WTF? Saw an ad saying “Support marriage rights” that’s in favor of Prop 8, which ELIMINATES marriage rights! Someone’s got things backwards. (discussion at LiveJournal)
Tag: Cross-Post
Dead Flash Covers
So, the real cover for the upcoming Flash: The Fastest Man Alive #13 was revealed at Heroes Con this weekend. Things don’t look promising for Bart, especially since there’s a history of Flashes dying… but let’s remember there’s also a history of Flashes (and supporting cast) appearing dead on the cover, but still making it through the issue. The full cover—and more than 20 examples of dead Flash covers—appear below. Continue reading
Minicon: LA Sci-Fi, Flash and Teen Titans: Trouble in Tokyo
Went to the Los Angeles Comic Book and Science Fiction Convention on Sunday. I’d only been to one before, last June, and it was pretty pathetic. The dealer’s room was sparse, and hardly anyone was in attendance. Or maybe they were all in the movie (IIRC it was a Wonder Woman fan film). All this seen through the context of my search for affordable copies of 1940s-era Flash Comics led to me spending a grand total of an hour there before leaving.
In fact, I wouldn’t have gone back if it weren’t for three things:
- The writers on the new Flash series would be there, signing autographs.
- One of them posted a reminder on a message board that I frequent. (I would have looked at the calendar next Friday and realized that I missed it.)
- They were screening Teen Titans: Trouble in Tokyo, a full-length movie that will otherwise only be shown on Cartoon Network.
With #3, that meant Katie wanted to come along too.
So we got up early (for a weekend), went out to breakfast at Ruby’s and drove up to LA.
I was shocked to see a line to get in. And the place was comparatively packed. I could swear there were twice as many dealers, and 2 or 3 times as many attendees. My best guess is that a lot of people stayed home in June since it was only a month before San Diego Comic-Con.
I cruised the dealer’s room, found some comic book adaptations of The Colour of Magic (1/4) and The Light Fantastic (full set), and a couple of Elric books, looked at what I thought might be the autograph table to see if Bilson and DeMeo were there (the Flash writers), didn’t see them, and joined Katie as we waited for the movie to start.
And waited.
And waited.
You see, the actor who does the voice for Beast Boy was signing autographs (and using it as a way to collect money for PETA — you got an autograph by making a $2 donation). They wanted everyone in line to get an autograph. He wanted to keep reminding people that they really should pick up some of the PETA literature he had up front.
The movie was supposed to start at 12:30, and didn’t get underway until at least 1:00. Fortunately it was a lot of fun… until 45 minutes in, when the DVD started skipping and catching. And no one did anything about it. The guy sitting at the control table, as near as anyone could tell, wasn’t even trying to do anything. After a few minutes — yes, minutes — of this, people started leaving in earnest.
I decided to make one more circuit and see if I could find the main autograph table, and it turned out that it was the table I thought, and I just hadn’t recognized them (one of them did most of the talking at the Comic-Con panel I went to, and he shaved off his beard between then and now). I spoke to them briefly, got them to sign the new Flash #1 and the Flash TV Special from 1990. (They were really impressed at the condition it was in, and asked where I got it. I explained that I’d picked it up when it was new, and kept it that whole time.)
About this time the people running the movie finally got around to fixing, cleaning, or whatever they needed to do to the DVD, so we got to see the rest of the movie.
Trouble in Tokyo was very good. The story was a bit predictable in places, but it kept up a manic pace and had tons of humor. There was a travel montage early on that was just one joke after another, and some drop-down-funny parts scattered through the film.
The one that practically had us on the floor was in a sequence with a sushi chef trying to convince Cyborg to leave his all-you-can-eat restaurant by handing him ever-more-ridiculous dishes.
We still left after maybe 4 hours, but it was an interesting four hours!
(Originally posted at LiveJournal)
To The Con: Getting into SDCC 2004 at the last minute
There! Everything’s set for Comic Con. I had been really annoyed with myself last month when I pulled out the pre-reg forms only to discover I had missed the deadline by two days, meaning we’d have to… <reverb>STAND IN LIIIINE!!!!</reverb> *cue scream*
We had to stand in line for on-site registration a few years ago, and let me tell you, it was a near-disaster. We got there before the doors opened. By the time we got through the line, it was time for lunch.
The thing is, we’d been thinking about getting a hotel room in San Diego and going for several days, which would mean we could go through the registration line on a smaller day, with (we hoped) a smaller line. Combined with the fact that we haven’t really taken a honeymoon trip, we came up with this grand plan to take the whole week off, go to San Diego, do the touristy thing for several days and wander in and out of Comic Con at the end of the week. Various things conspired to cut this down, and we ended up planning half a week.
And of course the hotels are all booked.
I went back again tonight, to see what might have opened up and to look farther out. There are places charging $150/night for Wednesday and then $750/night for Thursday through Saturday. There are places charging $200 during the week and $1000 on weekends. The price difference is just insane! I almost wanted to sign up with one of the nice hotels for the first night or two and then head over to someplace else when their rates changed. [Edit: It occurs to me that this price difference probably isn’t an insane markup for weekends/a big convention weekend. More likely it’s the difference between a standard room and a deluxe suite, and while standard rooms are available for Wednesday, they’ve all been snapped up for the weekend, leaving only deluxe rooms open.]
The really cool thing, though, is that when I checked back at the Comic Con website for hotel info, I discovered they had added ONLINE REGISTRATION. *cue choir*
So we’re pre-registered after all (even if the form does arbitrarily choose who the primary contact is when you list more than one person. I filled out myself, then Katie and it tried to use her for the credit card info and email contact. So I started over, filled in her first, then me, and it used me for billing and listed my address for email contact… but it sent her the confirmation email.)
The hotel we ended up with — after a number of false starts that ended in “sorry, no rooms available” — isn’t fantastic, but it at least looks like it isn’t a total fleabag, and it’s reasonably close to the convention center. [Edit: It was the Super 8 in Little Italy.] We could probably walk if we had to, and it looks like we ought to be able to take the trolley, except for the fact that the %^$# trolley map is so abstracted I can’t actually tell whether there’s a stop nearby. (I figure driving on Saturday, at least, won’t save us any time.)
Vacation time? Check.
Registration? Check.
Hotel Reservations? Check.
Whew!
(Originally posted at LiveJournal, and brought over here because the rest of my con posts are here, and it’s an interesting look back at a time when you could get tickets and a hotel for Comic-Con a week and a half before the event!)