Tag: concert

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Weird Al Yankovic: Straight Outta Lynwood album coverLast night we went out to the Orange County Fair to see “Weird Al” Yankovic in concert (the Straight Outta Lynwood Tour). I don’t remember how we managed it, but we got tickets for the fifth row, putting us about 10 feet from the stage. We were off to the side, maybe 20–30 feet from Al’s microphone, but still, it was the closest we’d ever been at a stadium concert.

(Being off to the side put us right by the speakers, which was an odd experience, as the drum beats resonated at the frequency of the human ribcage. On percussion-heavy songs, it was sort of like having an audio pacemaker.)

As always, he put on a fun show. If you haven’t seen him in concert before, all the major songs are done in full costume, with comedic video clips (mostly from his mid-1990s TV show) running between sets to allow time for costume changes. In the middle of the show, he always does a medley of other songs, just to get as much in as possible into a 2-hour concert.

As for being near the front, thankfully he didn’t come to our section for the audience-walk during “Wanna B Ur Lovr,” (a truly annoying song). We did get covered with red and white streamers at the end of “Canadian Idiot,” and (speaking of Monopoly money) fake $100 during “I’ll Sue Ya.”

$100 bill, Weird Al style.

One surprise: A couple of minutes into “White and Nerdy,” he suddenly stopped, said, “There’s no reason to do this song. Radio, Radio”—and the band proceeded to do a straight cover of Elvis Costello’s “Radio, Radio.” During the encore, he explained they’d had some technical difficulties, and did the song from the beginning (though without the costumes and the Segway).

Another surprise: He performed “Albuquerque.” All 10 minutes of it. *shudder*

After the concert we explored the fair a bit, then left to go to Borders to pick up Harry Potter, leading to the second part of this story…

For now, I’ll leave you with this final thought: We all have cell phones, so come on, let’s get real.

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We drove up to UCLA last night for an Aimee Mann concert, and somehow, despite all the rain on the way up and back, we managed to not need our umbrellas at all.

The concert was great, and very different from the last concert we saw at Royce Hall just by virtue of having a full band behind her (Tori Amos performed solo last time we were there). It was also very different from the last time we saw Aimee Mann, at the House of Blues last summer. For one thing, she was focusing on songs from her new album, The Forgotten Arm.

It was also much more interactive than either of the other two concerts. What stuck in my mind was the request section. She had everything set up so that people would write the request on a piece of paper and leave it on the stage, but when she got to the break, people were shouting out titles. One guy came prepared with what looked like a balsa glider and wrote his request on that, adding that it was his birthday. I don’t remember his request, but she improvised “Happy birthday to the paper airplane man.” I’ve seen singers who get talkative, and singers who improv silly songs, but it really felt like the house was much smaller than 1800 people. (Of course, you could still make a drinking game out of the number of times she says “Thank you so much” after a song.) Continue reading →

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I was going to write a review of last night’s Tori Amos concert at the Greek Theater, but I realized I already wrote most of it about the Concert at Royce Hall back in April.

We got tickets for this one because it was a new tour, and we figured there was a chance it would be a different type of concert. Eventually it became clear from her newsletter that it was going to be the same type of show—just her, a piano, two organs and a synthesizer—but hey, we liked the last one, and we already had the tickets!

As it turned out, it was the same type of show, but a very different selection of songs. I tried to write down everything I remembered her playing last night, and compared it to the list from the last concert, and there are only 5 songs in common, all from the new album!

Some of the interesting bits: Continue reading →

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Two weeks ago (April 25, specifically) we went to a Tori Amos concert in LA. It was a vastly different experience from the others we’ve been to. You see, she started out as basically her and a piano, and each album has added more and more layers of instruments. It always reminds me of a scene in Death: The Time of Your Life (Neil Gaiman has been friends with Tori since she was working on Little Earthquakes) in which Foxglove’s manager(?) is explaining that as she gets more popular, they have to book bigger and bigger venues, and beyond a certain size just a girl and her guitar isn’t going to cut it: she needs to hire a band.

Well, the “Original Sinsuality” tour provided some clues going in: It was a short tour, the venues—in this case UCLA’s Royce Hall—were comparatively small (which is why the show sold out in 10 minutes), and it was named after a “quiet Tori” song. She dispensed with the band entirely. It was just Tori Amos, a grand piano, two kinds of organs and another keyboard I couldn’t quite identify. We heard songs you never hear in concert (“Yes Anastasia,” “Doughnut Song”) or wouldn’t expect to (“Toast”), even when she takes a break from the band and does a piano set.

So, onto a review: Continue reading →

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While the stage hands were setting up for the Alanis Morissette concert last night, we noticed a sign on the stage that looked like this:

Caution: Trip Hazard

As far back as we were sitting, we couldn’t read the words, (although “Caution” was obvious, and since it was next to a bundle of cables and showed an off-balance stick figure, the meaning was clear) but it stayed up during the show, and eventually the cameras caught it in the background, and we could read it.

At that point, or possibly after the end of the song, I leaned over to Katie and remarked, “You know, ‘Trip Hazard’ sounds like a good name for a band. Or maybe an action hero.” She replied: “Can you imagine Trip from Enterprise in a superhero costume?”

And there was much laughter.

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The Orange County Fair usually has some pretty good concerts lined up. Last year, they were all free with admission, but this year, they opened up a separate venue and kicked up the price. Tonight it was Joan Osborne and Melissa Etheridge, which was a very cool concert. The volume got turned up too high too fast, but each of them put on a good show. I have to say, Melissa Etheridge has the most expressive face I’ve seen on a vocal performer in a while. They had two huge HDTV screens showing whatever the cameraguy of the moment was focusing on, and when it was on her, she could get a round of screaming out of the audience with just one note and an eyebrow. This concert made me sorry I didn’t pick up any more of her CDs during the big Wherehouse closeout a few months ago. Ah well, there are sales ahead….

The title of the post, by the way, is a misheard lyric from “I Wanna Come Over;” the real line is “To hell with the consequence.” We ran into another opportunity for humor during “Bring Me Some Water” when Kelson pointed out that not only did she already have a bottle of water, but someone had put it in a little holder on the mic stand–which was visible on the video screen. Of course, my brain started writing alternate lyrics. (Apologies to all necessary parties, including those of you who don’t know the song.)

*****

Somebody brought you some water
Can’t you see it’s there on your stand
You took it off the stage, right there at the front corner
A minute ago, with your hot little hand

Somebody brought you some water
Think I saw you sippin’ before
The music’s got my mind, and the music’s got my soul
But tonight I think logic, I think logic’s out that door

*****

Side note: They have some damn yummy fruit at the Terri’s Berries booth right by the theater. Must remember this for the Alanis Morissette concert in two weeks.