Kelson Reviews Stuff - Page 53

During Comic-Con 2007 we stayed at the Radisson Harbor View again, on the cusp between Downtown San Diego and Little Italy. The hotel was in the process of being converted into the Doubletree Hotel San Diego Downtown. This meant that our room had been recently remodeled, with new carpeting and furniture. Unfortunately, it was really new—we had to air out the wardrobe and dresser to get rid of the smell of varnish. And they’d taken out the old towel hooks, and hadn’t put in the new ones yet. So that was a bit of a mixed bag.

They were still working on the lobby when we checked in, so they had moved the reception desks onto little plywood stands over on one side. One of the clerks accidentally knocked the power cord out while we were checking in. By Saturday morning they were done. The painters and plastic tarps were gone, the desks and furniture were in their places, the fountain was running.

Meanwhile, we kept coming back to our room to find that yet another item had had its Radisson logo removed or replaced with a Doubletree logo. And then there was this bulletin:

Hotel Plusses:

• Near trolley stop (Little Italy/County Center)
• Shuttle stop
• Near coffee (It’s a Grind)
• Near restaurants
• Nice rooms
• Free wireless internet (though the wired port didn’t work)
• Just remodeled, so everything’s new

Hotel Minuses:

• Shuttle has to go through traffic
• Trolley requires transfer unless you get the red line (special event service)
• Won’t be an issue next year, but we were there during the transition

Factor in waiting for a shuttle or trolley, and you can figure on 40 minutes to get to or from the convention center.

I’d stay there again, though I think next year I’ll try to get something a bit closer. Of course, I tried that this year, and by the time I got through, everything closer was either full or way too expensive.

While I liked the attitude and metatextual humor — the main character gets into arguments with the narrator, and points out odd coincidences that only make sense in video game logic… and there are a number of references to The Princess Bride in a game in which Cary Elwes voices the main character — it was also annoyingly linear. The whole game felt like one long railroad.

Admittedly the original games didn’t have much in the way of side quests, but they felt more expansive, particularly the first two in which every dungeon level was built on a 22×22 grid. You could really explore the levels, while most of the dungeons in this game are essentially start at point A and work your way to point B, hacking up two types of monsters along the way.

Update: The newer Bard’s Tale IV is much more an update of the original gameplay!

A lot of fun. My main objection was that it got hard to keep track of all the double-, triple-, and quadruple-crosses. Despite what the reviewer for the L.A. Times thinks, it doesn’t require intimate knowledge of the previous films. All you have to know are who the major players are, and how they stand in relation to each other. You can do that by seeing the other films once while sober.

Finally saw The Bride of Frankenstein (which I suspect I saw when I was maybe 10, because I recognized the framing sequence, but I don’t remember much more). It’s interesting to see just how much of the Frankenstein mythos not only isn’t in the book, but isn’t in the first movie. Much of the tearing around the countryside is in Bride, for instance, and Igor doesn’t even show up until the third movie, Son of Frankenstein (and he’s a far cry from the mad doctor’s faithful assistant!)

I enjoyed it, but I have no interest in seeing it again. It already felt like deja vu since there were so many references to the first two movies with Christopher Reeve. There were some great moments, but overall it was just kind of okay.