Category: Music

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We drove up to UCLA last night for an Aimee Mann concert, and somehow, despite all the rain on the way up and back, we managed to not need our umbrellas at all.

The concert was great, and very different from the last concert we saw at Royce Hall just by virtue of having a full band behind her (Tori Amos performed solo last time we were there). It was also very different from the last time we saw Aimee Mann, at the House of Blues last summer. For one thing, she was focusing on songs from her new album, The Forgotten Arm.

It was also much more interactive than either of the other two concerts. What stuck in my mind was the request section. She had everything set up so that people would write the request on a piece of paper and leave it on the stage, but when she got to the break, people were shouting out titles. One guy came prepared with what looked like a balsa glider and wrote his request on that, adding that it was his birthday. I don’t remember his request, but she improvised “Happy birthday to the paper airplane man.” I’ve seen singers who get talkative, and singers who improv silly songs, but it really felt like the house was much smaller than 1800 people. (Of course, you could still make a drinking game out of the number of times she says “Thank you so much” after a song.) Continue reading →

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Last night we went out to see Evita at the Orange County Performing Arts Center. It was a good production, but it was a slightly odd experience for me because it was based on the original staging by Hal Prince. Back in college, I was in a production of the show at school…and our director also based it on the original staging. Visually, the show was almost exactly what we would have done if we’d had the budget. (And a full orchestra, and more experienced actors, and so on.) They did make different choices in characterization at points—Eva was harder, Che was more comedic, etc.—but there was a definite deja vu element. (Katie will get her turn at deja vu next week when we see Carmina Burana.)

It also got me thinking about the structure of Andrew Lloyd Webber’s shows . His early works, like Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, Evita and Cats and tend to be much more presentational. There’s lots of breaking the fourth wall, large chunks of Evita are symbolic (and the second half of act 2 is very disjointed), and many of them actually have narrators (Judas, Che, or just “The Narrator” in Joseph). But by the time you get to The Phantom of the Opera, the structure is entirely narrative. I’m not sure how much of that is Lloyd Webber changing his style and how much of it is moving to a new lyricist (Tim Rice worked on Joseph, Superstar and Evita). I don’t know Starlight Express very well, but what I’ve heard seems to fit more with Phantom, Sunset Boulevard, and Whistle Down the Wind.

Looking over at that site, I’ve discovered three more ALW shows I didn’t even know about. It’s not surprising when I think about it, though. I have been out of the musical theater loop for a few years. I mean, the big exciting musical event for me this year? The film adaptation of Rent that opens next month. I’m really looking forward to that, and the show is almost 10 years old!

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Reportedly the recording industry is still pressuring Apple to raise the prices on the iTunes Music Store. They don’t seem to understand that a big part of what made iTMS a success was the 99ยข price point. It’s sometimes cheaper than buying a CD, and more importantly, you can impulse buy at that price.

Steve Jobs seems to get it, though. He’s pointing out that higher prices will just drive people back to illegal downloading.

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I was going to write a review of last night’s Tori Amos concert at the Greek Theater, but I realized I already wrote most of it about the Concert at Royce Hall back in April.

We got tickets for this one because it was a new tour, and we figured there was a chance it would be a different type of concert. Eventually it became clear from her newsletter that it was going to be the same type of show—just her, a piano, two organs and a synthesizer—but hey, we liked the last one, and we already had the tickets!

As it turned out, it was the same type of show, but a very different selection of songs. I tried to write down everything I remembered her playing last night, and compared it to the list from the last concert, and there are only 5 songs in common, all from the new album!

Some of the interesting bits: Continue reading →

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Leave it to MapQuest to remind you that the nearby railroad actually is the Atchison, Topeka & Santa Fe (and immediately lodge the song into your mind).

Actually, I’m also reminded of a Forbidden Broadway bit on a musical version of Anna Karenina, which finished with the parody, “On the Ashkabad, Tblisi and the Kiev Express.”

Of course, that may have something to do with the fact that we went out to see The Musical of Musicals: The Musical last night at the Laguna Playhouse. (It’s a musical, by the way.) It features a cast of four performing the same melodrama plot five times, once each in the styles of Rodgers & Hammerstein, Stephen Sondheim, Jerry Herman, Andrew Lloyd Webber, and Kander & Ebb. The musical styles were dead on, the show was hilarious in its own right, and it was packed with in-jokes so if you’ve seen enough of the shows they’re lampooning, it’s even better.