Best thing about Snakes on a Plane was the Cobra Starship song at the end. Thank you, iPod for reminding me!
Tag: movies
Buggy Recipe
Found this ad for Coraline in this morning’s newspaper:
It’s kind of hard to read, between the pixel size and the printing, but the funniest bit is the blue sidebar on “Finding the Tastiest Beetles:”
Beetles are delicious creatures that live close to home. If you use beetles from your backyard or basement, check them for shiny and fully developed thoraxes (beetles still in larval stage will be chewy and bland). The most mouth-watering kind, with translucent shells and large veins, can be found in the forests of Zanzibar.
It’s so perfectly Martha Stewart for the Macabre.
Rewatching Star Wars: A New Hope
We watched Star Wars last night, the DVD version. It’s been about four years since I last saw it. When Revenge of the Sith came out, we came home and immediately re-watched A New Hope, then caught the next two films over the following week or so.
It’s been long enough that memories have blurred, and some (but not all) of the revisions to the film don’t seem jarring anymore. (I had the same experience last month with the extended versions of the Lord of the Rings trilogy, especially with the first two films.) Most of the scenes where they just wanted to do more dynamic shots, like the Millennium Falcon blasting its way out of Mos Eisley, not only blend in just fine, but really are improvements. As for Mos Eisley itself, I’m of two minds: On one hand, I liked the stark barrenness of the tiny frontier town presented in the original version. But at the same time, it does make more sense for a spaceport to be a bustling metropolis.
All the scenes with Obi-Wan, Luke, and the droids on Tattooine take on added significance after having seen just how Ben, Anakin, and Padme were connected to each other and to the droids a generation earlier.
As for additional scenes: I still think the Jabba the Hutt scene adds absolutely nothing to the film, and that if they really wanted to add it, they should have rewritten Jabba’s dialogue (an easy task) and/or edited it into something that wouldn’t simply re-hash the conversation with Greedo. The brief moment with Luke meeting Biggs, however, adds quite a bit.
At one point early in the film, I turned to Katie and said something to the effect of, “The next time they re-release this in theaters, I am absolutely going.” But the more I think about it, I’m not sure I’d want to, at least not immediately. The 1997 re-releases were great, and I saw each movie several times, but the audiences — especially the opening night audiences — were full of the hardcore fans who cheered whenever a character first appeared on screen. They were reacting to things outside the movie itself, actually distracting from it rather than enhancing the shared experience. Maybe waiting a week would cut down on that sort of thing.
Shopping Observations
- Can we get a moratorium on covers of “Last Christmas?” Actually, can we get one on the original too?
- Funny how easy it is to spot a cover by Darryl K. Sweet. It makes me want to mash up Xanth, WOT, and every other fantasy series he’s covered
- I can’t see giving someone Countdown to Final Crisis as a gift. Maybe a gag gift?
- Someone EXPANDED The Red Balloon into a full-length film????
- Nothing says Christmas like 50s xmas song played on a mall stage by a guy with a ukulele. Now he’s singing Over the Rainbow. ????
Netflix Instant
A few weeks ago I decided to try out Netflix’s Watch Instantly service by watching Stan Lee’s Lightspeed, the made-for-TV movie about a government agent turned super-speedster. It’s been on my queue for a while, and I figured I’d free up the slot for something else.
Ultimately, I was really impressed — with the service. The image and sound were very clear, and the movement smooth, even with the window playing fullscreen. I don’t think I noticed a single glitch through the entire 90 minutes. I am annoyed that it’s both Windows-only and and Internet Explorer–only, which is why it’s taken so long to try it out…but aside from that, the only thing I really missed was fine control over fast-forward and rewind.
I kind of expected it to open in a separate window, rather than in the browser, but there’s a button to make it full screen, and it automatically adjusts the video size to fit the window.
The movie itself? Not so much. It was cheesy and — worse — dull. I took a break halfway through and wasn’t sure I really cared about coming back to finish it. Heatstroke was better — and I mean that. I’ve posted a review of Lightspeed over at my Flash blog, Speed Force.
I’ve since watched one more movie through the service, The Evil Dead, which wasn’t quite as good in terms of picture quality. It was blurrier, and compression artifacts were very noticeable in darker scenes. I expect a lot of that is just due to the age of the film: it was done in 1981, and who knows when the digital transfer was made. Plus of course 90% of the movie takes place at night.