I was thinking about the timeline of DC Comics’ Earth-51 (home to the Great Disaster in Countdown to Final Crisis) and trying to wrap my head around what the past and present might mean for a world that’s been created and destroyed twice in as many years, and realized that some of the time paradoxes make much more sense if you consider that there’s more than one kind of time.

Real-world time is, as you’d expect, the time that passes between when two stories are published. For example, it’s been 45 years since Spider-Man first appeared in Amazing Fantasy #15 (Aug. 1962).

In-story time is the time that passes within a story. So even though it’s been 70 years since Superman first appeared on the newsstand, it’s only been 10–15 years since his debut within the DC Universe.

The tension between these two leads to a strange, fluid take on time, which has its own issues.

But then you get into time travel and cosmic retcons, and in-story time can’t quite explain things. Continue reading

As of two weeks ago, DC was still talking about its upcoming Infinite Christmas special. Yesterday, the book came out, complete with a logo based on the Infinite Crisis logo.

Only it had been renamed the Infinite Holiday special, ruining the joke.

No word on why they changed it, but someone on the Newsarama forums suggested “Christmas on Infinite Earths” would have been even funnier.

Note to those who are likely to cite this as more evidence for the non-existent “War on Christmas:” Most of the stories in the book are Christmas stories. Many of them with the word in the title. And in a country where atheists are the most distrusted minority, the idea that Christians are being persecuted is laughable. (Why do I think this footnote is going to get more comments than the actual post?)

While writing an article on Earth-Prime yesterday, I had an interesting thought linking Superboy Prime’s “continuity punches” from Infinite Crisis with the early appearances of Earth Prime.

DC Comics established Earth-Prime as the reader’s world. It was basically the same as the real world, with no super-heroes, and allowed DC characters to interact with a world in which they were fictional characters. It also allowed the comics’ writers and editors to write themselves into stories. In 1985, as DC was dismantling the multiverse concept with Crisis on Infinite Earths, they established the existence of a Superboy on Earth-Prime, just before they destroyed the universe. This Superboy returned after a 20-year absence as one of the main villains in Infinite Crisis.

Flash #228 (1974), “How I Saved the Flash,” featured writer Cary Bates traveling to Earth-1 and meeting the Flash. Up until this point, the conceit had been that on Earth-Prime, comic writers would dream about super-heroes’ adventures on Earth-1, just as Earth-1’s writers would dream about heroes on Earth-2. In this story, the connection went the other way, too: Earth-Prime’s Cary Bates was able to influence events on Earth-1 by sheer force of will, which he called “plotting power.” Continue reading

Well, all four miniseries leading into Infinite Crisis are out. I’ve also read The Return of Donna Troy and the JSA Classified arc settling Power Girl’s origin.

Verdict:

  • Villains United: Fun adventure book with bad guys. Last-issue revelation was interesting. Cheshire is genuinely insane—I can believe this is the woman who nuked a small country just to prove she wasn’t bluffing.
  • Day of Vengeance: 3-issue story stretched out to 6. Some nice character moments, but overall have to wonder what the point was.
  • OMAC Project: Suspension of disbelief hung by neck until dead. And the worst part? The most important thing to happen in the series didn’t actually happen in the series.
  • Rann/Thanagar War: Total mish-mash. Even knowing who most of the alien races were didn’t help me keep up with what side anyone was on. Someone remarked that this was like a 12-issue epic condensed (badly) into 6 issues, and that sounds about right.
  • Donna Troy: I wanted to like this book. I really did. Donna Troy, George Perez/Phil Jimenez art, a direct sequel to a classic Titans story, and they all-but ignored John Byrne’s Dark Angel retcon-fest. But all the characterizations seemed off from the first page on. Even the art didn’t grab me. (The coloring didn’t help.) And while it’s interesting to take the idea that all her origins are true, the ending—particularly how Donna dealt with the Titans of Myth—really disturbed me. (While we’re at it, Donna doesn’t need her own moon for a headquarters.)
  • Power Girl: Believe it or not, I didn’t read it for the cheesecake. Like Day of Vengeance there were some great character moments (PG and Jimmy Olsen sitting on top of the Daily Planet building while Jimmy ate lunch and tried not to stare, for instance). But I had a hard time believing this was the same Power Girl I’d read in Justice League Europe during the 1990s. (Yes, JLE was populated by caricatures of the leads—anyone who read that book and Flash should know that—but it became more serious near the end of the run.) And again, I thought that the story could have been told in half the space—even keeping the character moments. And even though I’d guessed PG’s true origin early on—or perhaps because of it—the finale felt like a let-down instead of a “Hell, yeah!” Maybe if they’d let her say “So that’s who I am!” instead of slinking back to her apartment as confused as ever, only to run into a “To be continued…” sign, it might have felt less like an Infinite Crisis setup piece and more like an origin story.

Verdict: One hit, two sorta OK, three turkeys.

On a related note, Warren Ellis’ arc on JLA Classified, which started strongly, is rapidly going downhill. The plot’s holding up, but the dialogue has gone from “Clever!” to “Okaaaay…” to “You have got to be kidding me.” J’onn’s rant last month about how we insist on calling his home planet “Mars” was one of those moments. (You know, I don’t normally refer to Japan as “Nihon,” or the capital of Russia as “Moskva,” but that doesn’t mean I’m calling them by the wrong name.) And I think Wally used the words “speed force” more times in 5 pages than he has in the last 5 years of his own book.

I was idly wondering about the way super-heroes and villains are named—not the code names, but the actual names like Clark Kent, Matt Murdock, etc. Was Hunter Zolomon destined to become Zoom? Was Roy G. Bivolo doomed to become the Rainbow Raider the moment his parents named him? And why do so many people with the initials L.L. gravitate toward Superman?

Infinite Crisis Taveren“Obviously, he’s a ta’veren!” Katie said. I laughed for a second, but then remembered an interview I’d read about Infinite Crisis. It actually fits.

Ta’veren is a term from Robert Jordan’s The Wheel of Time that refers to a person who forms a focal point for history (or, from another perspective, destiny). Threads of probability bend around them, and the unlikely becomes likely. Babylon 5 referred to the concept as a nexus. “You turn one way, and the whole world has a tendency to go the same way.” Continue reading