Tag: Imported Post

Originally posted somewhere else (ex. a blog I don’t use anymore, or a social networking site) and moved here sometime later. Usually keeping the original posting date.

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Circular window with concentric circles and spokes, seen from below and to one side.

Partway down the central escalator at the San Diego Convention center, you can look down the long cylindrical skylight that makes up the roof of the lobby, rings forming the appearance of concentric circles. Years ago, a friend of mine referred to it as the Death Star Cannon shot, and it’s a popular one to take, both during Comic Con and at other events.

Looking along a long, semi-open tube in a building, with the Comic-Con banner in the center.

At this year’s Comic-Con International, I found myself looking at the windows surrounding the stairs instead. My first thought was to mix things up with the classic cannon shot, but when I got home and looked at the results, I realized: This really does resemble the windows in the Emperor’s throne room. It’s still a Death Star shot, but a different part of the station!

If you’d like to see more photos or read more about my experience at the convention, check out I Survived Comic-Con 2013.

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I think my biggest disappointment with the New 52 is that they didn’t go far enough.

They had a chance to completely reinvent the DC Universe to an extent that we haven’t seen since the dawn of the Silver Age. Instead, we have the same basic characters: Superman is still Clark Kent, Batman is still Bruce Wayne, Wonder Woman is still Diana, Flash is still Barry Allen, Green Lantern is still Hal Jordan (and John Stewart, and Kyle Rayner, and Guy Gardner), etc.

They could have tried to recapture the sheer creativity that made the Silver Age such a success. (What if instead of a guy with a magic ring, we make him a space cop? What if instead of a small guy who’s really strong, he actually shrinks to microscopic size?) Instead, they tried to recapture the success of the post-Crisis DCU. That’s still ambitious, but it has nowhere near the same level of potential, and I think that’s thrown a wet blanket over the past two years.

But the New 52 seems to be this weird combination of top-down heavy-handed editorial mandate and throw-things-at-the-wall-and-see-what-sticks. The post-Crisis on Infinite Earths universe felt a lot more open and creative, like almost anything was possible.

Then again, I’m thinking of the first five years or so after COIE (before it accumulated enough complexity that they started doing things like Zero Hour and all the gimmicks we now think of as exemplifying the 1990s), and we’re only two years into the New 52, and I do remember there being a bit of a shakedown period — and I’ve had 20 years to forget the stuff that didn’t work in the late 1980s in favor of what did. So I could be seeing it through nostalgia-colored glasses.

Edited together from a pair of comments I originally posted on Reddit

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It's a cloudy day. Behind a white picket fence and green lawn, there's a whitewashed, gabled housel Most of it is two stories, but a square tower in the middle rises two more levels, and the tower is topped with a railing above which which you can just glimpse the top of a glass structure.

Point Fermin Lighthouse in San Pedro, California, at the southern tip of Los Angeles.

The Victorian lighthouse is surrounded by a city park, and the park is lined with a walkway along the top of the cliffs by the sea. Off to one end is the infamous sunken city, a suburban development that was abandoned when the land started sliding into the ocean. I took a whole slew of photos as I walked along the clifftop, and you can see the seven best on Flickr.

This is one of three lighthouses in the area that I considered driving to over the weekend for Instagram’s weekend hashtag project (theme: lighthouses), figuring it had the best chance of clear weather. No such luck. (Update: I have since been to Point Vicente many times, but I can’t remember what the third one was. Maybe the one in Long Beach by the aquarium?)

Strangely, the phone picture I chose for the project turned out to be more striking than the better shot taken with my camera. I was trying to keep the lamppost separate from the house, but it turned out I shouldn’t have.

I’m always surprised when that happens, even though it’s not that uncommon an occurrence.

The same house, but this time it's sepia-toned and fading darker toward the corners. It fills a a square frame with a border that makes it look like the holder in a really old photo album. And the angle is just different enough to make it look fuller, or bulging, or perhaps even looming above the viewer.

Photo Challenge (Instagram): Lighthouse