Tag: movies

Posted on
by

The Mighty ThorI spent more time walking around outside today, so I did get to fry a bit. (Not too much, fortunately.) Oddly enough, one of the first hall costumes I saw on Friday was Thor.

Caught the Stardust preview. It looks very promising. Neil Gaiman and Charles Vess were there, of course, plus screenwriter Jane Goldman and one of the producers. The director wasn’t there, because he was on set, filming, but they showed a few clips of “very raw” footage which was actually quite good. (And yes, they do want Tori Amos as the tree, if they manage to film the scene.)

The secret to visiting Ghirardelli’s seems to be to go at off-peak hours. We dropped in mid-afternoon, after the Stardust panel, and there were only about three people in line in front of us. Usually we go after dinner, when the main floor and panels are closed, and about half the con attendees are filling up the Gaslamp District, and they all seem to want chocolate ice cream. Of course, it being Friday may have something to do with it as well, though it was definitely more crowded than yesterday.

I was walking past the Keenspot booth, and noticed a drawing of Kestrel from Queen of Wands. Sure enough, Aeire was there. I told her I was a fan of the comic, and asked her whether she had any new projects in the works. She said she had two, one of which is a QoW sequel with Angela, that she’s working on between real life and work. (She wouldn’t say anything about the other one.)

Power of the Dark Crystal is way too early to get any sense of how it’s shaping up, but the people involved seem to be really into it. And they’ve got Brian Froud, who did the designs for the original. (The director and the lead effects guy both said one of the first things they asked when approached for the film was, “Is Brian Froud doing it?”)

We met up with our friend Wayne after the Dark Crystal panel, and went out to dinner at Masala, a new Indian restaurant on 5th Street. It appears to have replaced Octopus Garden, since it’s next to Rockin’ Baja Lobster, but looking at that photo, I’m not 100% certain it’s the same building. Anyway, great food once again.

Posted on
by

Some interesting comments by Warren Ellis in today’s Bad Signal on film budgets, and Superman Returns in particular.

$250 million puts you in spacelaunch-budget territory. For $250 million WB could’ve given Bryan Singer his own communications satellite and spent the change on a George Clooney movie.

This is the absurdity of modern Hollywood; that taking more than the GNP of Luxembourg in a single weekend is not actually enough to put a movie in the black.

It’s the “spacelaunch” comment that I find most interesting, as I made the same comparison a few years ago, from the other side of the fence: Assuming that the Spirit and Opportunity missions to Mars are typical, price-wise, it doesn’t make sense to complain that we’re “wasting” money on space exploration when a mission costs as much as two summer blockbusters. Manned missions are, of course, more expensive, but robotic missions? If we, as a society, toss away $250 million several times a year on mindless action flicks, what’s so terrible about spending a similar amount to learn something about our universe?

Yes, I know the difference is public vs. private funding. Movies are financed by studios and private investors, and space exploration is usually financed by governments, and therefore by taxes. But comparing the dollar amounts puts things in a different perspective—whether you’re astonished by the literally astronomical movie budgets, or realizing that exploring outer space is more down to Earth than it seems at first glance.

Posted on
by

Last night we went to see a screening of Twelve Monkeys, still one of my favorites. There was an odd moment in the middle, though. In the scene in which Bruce Willis and Madeline Stowe are attacked in the abandoned theater, just after Willis’ character kills the attacker, is this exchange:

“You killed him!”
“All I see are dead people.”

Nervous laughter cascaded around the theater as the audience flashed forward to The Sixth Sense and its signature catch-phrase.

Posted on
by

I love Netflix. I love their selection. I love being able to just make a list of movies I’ve been meaning to watch, and see them show up one by one. But the queue model doesn’t work so well when you want to watch a specific movie now. That’s where you need a retail store, or download-on-demand.

One of our local movie theaters is running a series of “Flashback Features”, and this coming Wednesday is Young Frankenstein. I thought, given the number of references, if would be fun to watch Son of Frankenstein before we went. No time for Netflix, and Blockbuster didn’t have it, so I decided to try a local video store.

You can find all kinds of things at local stores. Blockbuster might toss something that doesn’t pull in $X/month, or doesn’t fit their market research. Shelf space at a Blockbuster is precious. They stock lots of copies of new releases. They keep their aisles wide. And they store movies face outward, so each title takes up more space. A local video store will cram as many movies as they can onto the shelf, spine-outward, sometimes laid sideways on top of each other, and they can add more shelves until they run up against fire regulations. The space freed up by tossing an underperforming movie is nothing compared to the possibility that someday, someone might rent it. This store had videotapes that were still in the oversized boxes that went out of style in the late 1980s!

The downside, of course, is that they probably won’t have enough staff to keep this larger selection sorted. The S section at this store consisted of at least eight shelving units with four or five shelves each. I found all sorts of movies I’d forgotten about or never even heard of in the first place (there’s a Skulls III? With Glory?). If I’d been looking for a random movie to watch, it would’ve been great, but I was looking for Son of Frankenstein. By the time I gave up looking, I figured there was no point in asking a clerk whether they had it or not. Even if they did, I’d still be stuck searching through 40+ shelves.

Not that Blockbuster gets it right all the time. I noticed an anomaly in the Horror section today:

Horror shelf at Blockbuster, featuring... Deuce Bigalow: European Gigolo?!?

Although given what I’ve heard about Deuce Bigalow: European Gigolo, perhaps Horror is the right category for it.

In the end, I called up my parents and asked if they had a copy of Son of Frankenstein. It turns out they did, so the whole thing dropped out of the realm of commerce and into the realm of borrowing.