Category: Comics

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Re-watched some classic cartoons yesterday.  It started when we were talking about Duck Dodgers at breakfast, and wondered when it had been made.  That led to an IMDB lookup, which mentioned it was #4 on a list of 50 Greatest Cartoons of all time from 1994, and that had me looking up “One Froggy Evening” to verify that it was in fact the cartoon with the singing, dancing, Michigan J. Frog… and that had a link to the cartoon on YouTube.  And YouTube brings up a list of related videos at the end of each clip…

By the time we stopped, we’d also watched “What’s Opera, Doc?” “The Rabbit of Seville” — absolute classics — and a couple of World War II propaganda cartoons featuring Daffy Duck and Donald Duck (the latter in a cartoon based on “Der Fuehrer’s Face”).

At the other end of the spectrum, a week ago I watched 2 DVDs worth of 1967 Filmation cartoons starring various DC super-heroes.  I wanted to do a write-up of the Flash, Justice League and Teen Titans cartoons, and figured I might as well watch the whole thing and do a review. They were seriously cheesy. They were played straighter than Super-Friends, but can’t stand up to the Bruce Timm-designed Justice League series.

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Google Chrome seems to be a multi-threaded open-source browser based on WebKit (with some code from Firefox as well), focusing on making a browser that will work well with web applications.

It’s got built-in support for the Gears API (not surprising). And, like Firefox 3, IE8, and Opera 9.5, it’ll do full-history search & auto-suggest in the location bar. Interestingly, they’ve adopted a couple of UI elements from Opera, including thumbnails of your most-visited pages when opening a new tab (like Opera’s Speed Dial, though in this case the list is automatically generated from your browsing behavior), and putting the tabs above the main toolbar — something that Opera has taken a lot of flack for.

According to the blog post, the first preview release should be out for Windows tomorrow, with Linux and Mac following.

Oddly enough, I found out about it through comics blogs (A Distant Soil, specifically), not tech blogs, because Google hired Scott McCloud (Understanding Comics) to explain what makes the browser different in comic-book form.

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Saturday night we met up with my parents after the con for dinner. On the way to the restaurant, Chopahn — very good Afghan food, another one we’d definitely recommend — a mob of people made up as zombies came shambling up the street. We decided to hang back and wait for them to pass.

Sunday morning we got up early so we could check out of the hotel and move the car. (We left most of our luggage stored at the hotel, but they wanted all the cars out of their valet lot by noon to make room for a new round of guests.) I was amazed that we managed to get a space in a lot literally right across the train tracks from the convention center. Of course, it was around 7:00 AM, and the con didn’t open until 9:30. Neither of us needed to get in immediately today, and standing in line for 2½ hours didn’t seem appealing, so we tried to find something else to do.

We went back to Cafe 222 for breakfast (it seems appropriate that we did it twice), then wandered the Gaslamp district a bit — which is a little creepy at that hour, when very little is open aside from coffee places and restaurants that serve breakfast, and few people are out and about aside from people working at deliveries, taking out trash, etc. and homeless people. Once the William Heath Davis House opened, we went into the museum and took a self-guided tour.

Back to the convention, we both spent the morning combing the floor. I focused on the artists’ area, and ended up getting another sketch, this one of Iris West II by Freddie Williams II. Eventually I made my way to the second DC Nation panel, dashed off a blog post, and discovered that my writeup of the Comic Book Tattoo panel and signing had hit Undented and at least half a dozen other blogs and forums. The 24 hours from 5pm Saturday to 5pm Sunday (midnight to midnight in UTC) had the highest traffic this blog has seen since I installed WP-Stats, something like a year and a half ago.

Katie hit the Cartoon Voice acting panel, during which room staff moved her purse without telling her. She stood up at the end of the panel and it was gone. We spent the next hour and a half talking to event staff (run by a different organization, so they didn’t actually talk to each other), filing a missing property report, reporting her credit card lost, and looking for the purse itself, until I went back into the room and checked with the tech table — and there it was.

We had just enough time to make it to the sing-along screening of the Buffy the Vampire Slayer musical episode, “Once More With Feeling.” It was different from last year, since it was a much bigger room and the sound was turned up too high to really hear the audience sing, but still a lot of fun.

Afterward, we wrapped up the weekend with ice cream at the Ghirardelli shop. Then we picked up the car and the luggage, and started the long drive home.

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Some years I find myself spending most of my time at Comic-Con attending panels. Some years it’s looking for books. Sometimes I end up mostly looking for people with interesting costumes. This year, the theme seems to have been collecting sketches and autographs, and in fact, I spent just about all of Saturday on one event.

Sketches:

Autographs (Kelson):

  • Phil & Kaja Folio on complete set of Girl Genius volumes 1-7. (I’d gotten Phil’s signatures on volumes 1-6 in bits and pieces over the last few years, but Kaja was never at the booth when I had the books. So I made an effort to catch up.)
  • Phil Foglio on the edition of Myth-Chief for which he did the cover.
  • R.K. Milholland on Super Stupor.
  • Colleen Doran on A Distant Soil vol.1, Orbiter, Reign of the Zodiac #1 and Comic Book Tattoo. (I went to her table 3 times over the course of the con.)
  • Sergio Aragonés on “Day of the Dead” (because I forgot to bring something for him to sign, and I looked for stuff at his booth that I hadn’t seen before)
  • Tori Amos on Comic Book Tattoo (see the full story)
  • Rantz Hoseley, Hope Larson, and (I think) Jason Levesque on Comic Book Tattoo (they were all at the table when I picked up the book)
  • Rantz Hoseley and two people whose names I can’t make out on a poster-sized print of the Comic Book Tattoo cover.

Autographs (Katie):

  • Naomi Novik on the new Temeraire novel, Victory of Eagles.
  • Keith Knight on The K Chronicles and Red, White, Black and Blue.

I ended up not spending much time looking for comics, because of the whole low-grade Golden-Age problem. But I did pick up a couple of new items — like the Tori book, and the new Halo and Sprocket, and such. I was looking in the fantasy art area this morning, and there was actually a painting of Red Sonja that I really liked (she was wearing practical clothes — leather armor, not the usual chainmail bikini), but couldn’t think what I’d do with a print, and it seemed kind of weird to pick up a print of a specific character whom I didn’t normally follow.

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Busy day. I had a lot of stuff that I wanted to get to but had to make choices. Shoulders are starting to acclimate, though there’s also the fact that I’ve taken a lot of stuff out of my backpack as I’ve gotten it signed. I have no idea what I’m going to do to carry around Comic Book Tattoo.

Speaking of which, yes, the books finally came in! I picked mine up late morning, and decided to shell out the extra $20 for the hardcover because it’s just so big. It’s at least an inch and a half thick, and it’s 12 inches square — the size of a vinyl record album case.

Katie dressed up as Yomiko Readman, and we started the day at Richard Walker’s Pancake House. They were very busy, but had a system in place that kept people moving — and they were also very good. We got to the convention center around 10:00, explored the floor a bit together, then split up. When I bought a comic from Sergio Aragonés that I hadn’t seen before, and asked him to sign it, he asked her what character her costume was from. He clearly didn’t recognize the show, but it was nice of him to ask. The first hour or so that we were there, she mostly got people asking, “What’s that from?” but then people who knew the show started asking for her picture.

I managed to round out the complete set of signatures on the Girl Genius trades. I also picked up a print of the Flash: Rebirth cover at Moose Baumann’s table, and commissioned an Impulse sketch from Todd Nauck. When I got there, he was talking with someone, and I waited while they chatted for several minutes. When he left, it turned out that he was Carlo Barberi, who drew Impulse during most of Todd Dezago’s run. I couldn’t stick around while he drew the sketch, since I was on my way to a panel, plus he was finishing up a sketch for someone else, so I’ll be heading back sometime tomorrow to pick it up.

I went to a couple of panels by science fiction authors, both one-person shows: Connie Willis and Robert Sawyer. Connie Willis was very funny as she talked about writing in general, about her upcoming novels, and answered questions from the audience. Robert Sawyer mostly talked about his experience in the publishing industry, and managed to make it interesting. I followed it up with a panel on lost civilizations and secret societies that should have been fascinating, but was dull enough that I left only 10 minutes in and decided to hit the art show instead. Katie attended “Humor in Science Fiction” and the Bones panel, and I finished the programming day up with Final Crisis Management.

Today was the day for running into people. On my way from Image (with the Tori book) to Studio Foglio, I ran into a group from Comic Quest (the local comic store I go to on Wednesdays). I ran into my mom at the Connie Willis panel. We met up with our friend Sean at lunch, and I ran into our friend Wayne after Final Crisis…because Katie had spotted a Minbari, and I went over to take his picture. Ten feet away, there was Wayne.

Lunch was at an Irish pub called The Field. I missed Sean’s phone call, so by the time we caught up he’d already found a place and ordered lunch, but they were nice enough to move all of us from the tiny little pub table he was sitting at to a larger table. Up to this point, we’d been batting 1.000 on food. Dinner was another story. We hadn’t gotten around to making reservations, and after a couple of places with long waits, we just went to the Horton Plaza food court.