SDCC is moving to lottery-based pre-registration for 2014 to even out the crush of everyone hitting the site in the first 10 seconds after launch. Instead of first-come first-serve, you sign in anytime within a window and it randomly assigns your place in line.

Looking back, the turning point for crowds and being able to get into SDCC and specific events was in 2007. That’s the first year that large numbers of people were shut out of major panels, and camping became a big issue, and line management became a total nightmare.

Or maybe 2006, the first year that hotels sold out in a single day.

Originally published in a Reddit discussion on the new pricing and limits.

I think we’re at the point where there just is no good way to handle the demand. A lottery — or rather, a pair of lotteries, one open to past attendees and one open to everyone — may very well be the least-bad option for now.

Originally published as a comment on SDCC Blog’s discussion of the change.

But over the past two years I’ve dropped half the series I was collecting, and the others (the ones I liked) have been canceled. I’m down to one DCU series. (Again)

The New 52 DC universe no longer feels like the same DC universe I used to follow. The tone is off (though to be fair, it had been shifting ever since Identity Crisis), and it’s now just different enough to feel unfamiliar and off-putting, but not different enough to feel like another fictional world that I can enjoy on its own terms.

A few years back I came to the realization that a shared universe I knew well, like DC at the time, was a hook that would encourage me to try more comics set in that world, while one that I didn’t know so well, like Marvel, actually discouraged me from reading it. The Marvel books I read tend to be those that are either not the Marvel universe, or set off in a corner of it. Since the New 52, the same has been true of DC.

Previously posted as a comment on Reddit

It's gloomy. The sky and sea are almost the same shade of gray. Looking along a steep cliffside toward a rock outcropping. It's high, maybe ten times as high as the low building perched on top of it, and grooves show dozens of layers stacked from the sea below to a bit below the top.

The Palos Verdes peninsula sits at the southwest corner of Los Angeles. Parts of it are built up in old, grid-style suburbs. Other parts are of the more modern, winding type. And still other parts remain open space, due in part to the unstable geology of the area. Parts of Portuguese Bend are sliding toward the ocean, requiring frequent repairs of the main road along the coast. Way back in 1929, a housing development began sliding into the ocean. Abandoned now, the area remaining above land is known as the sunken city.

Adjacent to those ruins is Point Fermin Park, an ordinary city park that sits atop the cliffs. The Point Fermin Lighthouse (previously featured here) looks over the sea, and a fenced walkway runs along the length of the cliffs.

Looking out here, you can see the layers of rock, and understand how parts of the point could just slide away. The warning signs on the fence don’t surprise me, but I have to wonder just who would want to climb out there.

Photo challenge (WordPress): Layers