it to attack the sleeping Bishop. The Denny translation calls it a spike, losing the more immediate callback in the Bishop’s gift of actual candlesticks.)
Now that she points it out, Éponine’s description when we first meet her as a teenager does rather resemble Fantine’s by the time she’s dying: skin and bones, prematurely aged, missing teeth, even a raspy voice.
Three times through the book. Three times. And I never caught on to the implications of just how far Thénardier goes in exploiting his daughters. The way she’s undisturbed walking into Marius’ bedroom, phrases in the letters, the way she smiles at Marius at one point… Ugh.