Tag: See Also: Speed Force

Posted on
by

I’m floored.

Absolutely floored that 4-day passes for Comic-Con International 2010 have sold out.

I mean, it’s the first week of November, and the convention isn’t until next July!

Tickets with access to Wednesday’s Preview Night sold out a few weeks ago, but at the time, CCI didn’t provide any information about how many regular 4-day passes were left. This Monday, they posted a progress gauge at 70%. The last time I looked yesterday, it was up to 89%.

Today? Sold out completely.

I can’t help but think it would have taken longer if they hadn’t provided a gauge to let people know just how scarce a resource memberships were going to be. There’s nothing like the fear of a shortage to get people to run out and buy up what’s available (and create a shortage). But I also can’t complain, because without that feedback, we might have kept putting off plunking down the $200 for the two of us, and we might have missed our chance.

Single-day tickets haven’t gone on sale yet, so it’s still possible to go if you haven’t already bought your tickets. You can of course buy more than one, it just means standing in line each morning to pick up the next badge. (Even the more relaxed WonderCon, run by the same organization, doesn’t let you pick up a Sunday badge on Saturday, as we discovered last year.)

If you’re planning on going to San Diego next year, keep an eye on the website. Four-day passes went insanely quickly, and I would expect the one-day passes to do the same.

Update 2019: Seeing how surprised I was is almost nostalgic, now that the entire con sells out within minutes every year. This was the tipping point.

Posted on
by

Kindle DXAmazon has announced the Kindle DX, a new version of their e-book reader with a 9.7-inch screen. Unless I’ve got my numbers wrong, that makes it larger than the standard manga page, though not quite as big as the standard American comic book page. And it’s only 1/3 of an inch thick, comparable to a typical trade paperback.

This could be the first e-reader device suitable for simply taking comics formatted for the printed page and transferring them to a tablet. No need to break it down and show one panel at a time like most iPhone or Android comics. No need to zoom and pan. Just transfer the whole page.

Sure, it’s only black and white, but there are plenty of comics produced in B&W, or reformatted for printing in cheap collections like Marvel Essentials or DC’s Showcase Presents series.

Imagine 30 years of Justice League of America or Spider-Man in the space of the latest trade.

The only drawback is the steep price tag: at $489, I’m not picking one up anytime soon.

(Reposted from Speed Force)

Posted on
by

Well, I jumped into the fray of the Comic-Con International hotel reservation system and made it across to the other side, getting through by phone after 1 hour and 20 minutes. I never did make it past the “waiting room” page online.

The weird thing about the phone reservation system is that I don’t actually know which hotel we’ve gotten yet. They took my name, contact info and top 3+ choices (I gave them 5), then handed the info to their processing center. They’ll call back (later, I assume, after the rush is over) to let me know which hotel I got. I do have a backup that I reserved directly, but the convention discount is significant, especially when you add up four days.

It was interesting watching commentary streaming by on Twitter (search for “comiccon,” “comic-con” or “comicon”) as people started out commenting, then complaining, and eventually celebrating (after about an hour) when they finally got through. Or really letting loose when the system dropped them.

Update: A reporter interviewed me about the Comic-Con hotel reservation experience. Update (3/20): Here’s the article at the Union-Tribune. I’m not quoted.

Update: I got an email confirming our reservation. It’s farther out than the backup, but it’s ~$100 cheaper (over the course of 4 days – possibly more, depending on how much the other hotel charges for internet access) and there’s a shuttle. Now to weigh ~$100 vs. walking distance and figure out which room to keep and which to free up for someone else who needs one.

Posted on
by

Some entertainment stuff I’m looking forward to this year:

Movies: Coraline

YouTube also has the trailer in HD.

I discovered Sandman late, borrowing the trades from one of my (younger) brother’s friends around 1998 or so, then immediately tracking down my own copies. I lucked out and got a complete set on eBay for something like $70. Since then I’ve devoured most of Neil Gaiman’s work, be it in comics, prose, or movie form. The original novel of Coraline was very good, and it’s been adapted by the director of The Nightmare Before Christmas, which is among my favorite movies…and what I’ve seen of the film suggests that they get it. It’s hard to believe it’s only two weeks away!

Other movies: Oddly enough, I’m only mildly interested in Terminator: Salvation, Transformers 2: Can’t Remember the Subtitle, Harry Potter and the Half-Blood Prince (the films have been steadily deteriorating after peaking with #3, IMHO), Star Trek, and Watchmen. I’ll probably see all of them, but none of them have me nearly as excited.

Comics, books, music, etc. after the cut: Continue reading →

Posted on
by

[Picture of the Flash (Barry Allen) from Showcase #4]Yesterday’s article about the Flash (warning: major spoilers for this week’s DC Universe: Zero) in the New York Daily News brings up the hero’s key role in launching the Silver Age of Comics. Superheroes had fallen out of favor in the early 1950s, and comics were exploring genres like westerns, horror, romance, etc. When DC successfully relaunched the Flash in 1956, there was an explosion of new super-hero titles.

The Daily News quotes former Flash scribe Geoff Johns as saying, “Without Barry Allen, we’d still be reading comic books about cowboys.”

I don’t think that’s precisely true. Not to discount Barry’s contribution—it’s entirely possible, even likely, that super-heroes would have remained a background genre. But for one thing, we’re looking at half a century of ephemeral pop culture. For another thing, let’s consider: why were comics going after the western, crime and horror genres when super-heroes failed? Because that’s what was popular in movies and television at the time.

I’d guess that, without the Flash revitalizing super-heroes, we would have seen more science-fiction comics in the 1960s, more police comics in the 1970s, sitcom comics in the 1980s, and so on. Comics genres would probably have followed along with trends in pop culture instead of becoming heavily focused on a single genre.

We wouldn’t be reading cowboy comics today; we’d be reading reality comics.

Perhaps the presence of multiple genres would have eventually gotten rid of the “but, you know, comics are just for kids” mentality. (Not that it’s worked for cartoons or video games yet, but video games are still relatively new, and cartoons have similarly been dominated by the musical fairy tale and slapstick comedy short.)

Eh, who knows? Maybe they’d be all about pirates.

Edit: The comment thread at The Beat also has some interesting speculation on comics without the Silver Age Flash.