Category: Music

Posted on
by

Musician Tom Smith (author of the Talk Like a Pirate Day theme song and Girl Genius’ Transylvania Polygnostic University Fight Song, and a.k.a. filkertom on LiveJournal) is in the hospital after a nasty injury, facing expensive surgery and months of hospital bills…without insurance. And of course he can’t work while he’s in the hospital.

A bunch of other musicians in the filk community have put together a benefit album, “Mr. Smith Goes to the Hospital,” and are providing it as a download for people who donate to help him cover the bills.

What is filk music? There’s no solid consensus, but I think the simplest answer is: music about other media, by its fans. Songs about Star Wars, or Lord of the Rings, for instance. Sometimes with original music, often setting new lyrics to other people’s songs (“piggyback filk”). Most filkers just do it as a hobby (I’ve written a few filksongs myself, mostly back in high school and college), but some manage to eke out a living — or supplement one — by performing and selling recordings.

We’ve picked up a couple of his albums since we heard “Five Years” — a Babylon 5 filk to the tune of Barenaked Ladies’ “One Week” — at a Loscon a few years ago (back when we still went to Loscon).

(News found via Girl Genius.)

Posted on
by

I’d been trying to decide whether to pre-order Comic Book Tattoo (the graphic novel anthology based on Tori Amos songs) or pick it up at San Diego Comic-Con next month. Now I know.

Colleen Doran reports that Tori Amos will be signing the book on Saturday. Tickets for the signing — just 200 of them — will be given to people who purchase the book at the con (limited each day, so that they don’t all go on Wednesday).

She’ll also be on a panel on Saturday from 11:30–12:30. Here’s hoping DC doesn’t schedule a “What’s really happening with the Flash” panel at the same time, ’cause if they do, I’m skipping the Flash news. Someone’ll post it online. (Oh, wait…)

I am so looking forward to this…

Posted on
by

Caught “Weird Al” Yankovic’s song, “She Drives Like Crazy” — appropriately enough, while on the freeway. I never used to understand why he did the funny voices in the song, until I remembered the Muppets music video of the original song (“She Drives Me Crazy”), with Miss Piggy and Kermit the Frog…and suddenly the voices clicked into place.

It’s odd that the intro on the title track to “The Phantom of the Opera” (the Andrew Lloyd Webber show) sounds so much like the MIDI file I found in the mid-1990s. I don’t know if that’s a comment on the quality of my old sound card, or a comment on how many synthesizers were used in the original recording. Either way, whoever sequenced that MIDI file got the timing exactly right.

Posted on
by

Went to see Aimee Mann on Friday at the House of Blues. She’s promoting her new album, @#%&*! Smilers (and yes, it’s pronounced as you might expect, though she also gave an alternate pronunciation of “Effing Smilers”), which just came out last week. Of course, this meant that most of the audience either hadn’t heard the new songs, or had only heard them a few days before. Old favorites like “Save Me” tended to get cheers as soon as people recognized the intro music. With the new stuff, people were quieter, as if they were waiting to hear the song for the first time. But they all got applause in the end.

In the past, when we’ve gone to the Anaheim House of Blues, we’ve tried to eat at Downtown Disney. It always proves problematical, with restaurants either not taking reservations for parties of two or not having any reservations left. This time we just ate near home and drove up after dinner. We got there after the doors opened, but before most of the audience arrived, and managed to claim a spot dead center in the main floor, much closer than we’d ever been to this stage.

The opening act was Rebecca Pigeon. She was quite good, and a good match stylistically. (Too often, you only get one — or neither. We still joke about “Corn Mo” who opened for TMBG a few years ago.) She started with “Tough on Crime,” which Katie figures has to have a Heroes video in it somewhere. Interesting fact: it turns out she’s married to David Mamet.

By the end of the opening act, the house had filled up considerably, and was respectably packed by the time Aimee Mann took the stage. Continue reading →

Posted on
by

Mark Pilgrim, in The Day the Music Died, points out what happens when DRM meets market failure.

On August 31, Microsoft will turn off the servers that validate their “PlaysForSure” DRM system (this predates the system they use for the Zune). This means that anyone who has bought music that uses PlaysForSure will not be able to transfer it when they upgrade or replace their computer, or get a new music player.

It won’t be an instantaneous death like DIVX was, or like a subscription system, because it doesn’t phone home whenever you try to play a track. But it’ll be a lot faster than simple technological obsolescence. I can still play my old VHS tapes until my VCR breaks down (and then I could probably still get it fixed if I really wanted to), even though I don’t think I’ve seen a pre-recorded tape in a store in years.

This is also why I prefer to check Amazon’s MP3 store first, before going onto the iTunes Music Store, and then prefer DRM-free iTunes Plus to standard iTunes tracks. Given their current position, Apple isn’t likely to get rid of iTunes anytime soon, but if they ever did, I’d be in the same boat as people who purchased PlaysForSure tracks. (Though I’m hoping they’ll move the entire catalog away from DRM long before that happens.) Whereas since Amazon’s tracks are plain, ordinary MP3s, they could abandon the business tomorrow and I’d still be able to play the tracks for as long as I can find software that plays MP3s.

(via ma.tt)

Posted on
by

Recently, I was reminded of a conversation about songs with twist endings. Like a Twilight Zone episode, they’ll set up one situation and then in the final verse, switch things around to a completely different perspective.

One example would be Vertical Horizon’s breakthrough hit, “Everything You Want.” The chorus repeats:

He’s everything you want,
He’s everything you need.
He’s everything inside of you that you wish you could be.
He says all the right things at exactly the right times,
But he means nothing to you and you don’t know why.

Most of the song presents this sort of detached, third-party view of someone who perhaps is concerned for a friend, but that’s all. Then the bridge hits, with lines like, “It’s only what you’re asking for,” and the intensity builds, until you get to the final chorus:

I am everything you want,
I am everything you need.
I am everything inside of you that you wish you could be.
I say all the right things at exactly the right times,
But I mean nothing to you and I don’t know why.

It suddenly becomes clear that the speaker is himself right in the middle of things, and the woman’s affections are in fact extremely important to him.

Another one would be the Jim Steinman song “Two Out of Three Ain’t Bad,” made famous by Meat Loaf. The speaker keeps pleading with a woman that…

I want you
I need you
But there ain’t no way I’m ever gonna love you
Now don’t be sad
‘Cause two out of three ain’t bad

At the end of the song, he explains “There’s only one girl that I will ever love” and that, when she left him, “She kept on telling me…” at which point he launches into the refrain. Suddenly, this guy who sounded unreasonable throughout the entire song turns out to have been on the receiving end of the same dysfunction in a previous relationship—and he’s still messed up by it.

What other songs can you think of that do this?

Posted on
by

The Value of Space Exploration, via Phil Plait.

Neil Gaiman on The Fairy Feller’s Master Stroke, a painting by a madman that’s inspired its share of stories.

And from Comics Worth Reading, our WTF entry for the day: Paradise by the GoPhone Light. It’s a commercial done in the style of a music video, featuring Meat Loaf and Tiffany as the parents of a kid who wants a GoPhone. Completely surreal, especially once the random explosions start.

It’s just occurred to me that, aside from it being some sort of cell phone, I have no idea what a GoPhone is. [/me types “gophone” into Google] Ah, OK. Pre-paid cellphone. Meh. (And now I’m imagining how much spam is going to get posted to this thread. *sigh* )