Category: Entertainment

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It’s been four years since I described the 2018 Social Media Experience. Let’s see what’s changed in that time!

#Twitter is still like a train crashing into a burning dumpster. The old owner wouldn’t let firefighters in because they did such a brisk business selling marshmallows, and the new one thinks it needs more gas because the flames aren’t hot enough and it would be unethical to keep the fire down to even marshmallow-toasting levels.

#Facebook…TBH I haven’t been there in a while, but I get the impression it’s still like a large family gathering, only now conversation is mostly drowned out by your racist uncle/in-law’s soapboxing and the TV commercials for things related to his screed instead of just being interrupted by them, unless you can hide out in a different room, where you’ll still get interrupted by commercials for things related to your own conversation.

#Tumblr is the weird coffee shop you used to hang out in but you’ve outgrown. It was bought out by a national chain and homogenized into the ground, but they offloaded it to a smaller chain and now each location is allowed to have its own personality again.

#Mastodon is like a building with a lot of small parties going on: Not as many people in each room, but you can actually hear each other talk, and people will sometimes hang out in the hall or move to another room, connecting conversations together. But finding a good room can be tough.

#Pixelfed is like Mastodon, except everyone’s brought photos and made the room into a gallery.

#Instagram is like checking out your friends’ vacation photos, but every other photo is an advertisement, and half of your friends’ pics are full of product placement.

TikTok…from what I gather, it’s like being in a crowd with people you don’t know, and someone keeps pushing other people at you that they think you might want to talk to.

Of course, all of them have people who will Judge You because You’re Doing It Wrong.

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Let’s just say the kid was not impressed with Attack of the Clones.

To be honest, I think it’s the weakest of the prequels and of the six that George Lucas was actually involved in.

The Phantom Menace is better than I remember.

It’s well constructed, and there are incredible subtleties and thematic elements hidden among the flashy (and cheesy) A-plot. It’s about dualities, symbiosis, and most of all, misdirection. An elaborately costumed decoy queen, an invasion waged to maneuver the Senate into giving Palpatine more power, and so on. And the movie is that too: a big flashy effects and battle and comedy extravaganza in front of a master manipulator quietly going about his scheming.

I mean, yeah, the dialogue isn’t very good, and there are all the horrible stereotypes, but the core of the story is thematically solid.

Attack of the Clones…is not.

I could see what they were trying to do, but it doesn’t hold together as well, and the story hinges on a romance that is, frankly, unconvincing. It’s like an early draft of a script went into full-blown production, but no one could tell Lucas, hey, maybe you should try something different here, or keep working on the dialog there, etc.

The effects are amazing. The music — John Williams is still at the top of his game here, and “Across the Stars” is one of the best Star Wars pieces written (up there with “Duel of the Fates” IMHO). There are cool concepts and interesting characters, and good actors doing the best they can with what they have. (When they can.)

And there are great moments too! Dooku telling Obi-Wan the absolute truth about the Republic having fallen under the sway of a Sith Lord, just in a way that Obi-Wan can’t believe it. Or Padme quietly picking the lock on her handcuffs in the background while Anakin and Obi-Wan argue in the foreground.

Mainly I think it needed more script revisions. And to let someone else direct it.

Previously posted on Mastodon. Cross-posted as reviews of TPM and AotC.

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We ended up not watching Star Trek: Discovery when it launched because we didn’t want to add another streaming service at the time. Same with Picard. Sometime during the last two years we ended up adding Paramount+ (or whatever it was called at the time) for some reason, and earlier this year we decided to start watching some of the newer shows.

Warning: If you plan on doing the same, stop reading Memory Alpha until you’re caught up! Katie and I each got spoiled for different twists in Discovery from headlines on things like the list of popular articles of the day.

We started with Discovery season one, then interleaved season two with the first season of Picard.

We grown-ups liked the first season of Discovery, liked, well, parts of the second season, and had mixed feelings about Picard.

J. really enjoyed watching Discovery but had no interest whatsoever in Picard once he’d seen the first episode. Fair enough — people like different things, and Picard is a different type of show, a bit less action, a bit more thoughtful at times, and it works best if you know the returning characters (and their relationships to Data) already. And while he’s seen a handful of Next Gen episodes, he’s never connected with it.

Interleaving Discovery S2 and Picard S2 was kind of weird when we saw them hitting a lot of the same beats with the plot. [spoiler title=”sorta spoilery”]Not just the overall powerful AI wants to wipe out all sentient life arcs, but sometimes specific beats. The weirdest was when we watched two episodes where a compromised character sacrificed themselves at the end of the episode to save their crewmates from the entity they’d been compromised by.[/spoiler] Also, the emphasis on “sentient” life in both, while I was reading the classic novel Little Fuzzy which uses the more accurate term “sapient” (as in Homo sapiens) to refer to thinking lifeforms.