Last night we went to see a screening of Twelve Monkeys, still one of my favorites. There was an odd moment in the middle, though. In the scene in which Bruce Willis and Madeline Stowe are attacked in the abandoned theater, just after Willis’ character kills the attacker, is this exchange:
“You killed him!”
“All I see are dead people.”
Nervous laughter cascaded around the theater as the audience flashed forward to The Sixth Sense and its signature catch-phrase.
There are certain ideas that I find completely acceptable in the context of science-fiction, but completely looney in the context of actual science.
Take, for instance, Erich von Däniken’s premise that gods were really ancient alien astronauts. It’s an interesting idea, but it’s way out there in terms of science. It assumes that (a) myths are historically accurate, (b) aliens exist, and (c) low-tech humans couldn’t possibly have created things like Stonehenge, pyramids, giant stone heads, etc. Not to say it’s not possible that aliens visited the planet in the distant past—just that comparative mythology and architecture aren’t exactly compelling evidence.
On the other hand, I have no problem with the concept in science-fiction. It’s the basic premise of Stargate. The movie and early seasons of SG-1 focused on Egyptian mythology and technology, and in subsequent seasons of the show, just about every ancient legend has turned out to have an alien race behind it. It also figures into the backstory of Babylon 5, with the Vorlons having visited nearly every known race in ancient times, insinuating themselves into local religions and engineering telepaths over the course of centuries.
(via Sclerotic Rings and *** Dave)
CNET has an article on various websites related to Lost. Among them are official sites for Oceanic Airlines and The Hanso Foundation and fan sites for Mega Lotto Jackpot and Charile’s band, Drive Shaft.
I’d seen the Drive Shaft site last year (or at least a Drive Shaft site), though it seems to have exceeded its bandwidth for this month.
The official sites don’t have much detail, but they do have easter eggs…
Update (April 2010): Four and a half years later, as the show barrels toward its conclusion, only the Drive Shaft fan site is still around. Oceanic Air now redirects to ABC’s page for the show, the Hanso Foundation isn’t responding at all, and Mega Lotto Jackpot seems to have been picked up by a domain squatter.
Update (Feb 2017): In the years since I last checked, the Drive Shaft page was also taken over by a squatter, and has since gone offline.
It’s refreshing when a movie you’ve anticipated for years actually lives up to your expectations. It’s unprecedented when it happens twice in one weekend. MirrorMask and Serenity were both amazing.
The MirrorMask theater listing looks like a tour schedule, with the film opening in a few more cities each week. Unfortunately, at least some theaters that have it now won’t have it by next weekend, so we’re going to have to catch it again one night this week. Then we’ll seek Serenity again on the weekend. Somewhere in there we’ll find time for the other movies we wanted to see.
We’ve got a more thorough review of Serenity planned…
The first issue of the New Spring comic book was surprisingly good. I wasn’t sure how well Robert Jordan’s writing would translate to the medium, and of course a lot of details are lost, but Chuck Dixon has done a good job adapting the story, and Mike Miller’s art is incredible.
The book opens with a brief description of the world, then a series of splash pages showing the scope of the Aiel War, starting with thousands of Aiel pouring over the Dragonwall. From there it moves to Lan’s story, then to Moiraine’s. Two pages stand out for me: The panorama of Tar Valon, and Gitara’s Foretelling, the latter of which is most effective because it contrasts with the very realistic style of the rest of the book.
Believe it or not, I’d recommend this. Who would’ve thought I’d be excited about The Wheel of Time again?
A collection of comments, thoughts and images, some highly spoilerish and not all of them canon.
1. I framed through the end of the Vader vs. Obi-Wan battle in A New Hope after being a bit confused by it last night. Watch closely, and you’ll notice two things. First, Vader’s lightsaber appears to go through Obi-Wan’s, about an inch above the hilt. This I can pin on imperfect special effects and then get on with my life. However, the second thing is that Obi-Wan’s robes start collapsing before the lightsaber even touches him. Kelson, watching it, said, “Does Vader even connect with a body?” I don’t think he does. Which looks like a very plausible solution to the disappearing-Jedi conundrum: if Obi-Wan wasn’t actually killed in action, then all evidence points to non-violent death being the only way to disappear.
2. This time through A New Hope, I had the strange experience of mentally hearing a parallel voice track for Vader, with Hayden Christensen speaking many of his lines. I don’t know how much of this is my own overactive brain (fueled by coffee and Honey Smacks, no less) and how much is a reflection on the acting/directing/writing, but it’s very cool.
Fallen Angel is ending with #20, and Babylon 5: The Memory of Shadows has fallen through.
However, JMS has always said, “If they can do a Brady Bunch movie, you can be sure that sooner or later, somebody’s going to do a B5 movie.” Even better, it turns out that while Warner Bros. owns the B5 TV show lock, stock and barrel, JMS owns the movie rights…so he’s in a position to make sure that whoever does do a B5 movie will get it right. “To that end,” he says… “I can wait.”
As for Fallen Angel, I suspect the timing of the decision means DC either wasn’t waiting for sales after all, or was going on pre-orders from stores. Peter David cryptically remarks, “We are not, however, quite dead yet.” It’s not clear what he means, but the characters are creator-owned, and the series isn’t tied to the DC Universe, so it’s entirely possible for them to pop up again at another publisher. Only time will tell.
