I always feel like this logo is warning you not to buy in the tsunami zone.
Category: Highlights
Spring! Sundogs! Silhouettes!
After an afternoon of ice skating, I talked the family into making a quick trip up to Del Cerro Park in Palos Verdes. It takes a while to get there from home, but since we were already up in the hills for the ice rink, it was about five minutes. My original plan was just to walk out there myself, spend five minutes enjoying the view and taking pictures, then head back, but the five-year-old wanted to come along rather than wait in the car with mom.
Of course kids have their own pace, and while he wasn’t terribly interested in looking out at the ocean from a hilltop a few thousand feet up, he was fascinated by a lot of the other things along the way, which was how we ended up getting close to the hilltop at the right time for this view of the sky, sundogs, cirrus clouds, criss-crossing contrails, and silhouetted trees.
To be honest, he wasn’t terribly interested in that view either. At five, checking out foxtails and giant clover and gopher holes and fragments of concrete slabs (in a suspiciously flat and rectangular depression) and looking for the entrance to an incredibly long stairway and climbing and balancing on logs and looking for “the actual park part of the park” (i.e. the playground) are more appealing, and I barely had a chance for this moment to register.
We did eventually make it up to the top of the hill and the viewpoint. The ocean was covered in haze, completely blocking the view of Catalina Island and any chance of watching the patterns made by ocean currents and waves far below. That was fine. It wasn’t the highlight for either of us.
Coastal View: Before and After the First Sunset of the Year
Del Cerro Park sits atop a hillside overlooking the Pacific Ocean and, in the distance, Catalina Island off the coast of California. Suburbs surround it on the inland side, but the hills rolling down to the sea remain mostly open space (though to be fair that’s in part because the land isn’t stable enough to build on).
Normally I can put the car right in the lot when I go there. On the afternoon of January 1, I had to park all the way on the other side of the gorge that separates the outcropping from the rest of the neighborhood. I can’t complain, because I got to see this view on the way over…and on the way back, after sunset. Continue reading
Why Kilgrave’s Power is Scarier than a Jedi Mind Trick
With Jessica Jones and Star Wars: The Force Awakens both out, it’s hard not to compare Kilgrave’s power to Jedis’ ability to influence minds. But while we admire “You don’t need to see our identification” and laugh at “Republic credits will be fine,” Kilgrave is terrifying.
It’s not just that Jedi are compassionate and Kilgrave is a total sociopath with no regard for human life who would casually make someone kill or maim themselves just because he was having a bad day. Darth Vader is just as ruthless, but doesn’t bother with the technique (in the films, at least).
It’s that the “Jedi mind trick” is explicitly shown to be limited. It’s used rarely, and only for specific commands. The first time we see it used in A New Hope, Obi-Wan Kenobi describes it as “influence” rather than control and specifically says it only works on “the weak-minded.” Willpower is sufficient to guard against it. In Return of the Jedi, Jabba the Hutt even laughs it off when Luke tries to use it on him. The only time we see any sort of long-term suggestion it’s to “go home and rethink your life.” Presumably the dealer in Attack of the Clones will be in full command of his own faculties by then, having simply been prompted to start the soul-searching.
Kilgrave, however? His commands are absolute. No matter how hard you prepare mentally, no matter how strong your will, no matter whether your actions would go against your principles, or hurt you, or hurt someone else — even someone you care about — you do it. Immediately. None of the usual trying to stop your hand from moving that you see in a lot of movies where a mind-controlling character shows up. No apparent strain on his part to keep controlling you. Implanted commands can last for hours, and he can renew his control over and over as long as he wants to.
That’s scary enough right there. Putting that level of power in the hands (well, voice) of someone who sees other people as merely tools and playthings, and whose only behavioral boundaries consist in covering his own tracks? That’s nightmare-level stuff.
Think about it this way: Emperor Palpatine spent decades manipulating key people across a galaxy into putting him in a position of absolute control over thousands of worlds. Put him in a room with Kilgrave and he wouldn’t stand a chance.
Oddly Specific Advertising
I’ve been driving past this billboard on PCH all week. I can only assume it’s part of a series of “The perfect mattress for ____” ads. Either that or they’re going for some serious niche marketing.
Epi-pen How-To
A great visual explanation of how to administer an epi-pen to someone experiencing severe anaphylaxis as a result of a food allergy, bee sting, etc. Plus commentary from Tumblr.
I’ll add: Absolutely don’t be squeamish if someone needs you to do this for them. Once I accidentally bounced the epi-pen off my leg when I jabbed myself with it during a severe reaction. You need to jab and hold it. Basically none of the medicine actually went in. Fortunately I carry a two-pack and was able to use the second injector, and I’m still around to tell the story.
Listening to Chess
I recently went through a few weeks listening to Chess over and over again. This happens every few years when I find a new (to me) recording of the musical, and then I forget about it for a few years until I stumble on another version and the cycle starts again.
I’ve never seen the show. (Update: I finally did!) It took me years to even listen the whole way through. But it’s been on my radar forever. “One Night in Bangkok” was a Top 40 hit when I was around ten. JMS used to open his Babylon 5 convention panels with a music video set to “Nobody’s Side.” The solo songs were immensely popular in my college musical theater classes: The guys who were serious about it all wanted to sing “Anthem” (can you blame them?), and I lost track of how many times I heard “Heaven Help My Heart,” “Someone Else’s Story,” and “I Know Him So Well.”
For those unfamiliar with the show, it’s about the personal rivalry between American and Soviet chess champions and the political machinations surrounding a world chess tournament during the cold war.
Contrast
One of the things I find fascinating about Chess is that it’s got two very distinct musical styles: timeless classical, and glaringly 80s synth pop, sometimes both within a song. Listen to parts of “Merano” or “Mountain Duet” or even “Anthem” and you’d be hard-pressed to say what decade they were written in. “You and I” sounds like it could be part of a 1930s movie soundtrack. But “One Night in Bangkok,” or “Pity the Child,” or “Nobody’s Side?”
Totally 80s!
After listening to the concept album, the Broadway cast album, and Chess in Concert, I’ve come to realize why it’s done that way, and why it works. The show is about duality and contrast: American vs. Soviet, East vs. West, and of course the ancient civilized game of chess and the very modern lives of those who play it.
80s synth-pop is not only perfect for the time it was written and is usually set, it offers a perfect contrast to the classical sound. You could probably update the arrangement on “I Know Him So Well” if you really want to, but what are you going to do with “One Night in Bangkok?” Or going back to “Mountain Duet,” the jump from slow, beautiful melody to jarring hard rock brings the tension from the background to the front of the scene.
Comparison
Musically, my favorite is the original concept album. The overall sound just works better for me, though it’s hard to follow the choral numbers.
The best thing about the Broadway version is Judy Kuhn. She’s amazing, and the expanded role for Florence gives her plenty of opportunities to shine. A few of the orchestrations work better too – “Heaven Help My Heart” is better without the echo, for instance. But while Philip Casnoff is good on most of the recording, he just sleepwalks through “One Night in Bangkok.” Maybe it’s a character choice that works on stage, but isolated as audio it just can’t compare to Murray Head.
The concert version has the clearest story to it, and the additional songs are fascinating for the additional layers they add. Adam Pascal and Josh Groban are great, and I like that they cast two actresses with very different voices for Florence and Svetlana. (Funny that they’re both known for playing Elphaba.) Strangely enough, Idina Menzel almost sounds too soft here (how did that happen?), but she’s grown on me as I’ve listened through a few more times.
Plus I had this great idea to do a fan video using her version of “Nobody’s Side” for Frozen.
I’ll probably never get around to it, but wouldn’t it be awesome? Or at least *ahem* cool?”