Tag: Comic Con

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It’s long been a mystery to comic fans why the city of San Diego seems so uncomfortable with Comic-Con International. After all, with upwards of 100,000 people coming in for 4 days, renting hotel rooms, buying meals and drinks, and so on, we must be giving the city an annual boost of extra income, right?

Okay, there’s the usual love-hate relationship between any tourist destination and its clientele. Plus some people get freaked out by anyone in a costume. And sure, some attendees don’t understand basic concepts of hygiene, or bear an uncanny resemblance to the Comic Book Guy. But most of us are normal people (and shower every day). And besides, we’re bringing in all this business, right?

Well, maybe not. The New York Times writes, in an article about Hollywood’s uneasy relationship with the con, that the con is “decidedly low-rent.”

No. 33 on the official tip sheet* lists the grocery chain Ralph’s Market as an alternative to dining out. The Bio International Convention in San Diego, a gathering of the biotechnology industry, with one-sixth as many attendees, produces about double Comic-Con’s $41.5 million in economic impact on the city.

Yes, that’s right. A biotech conference brings the city 12 times as much per attendee as Comic-Con. The city puts up with 6 times the strain on their roads, public transportation, and other infrastructure, for only half the reward?

No wonder they don’t like us.

So here’s a mission for those of you going to San Diego this year: Head down to the reservations pavilion in the convention center lobby at least once, and make a reservation at a nearby restaurant. The Gaslamp District is right across the street from the convention center, so there’s plenty of good food to choose from. Be clean. Be polite. Don’t order the cheapest thing on the menu with a glass of water. Tip appropriately. Overall: make a good impression.

(via Comics Worth Reading)

*Not that I can find this “official” tip sheet anywhere. Plenty of unofficial tip sheets — heck, we wrote our own a few years ago — but no sign of an official one.

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Cover: The Flash CompanionA couple of bits of news on TwoMorrows’ upcoming book, The Flash Companion by Keith Dallas. This is the book for which I wrote several articles last fall.

First, the book has been scheduled for July 23, which brings it out just in time for San Diego Comic-Con.

Second, I noticed this week that Amazon is offering 26% off on pre-orders, bringing it to $19.81.

I’ll let the official summary speak for itself (with a bit of reformatting):

The Flash Companion details the publication histories of the four heroes who have individually earned the right to be declared DC Comics’ “Fastest Man Alive”: Jay Garrick, Barry Allen, Wally West, and Bart Allen.

With articles about legendary creators Shelly Mayer, Gardner Fox, E.E. Hibbard, Julius Schwartz, Robert Kanigher, John Broome, Ross Andru, Irv Novick and all new interviews of Harry Lampert, Carmine Infantino, Cary Bates, Alex Saviuk, Mike W. Barr, Marv Wolfman, Mike Baron, Jackson Guice, Mark Waid, Scott Kolins, among others, The Flash Companion recounts the scarlet speedster’s evolution from the Golden Age to the 21st century.

Also featured are “lost covers,” never before published commission pieces by Flash artists throughout the decades, a Rogues Gallery detailing The Flash’s most famous foes (including 3 profiles by the author of this website) a tribute to late artist Mike Wieringo by Mark Waid, a look at the speedster’s 1990s TV show, and “Flash facts” detailing pivotal moments in Flash history. Written by Keith Dallas, with a cover by Don Kramer (Detective Comics, JSA) with colors by Moose Baumann (Green Lantern).

I’ve contributed three articles to the Rogues Gallery section, and a convention photo. I’ve had a chance to read some of the other articles and interviews, and this is going to be a great read for Flash fans!

Edit: One more item: This is small press, and I’m not the main author on the book, so I’m not getting paid for the articles I contributed. But I do have an Amazon Affiliate account, so if you order through this link, I’ll actually get paid a little in a roundabout way.

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I think anyone who’s been to a panel at a con in the past few years will appreciate Mark Evanier’s remarks on opening the floor to questions.

An open mike at a public event has increasingly become a magnet for people who should not be allowed near open mikes at public events. Audiences have begun to dread that portion of the program and to regard it as the signal that the event they came to see has come to an end. Thereafter, they can either leave (many do at that point) or sit there and cringe as control passes from the person they wanted to hear and goes to some stranger who, but for this opportunity, would never be speaking in front of a real audience and/or to someone of importance.

He goes on to mention the warning signs, like “On behalf of everyone here…” The people who, instead of just asking a question, need to turn it into the longest. public. statement. of. support. evar, as they pontificate about how this show changed their life, or that show inspired their writing, and can you please answer this stats question about my home-made Star Trek Role-Playing game after I read you a poem I wrote aaaaaall by myself?

No, really. I am not making this up.

As an example, at the Serenity panel at the 2005 San Diego Comic-Con, one “fan” took the floor to make a long rambling comment on behalf of fans who lived in Norway, London, England (“Both London and England?” “He’s got multiple personality disorder.”) etc. and explained that they thought Joss Whedon was “the best thing to happen to television since aerosol cheese.” Then he asked some question about the end of Angel and how they should handle some issue with the RPG. Joss tactfully handed it off to another panelist rather than tell the guy flat-out that it was a dumb (or at least inappropriate) question. (We’ve collected some more quotes from that panel.)

But this sort of thing happens all the time.

(via The Beat)

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I’ve been trying to decide whether to go to Wizard World Los Angeles this year. On one hand, it’s close. On the other hand, I just went to WonderCon last month. The astonishing thing is that a one-day ticket for WWLA costs almost as much as a 3-day membership to WonderCon. This got me thinking about comparing convention prices.

So I looked up the comic conventions in the area, plus the other two Wizard World cons that have prices up.

Convention Thu Fri Sat Sun Full
LA Comic/SciFi (a.k.a. The Shrine) $8 N/A
WonderCon (advance) $12 $12 $10 $30 = $10/day
WonderCon (onsite) $15 $15 $10 $40 ≈ $13/day
Wizard World LA, Philadelphia $25 $25 $25 $45 = $15/day
Wizard World Chicago $25 $25 $25 $50 ≈ $17/day
Comic-Con Intl. (way ahead)* $60 = $15/day
Comic-Con Intl. (advance) $25 $30 $35 $20 $75 ≈ $19/day
Comic-Con Intl. (onsite) none

And to compare to some non-comic-focused conventions, some nearby, some just big:

Convention Thu Fri Sat Sun Full
ConDor (advance) $25 ≈  $8/day
ConDor (onsite) $20 $25 $15 $50 ≈ $17/day
Loscon (advance) $35 ≈ $12/day
Westercon 61 (advance) $60 = $15/day
Gen Con Indy (advance) $35 $35 $35 $35 $60 = $15/day
Gen Con Indy (onsite) $45 $45 $45 $45 $75 ≈ $19/day
Dragon*Con (advance) $65 ≈ $16/day
Dragon*Con (onsite) $90 ≈ $22/day
Worldcon/Denvention 3 (advance) $200 = $40/day

It’s interesting to note that WonderCon (San Francisco) and ConDor (San Diego) are extremely cheap if you sign up far enough in advance. Also, when you expand to more general cons, San Diego Comic-Con is right in the middle of the range, with several conventions being more expensive. I’d guess that the more volunteer-based cons like Westercon and Worldcon probably don’t bring in as much money from exhibitors, so they’d be more dependent on memberships to keep afloat.

In compiling this, I discovered that this year, Comic-Con International isn’t going to be selling any memberships on-site. It’s going to be pre-registration only.

I guess they’re expecting it to sell out again like last year, and don’t want people to count on something they won’t be able to deliver. Plus I’m sure it’ll simplify matters for the con, since they won’t need to deal with taking money for registration.

Update: Added Loscon for nostalgia’s sake. Also fixed some links; GenCon rearranged their website sometime in the last 4 days, and I somehow typed in the wrong domain name for ConDor.

Note: These are the 2008 prices, except for the ConDor advance price, which is for 2009. All prices were obtained from the events’ websites except for the way-advance price for San Diego Comic-Con, which is simply the price I paid last summer for this year’s con. For shows with multiple membership packages, such as Wizard World, I selected the most basic package that lets you walk in the door.

*CCI always has a booth selling pre-registration for the following year’s convention at an even lower price.