Tag: Babylon5

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Yeah sure, Heroes X-Men blah blah blah, but wait, there’s more. I’m getting a distinct vibe from the latest episode that has less to do with mutants than with good TV. This makes me very happy, all the more because I didn’t pick up on it until the third-to-last ep of the season. Of course, that could be just a lack of recent J. Michael Straczynski in my life.

Warning: the remainder of this post contains spoilers for Heroes through episode 1.21 “The Hard Part.” Also, if you haven’t seen Babylon 5 and Memento, or at least have some working knowledge of the two, you probably won’t be able to make head or tail of it. (God knows I can’t, and I wrote the darn thing.) The more background, the better. Continue reading →

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(Lost)Here’s a surprise: Lost has been renewed for a three-season deal… but each season is only 16 episodes long. The writers are glad that they have an endpoint, because now they know how long they have to tell the rest of the story they have in mind. (Call me credulous, but I’m inclined to believe that they do have at least some of their plans worked out ahead of time.)

Though I have to say, I hope they’ve checked their contract for loopholes. Farscape thought they had a two-season deal, so they took their characters and story to some really dark places in Season 4, figuring they had another year to dig them out. Instead they got canceled, and it took a fan campaign and the sale of the Jim Henson company to get even a four-hour miniseries to wrap things up.

As for the structure, this is actually probably better than two 24-episode seasons. It makes it easier to show an entire season through without interruptions. This season’s schedule, with just 6 episodes at the beginning followed by months of reruns, was terrible. Of course, once they came back from hiatus, it was much better than the sporadic episodes they showed in Season 2.

Arc vs. Scheduling

This brings up a problem with trying to run a TV series with an arc to it: Scheduling can seriously mess it up.

Babylon 5 suffered from PTEN’s decision to hold the last four episodes of each season until fall, followed immediately by the following season. It undermined the season-ending cliffhangers, and broke the narrative in the middle. Eventually they started anticipating it: JMS would write a mini-cliffhanger five episodes before the end of the season, and in one case even wrote a recap into the script for episode 19.

Veronica Mars and Heroes have done a good job this year of breaking the season into mini-arcs that match the schedule. Veronica Mars had a 9-part mystery, followed by a 6-part mystery, followed by a series of one-shots at the end of the season, and each arc was shown without interruption.

Heroes told the initial “Save the Cheerleader, Save the World” storyline, followed it up with some backstory, and finished the first run with a teaser for the main arc for the rest of the season. The second arc deepened the plot, and brought everything to a high point: the revelation of Linderman’s and Bennett’s agendas, plus cliffhangers in Hiro’s and Peter’s journeys. Now we’re in the home stretch. As the tagline says, “It’s time to save the world.”

That seems to be the way to go: If you don’t have the clout to change the schedule (like 24), find some way to work within it. Plowing straight through without regard to when the episodes are going to be shown, like Lost did with Season 2, is just going to frustrate your audience.

(Thanks to aeryncrichton for the news!)

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I can’t believe nobody’s made this comparison yet……it looks like the producers of “Lost” picked the wrong SF TV-show lead to be Alex’s mom:

Tania Raymonde (Lost)Claudia Black (Stargate SG-1)

Of course, it’s entirely possible that they might be able to land Claudia for a recurring guest spot as her “mother” (flashbacks maybe?), and thus call into question through visuals alone whether Danielle is even as right in the head as she seems to be.

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Despite growing up in Orange County, I never managed to go to Medieval Times. It’s a dinner show with knights on horseback staging a medieval tournament. Last month in Las Vegas, Katie talked me into going to the Tournament of Kings at Excalibur, which is the same type of show.

[Knight from Excalibur'sTournament of Kings]When you purchase your tickets, you’re assigned a country. (We got Hungary, which seemed appropriate for a dinner show.) This determines two things: your seating area, and which knight you’ll cheer for. People got really into it, cheering on their own knights, booing others, all from a random assignment. About halfway through the show, I realized it was a Drazi scarf situation.

The Drazi leaders.To explain: The Babylon 5 episode, “The Geometry of Shadows” features a conflict among an alien race called the Drazi. Two factions have been fighting each other on the station, and the crew wants them to stop. The Drazi ambassador explains that every few years, they put a bunch of green and purple scarves in a barrel. Each Drazi reaches into the barrel and pulls out a scarf. Green Drazi form one faction, Purple Drazi form the other, and they fight until one side wins, becoming the dominant political force for the next few years.

The episode was clearly meant as commentary on politics, but here in the dinner tournament was an actual case where nothing but random chance determined allegiance. It wasn’t even a random draw for a team, this was just the cheering section! For a scripted show!

[Pirate]Last weekend we went to the Pirate’s Dinner Adventure for Katie’s birthday. It’s a similar setup, only with pirates instead of knights, a smaller arena so that you can actually see the actor/stuntmen’s faces, and a more interactive setup. (There are contests where they get willing audience members to participate, kids get to be sworn in as members of the pirate crew, etc.) Again, you’re assigned a color when you get your ticket, and that color corresponds to one of the pirates. And everyone gets a colored headband. Not too different from those Drazi scarves.