Tag: Flash

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Bart as Impulse in 'Justice'With Bart Allen returning to Smallville tonight—alongside Cyborg, Green Arrow, and Aquaman—I find myself wondering about the best way to hang onto just a few episodes. Last night I went looking for my tape of “Run,” the first episode in which he appeared, and I couldn’t find it.

I have no interest in buying full seasons of Smallville, but I’d like to have copies of the two episodes with Bart (partly for character research, partly for completism). Warner Bros. has no reason to release individual episode DVDs, but downloadable episodes (as in iTunes) might be an option.

Another possibility: themed collections. There have been enough episodes guest-starring other DC heroes that WB could do something similar to Buffy‘s Slayer Collection, or The Simpsons “Treehouse of Horror” set. A single disc featuring, let’s say, the Flash, Cyborg, and Aquaman episodes (Green Arrow might need his own disc), followed by tonight’s big team-up, “Justice.”

Hey, I’d buy it.

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[Flash Logo]A post on the Comic Bloc Forums the other day made me think about the question: Which Flash had the longest solo career?

It depends on how you measure it. The original Flash, Jay Garrick, has of course been around the longest: 1940–today. He’s got more than 65 years on his successors. But a more useful question is: How long was each Flash around before DC replaced him as “the” Flash?

The easiest measurement: years in publication.

Name Start End Span
Jay Garrick 1940 – 1951 11 years*
Barry Allen 1956 – 1986 30 years
Wally West 1986 – 2006 20 years
Bart Allen 2006 just starting

Barry is the clear winner by this measure, at three times Jay’s career, and 1½ times Wally’s.

But what about sheer number of comics**? Continue reading →

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Went to the Los Angeles Comic Book and Science Fiction Convention on Sunday. I’d only been to one before, last June, and it was pretty pathetic. The dealer’s room was sparse, and hardly anyone was in attendance. Or maybe they were all in the movie (IIRC it was a Wonder Woman fan film). All this seen through the context of my search for affordable copies of 1940s-era Flash Comics led to me spending a grand total of an hour there before leaving.

In fact, I wouldn’t have gone back if it weren’t for three things:

  1. The writers on the new Flash series would be there, signing autographs.
  2. One of them posted a reminder on a message board that I frequent. (I would have looked at the calendar next Friday and realized that I missed it.)
  3. They were screening Teen Titans: Trouble in Tokyo, a full-length movie that will otherwise only be shown on Cartoon Network.

With #3, that meant Katie wanted to come along too.

So we got up early (for a weekend), went out to breakfast at Ruby’s and drove up to LA.

I was shocked to see a line to get in. And the place was comparatively packed. I could swear there were twice as many dealers, and 2 or 3 times as many attendees. My best guess is that a lot of people stayed home in June since it was only a month before San Diego Comic-Con.

I cruised the dealer’s room, found some comic book adaptations of The Colour of Magic (1/4) and The Light Fantastic (full set), and a couple of Elric books, looked at what I thought might be the autograph table to see if Bilson and DeMeo were there (the Flash writers), didn’t see them, and joined Katie as we waited for the movie to start.

And waited.

And waited.

You see, the actor who does the voice for Beast Boy was signing autographs (and using it as a way to collect money for PETA — you got an autograph by making a $2 donation). They wanted everyone in line to get an autograph. He wanted to keep reminding people that they really should pick up some of the PETA literature he had up front.

The movie was supposed to start at 12:30, and didn’t get underway until at least 1:00. Fortunately it was a lot of fun… until 45 minutes in, when the DVD started skipping and catching. And no one did anything about it. The guy sitting at the control table, as near as anyone could tell, wasn’t even trying to do anything. After a few minutes — yes, minutes — of this, people started leaving in earnest.

I decided to make one more circuit and see if I could find the main autograph table, and it turned out that it was the table I thought, and I just hadn’t recognized them (one of them did most of the talking at the Comic-Con panel I went to, and he shaved off his beard between then and now). I spoke to them briefly, got them to sign the new Flash #1 and the Flash TV Special from 1990. (They were really impressed at the condition it was in, and asked where I got it. I explained that I’d picked it up when it was new, and kept it that whole time.)

About this time the people running the movie finally got around to fixing, cleaning, or whatever they needed to do to the DVD, so we got to see the rest of the movie.

Trouble in Tokyo was very good. The story was a bit predictable in places, but it kept up a manic pace and had tons of humor. There was a travel montage early on that was just one joke after another, and some drop-down-funny parts scattered through the film.

The one that practically had us on the floor was in a sequence with a sushi chef trying to convince Cyborg to leave his all-you-can-eat restaurant by handing him ever-more-ridiculous dishes.

We still left after maybe 4 hours, but it was an interesting four hours!

(Originally posted at LiveJournal)

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[Picture of the Flash (Barry Allen) from Showcase #4]I missed the first half of Saturday’s “50 Years of the Flash” panel because we missed the red line and got stuck waiting to transfer at America Plaza. The shuttle might have gotten us there faster (maybe even on time), but we were pretty sure they wouldn’t let us on with our coffee.

What I did see of the panel was still mostly retrospective, and mainly Mark Waid, Geoff Johns, and Danny Bilson. Carmine Infantino told a couple of stories (one of which he’d told at Thursday’s panel, about the “war” between him and Julius Schwartz: he’d try to draw ever-more-nasty cliffhangers on his covers, and every time, Julie would come up with a story to go with it. So finally he drew one with the Flash and the Golden Age Flash both racing to save some guy, and said, “There! Top that!” The rest, of course, is history).

After a while they started talking about the new Flash book. While the most common answer in the Q&A session was, “Wait and see,” Bilson and DeMeo did answer a couple of questions that I’ve seen people asking about.

For the “legacy pages” in the first two issues, they did a whole bunch of research, sometimes finding conflicting info. (They didn’t mention this one, but the issue of “Who named Impulse” is probably one of those cases.) Any changes in continuity are accidental, and not intentional.

The reason Bart’s acting so morose in these first few issues is that he’s got this problem to deal with, and once he starts to work through it, his impulsive nature will start taking over again.

I almost got the new #1 signed, but staff kept telling everyone to clear the room, and as near as I can tell, Bilson and DeMeo took a different exit than I did.

Update: I forgot to mention some of the other stories. There was a good one Bilson and DeMeo told about how when they pitched the TV show, the powers that be wanted the Flash to be running around in a gray sweat suit. So they got Dave Stevens to design a suit and his rendering convinced them to go with it. Even then, the network resisted bringing costumed villains in until they showed it could work. And apparently what killed it wasn’t bad ratings, but network politics. Someone wanted his show, so he could get a better bonus. A real pity, as the second season opener would have been a two-hour special with the Trickster, Captain Cold, and Mirror Master—a Rogues Gallery episode.

Update 2: Adding more stuff as I remember it (and have time to type). Continue reading →