Tag: SDCC

Posted on
by

I have to confess: I’ve started seriously thinking about a netbook.

Not that I actually need a netbook. I’d only really end up using it for conventions that I’d want to post live (which would probably boil down to Comic-Con International), and I have the ability to do that using either my G1 or the laptop.

Long-time readers (all five of you 🙂 ) may remember that last year I agonized over upgrading my phone to something with real web capability until they announced wifi, and I just lugged the laptop around. Which worked fine, but it was heavy, especially the day I was also carrying around Comic Book Tattoo.

Of course, now I can use the G1 to post to my blog, or Twitter, or Facebook, or (almost) anywhere else even without wifi.

Except…

  • Typing on that tiny keyboard is slow. Not as slow as the onscreen keyboard, but still a lot slower than typing on a full-sized keyboard. Then again, netbook keyboards are also smaller than standard, so it might not be much of an improvement.
  • There’s no easy way to transfer photos from another camera. I can only think of two ways other than using a computer as an intermediary: use a Micro-SD card with adapter in the camera, or get a card reader that will clone data from an SD to a Micro-SD.

The camera issue shouldn’t bother me. Chances are I’d just end up doing what I did for WonderCon this year: post the occasional phone pic to Twitter and then upload the good photos to Flickr each evening. Just like I’d mostly be writing brief posts from the convention and detailed posts at the hotel.

Not my book, but the same page that she signed in mine.But then I remember the post I made on the Tori Amos signing last year. After the signing I was so hyped that I found a table, set up the laptop, banged out a blog post, hooked up the camera and added a couple of photos…and the post ended up getting linked on a major Tori fansite, producing a traffic spike so big that not only is the following day still this blog’s busiest day ever, but that post, even though traffic fell off over time, is the 8th most-viewed post on the site over the past year.

Still, the promise of another 15 minutes of blogfame isn’t enough to justify several hundred bucks. (Though the < $200 models that pop up on Woot from time to time have been tempting.) So I’m making an effort to practice typing with the G1, both the physical and on-screen keyboards. I’ve got Twidroid and I Tweet for posting to two Twitter accounts. I’ve got wpToGo to simplify blogging. I’ve got a plugin that will automatically liveblog using Twitter, which I still need to test.

It’s just a matter of making full use of the tools I have, rather than running after the latest cool toy.

Update: I posted this last night, but somehow it ended up backdated to the day I started it on May 20. I think wpToGo must have set a publishing date when I posted the draft. Yes, I started this post on my phone.

Posted on
by

Comic-Con International finally announced the opening of this year’s convention block in San Diego hotels: March 19.

This time last year, they’d already gone on sale and sold out.

As recently as three (or maybe four) years ago, they’d have sent a postcard by January. They used to include a full list of hotels in the winter newsletter with distance and prices. I could swear I remember them going on sale in January.

Of course, five years ago you could still book the Little Italy Super 8 only less than a month in advance. Now the discounted rooms are in such demand that they sell out in a matter of hours.

Like last year, they are only selling tickets in advance, so if you plan on attending, you should order them online.

Posted on
by

As Comic-Con International strains at the boundaries of the San Diego Convention Center, it’s begun spilling over into the city. Go back 4-5 years, and the most you would see would be the occasional street light banner or bus stop advertisement. Now, there are people handing out flyers as far out as the trolley stops, and walking around the Gaslamp in ridiculous mascot costumes (the sandwiches a few years ago, the donuts this year). There are displays near the trolley stops. There are buses wrapped with full advertisements for movies and TV shows, shuttle vans labeled U.S.S. Enterprise — there was even an ice cream truck parked for several days on 5th street with a Eureka ad on the side (and probably something inside it, but I was always on the other side of the street when I saw it).

It’s mainly the TV and film studios (except for the flyers), and it ties into something that author Robert J. Sawyer mentioned at his spotlight panel: Convention-goers are nexuses (well, nexi). We’re the people who are so into movies, TV, games, comics, etc. that we’ll put in the effort, time and expense to go to this kind of event, and we’re likely to talk about it. They’re counting on us going back to our offices or dorm rooms, hanging out with friends, blogging, posting on Twitter, or otherwise telling everyone we know about how cool this and that new movie is going to be.

In short: It’s an advertising blitz designed to kick off word-of-mouth hype, aimed at the crowd that’s both most primed to receive it and most likely to spread it.

With the massive convention floor and unbelievable crowds, they’re doing everything they can to stand out. So we get the viral marketing, like the ads for TruBlood, the Humans-Only Restrooms signs, the army of people in Quarantine outfits, the Neighborhood Watch–style sign for The Spirit. We get the swag. We get the celebrity appearances. We get displays of terra-cotta warriors to advertise The Mummy and replicas of the Owlship from Watchmen.

All that brings in more people, which of course makes the event more attractive to the studios, so they put in more effort, which brings in more people, and they start promoting movies that have nothing to do with comics, sci-fi, fantasy or horror, the genres that used to be the main focus for the con. (I remember thinking that Harold and Kumar Go to White Castle was an odd choice to promote at Comic-Con. This year, the sequel blended right in.)

The con seems to have reached an upper limit in terms of the number of people it can handle at the current venue, which is contracted through 2012. I wonder whether Hollywood will demand bigger crowds — which would probably be best handled by spilling into neighboring hotels — or be satisfied with the numbers it’s got.